Thinking Reality And Time Through Film

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Thinking Reality and Time through Film

Author : José Manuel Martins,Christine Reeh
Publisher : Cambridge Scholars Publishing
Page : 315 pages
File Size : 48,5 Mb
Release : 2017-03-07
Category : Performing Arts
ISBN : 9781443879583

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Thinking Reality and Time through Film by José Manuel Martins,Christine Reeh Pdf

Over the last few decades, film has increasingly become an issue of philosophical reflection from an ontological and epistemological perspective, and the claim “doing philosophy through film” has raised extensive discussion about its meaning. The mechanical reproduction of reality is one of the most prominent philosophical questions raised by the emergence of film at the end of the nineteenth century, inquiring into the ontological nature of both reality and film. Yet the nature of this audio-photographic and moving reproduction of reality constitutes an ontological puzzle, which has widely been disregarded as a main line of enquiry with direct consequences for philosophy. Regarding this background, this volume brings together the best papers from the Lisbon Conference on Philosophy and Film: Thinking Reality and Time through Film, held in 2014. What they all have in common is the discussion of new aspects and approaches of how philosophy relates to film. Whether by philosophizing through concrete examples of films or whether looking at film’s ontological reliance on time and image, or its intra-active entanglement with reality or truth, this book explores grasp film’s nature philosophically, and provides new insights for the film philosopher and the filmmaker, as well as for the freshman fascinated by film for philosophical reasons.

Cinema Illuminating Reality

Author : Victor Fan
Publisher : U of Minnesota Press
Page : 337 pages
File Size : 43,7 Mb
Release : 2022-03-29
Category : Performing Arts
ISBN : 9781452964317

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Cinema Illuminating Reality by Victor Fan Pdf

A new critical approach to cinema and media based on Buddhism as a philosophical discourse How can a philosophical discourse generated in Asia help us reframe and renew cinema and media theory? Cinema Illuminating Reality provides a possible way to do this by using Buddhist ideas to examine the intricate relationship between technicity and consciousness in the cinema. The resulting dialogue between Buddhism and Euro-American philosophy is the first of its kind in film and media studies. Victor Fan examines cinema’s ontology and ontogenetic formation and how such a formational process produces knowledge, political agency, and in-aesthetics. Buddhism allows Fan to deconstruct binary thinking and reimagine media as an ecology, rethinking cinema in relational terms between the human and the machine. Along the way, Fan considers a wide variety of case studies from around the globe, while paying special attention to how contemporary Tibeto-Sinophone filmmakers have adopted relational thinking to detail ways of rebuilding a world that appears to be beyond repair. From Chinese queer cinema to a reexamination of Japanese master Ozu’s work and its historical reception to Christian Petzold’s 2018 existential thriller Transit, CinemaIlluminating Reality forges a remarkable path between Buddhist studies and cinema studies, casting vital new light on both of these important subjects.

Thinking Revolution Through Film

Author : Hanno Berger
Publisher : Walter de Gruyter GmbH & Co KG
Page : 234 pages
File Size : 55,5 Mb
Release : 2022-09-19
Category : Literary Criticism
ISBN : 9783110754704

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Thinking Revolution Through Film by Hanno Berger Pdf

This book aims to redefine the relationship between film and revolution. Starting with Hannah Arendt’s thoughts on the American and French Revolution, it argues that, from a theoretical perspective, revolutions can be understood as describing a relationship between time and movement and that ultimately the spectators and not the actors in a revolution decide its outcome. Focusing on the concepts of ‘time,’ ‘movement,’ and ‘spectators,’ this study develops an understanding of film not as a medium of agitation but as a way of thinking that relates to the idea of historicity that opened up with the American and French Revolution, a way of thinking that can expand our very notion of revolution. The book explores this expansion through an analysis of three audiovisual stagings of revolution: Abel Gance’s epic on the French Revolution Napoléon, Warren Beatty’s essay on the Russian Revolution Reds, and the miniseries John Adams about the American Revolution. The author thereby offers a fresh take on the questions of revolution and historicity from the perspective of film studies.

Thinking Through Film

Author : Damian Cox,Michael Levine
Publisher : John Wiley & Sons
Page : 290 pages
File Size : 55,8 Mb
Release : 2011-09-26
Category : Philosophy
ISBN : 9781405193436

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Thinking Through Film by Damian Cox,Michael Levine Pdf

THINKING THROUGH FILM Thinking Through Film provides the best introduction available to the diverse relationships between film and philosophy. Clearly written and persuasively argued, it will benefit students of both film and philosophy. Thomas E. Wartenberg, Mount Holyoke College, author of Thinking on Screen: Film as Philosophy Cox and Levine’s admirable Thinking Through Film picks up where Philosophy Goes to the Movies left off, arguing that films not only do philosophy but, in some cases, do it better than philosophers! The result is a rich and rewarding examination of films – from metaphysical thought experiments, personal identity puzzles, to reflections on the meaning of life – that shows, in bracing, no-nonsense fashion, how popular cinema can do serious philosophy. Robert Sinnerbrink, Macquarie University Thinking Through Film: Doing Philosophy, Watching Movies examines a broad range of philosophical issues though film, as well as issues about the nature of film itself. Using film as a means of philosophizing, it combines the experience of viewing films with the exploration of fundamental philosophical issues. It offers readers the opportunity to learn about philosophy and film together in an engaging way, and raises philosophical questions about films and the experience of films. Film is an extremely valuable way of exploring and discussing topics in philosophy. Readers are introduced to a broad range of philosophical issues though film, as well as to issues about the nature of film itself – a blend missing in most recent books on philosophy and film. Cox and Levine bring a critical eye to philosophical-film discussions throughout.

Being and Film

Author : Christine Reeh-Peters
Publisher : Cambridge Scholars Publishing
Page : 186 pages
File Size : 45,6 Mb
Release : 2021-03-16
Category : Performing Arts
ISBN : 9781527567429

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Being and Film by Christine Reeh-Peters Pdf

This book develops the so-called “solaristic ontology” of film by building a philosophical system based on an inquiry into the nature of film, being and reality. This “solaristic system” appropriates the aesthetic ideas and principles of thought present in the 1972 sci-fi movie Solaris by Andrei Tarkovsky. This movie is the main center of analysis here since it is highly symptomatic of the medium’s philosophical self-reflexivity and its intriguing correlation with reality and being. The “solaristic science” is a fictional science introduced in the movie’s diegesis and dedicated to the investigation of the planet Solaris, an unattainable challenge. In this sense, the solaristic system closes the film’s narrative by telling a philosophical story on the planet Solaris. The book thus details a philosophical form of concept art, and, at the same time, builds on previous results of film philosophy, as well as the speculative turn in contemporary philosophy.

Refractions of Reality: Philosophy and the Moving Image

Author : John Mullarkey
Publisher : Springer
Page : 286 pages
File Size : 40,5 Mb
Release : 2008-12-11
Category : Performing Arts
ISBN : 9780230582316

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Refractions of Reality: Philosophy and the Moving Image by John Mullarkey Pdf

This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.

The Autofictional

Author : Alexandra Effe,Hannie Lawlor
Publisher : Springer Nature
Page : 343 pages
File Size : 51,5 Mb
Release : 2022-01-03
Category : Literary Criticism
ISBN : 9783030784409

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The Autofictional by Alexandra Effe,Hannie Lawlor Pdf

This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.

Thinking on Screen

Author : Thomas E. Wartenberg
Publisher : Routledge
Page : 205 pages
File Size : 52,9 Mb
Release : 2007-10-31
Category : Performing Arts
ISBN : 9781135975883

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Thinking on Screen by Thomas E. Wartenberg Pdf

Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film.

Inception and Philosophy

Author : Thorsten Botz-Bornstein
Publisher : Open Court
Page : 288 pages
File Size : 41,9 Mb
Release : 2011-10-14
Category : Philosophy
ISBN : 9780812697384

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Inception and Philosophy by Thorsten Botz-Bornstein Pdf

You have to go deeper. Inception is more than just a nail-biting heist story, more than just one of the greatest movies of all time. The latest neuroscience and philosophy of mind tell us that shared dreams and the invasion of dreams may soon become reality. Inception and Philosophy: Ideas to Die For takes you through the labyrinth, onto the infinite staircase, exploring the movie’s hidden architecture, picking up its unexpected clues. How will Inception change your thinking? You can’t imagine. How will Inception and Philosophy change your life? You simply have no idea.

The Real of Reality: The Realist Turn in Contemporary Film Theory

Author : Anonim
Publisher : BRILL
Page : 274 pages
File Size : 50,5 Mb
Release : 2021-08-30
Category : Philosophy
ISBN : 9789004466760

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The Real of Reality: The Realist Turn in Contemporary Film Theory by Anonim Pdf

Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”

Sculpting in Time

Author : Andrey Tarkovsky,Kitty Hunter-Blair
Publisher : University of Texas Press
Page : 260 pages
File Size : 53,9 Mb
Release : 1989-04
Category : Performing Arts
ISBN : 0292776241

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Sculpting in Time by Andrey Tarkovsky,Kitty Hunter-Blair Pdf

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity

Suttree

Author : Cormac McCarthy
Publisher : Vintage
Page : 482 pages
File Size : 51,6 Mb
Release : 2010-08-11
Category : Fiction
ISBN : 9780307762474

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Suttree by Cormac McCarthy Pdf

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there—a brilliantly imagined collection of eccentrics, criminals, and squatters—he rises above the physical and human squalor with detachment, humor, and dignity. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

Doing Time

Author : Lee Carruthers
Publisher : State University of New York Press
Page : 188 pages
File Size : 50,9 Mb
Release : 2016-06-06
Category : Performing Arts
ISBN : 9781438460871

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Doing Time by Lee Carruthers Pdf

Proposes that cinematic time is not a fixed idea, but a dynamic exchange between film and viewer. Doing Time addresses two areas of interest in recent film study—film temporality and film philosophy—to propose an innovative theorization of cinematic time that sees it as a dynamic process of engagement, or something we do as viewers. This active relation to cinematic time, which discloses a film’s temporal character, is called its “timeliness.” Here it is traced across a range of fascinating case studies from Hollywood and the global art cinema, uncovering each film’s characteristic way of “doing time.” Throughout, the ambiguities of filmic time are held as powerful attractions as they modulate film viewing: such pauses, gaps, repetitions, and stretches of time illuminate a living field that extends from viewing activity. Drawing on the writings of French film critic and theorist André Bazin, as well as the phenomenology of Martin Heidegger and Maurice Merleau-Ponty, Lee Carruthers forwards a claim about the value of cinematic time for thinking. She also raises the tasks of film analysis and interpretation to renewed visibility. By prioritizing the viewer’s experience of filmic temporality, and offering a rich vocabulary for describing this exchange, Carruthers articulates a new sphere of theoretical inquiry that invites film viewers (and readers) to participate. Lee Carruthers is Assistant Professor of Film Studies at the University of Calgary.

Film, Philosophy, and Reality

Author : Nathan Andersen
Publisher : Routledge
Page : 204 pages
File Size : 40,8 Mb
Release : 2018-12-21
Category : Philosophy
ISBN : 9781317805823

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Film, Philosophy, and Reality by Nathan Andersen Pdf

Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.

Thinking in the Dark

Author : Murray Pomerance,R. Barton Palmer
Publisher : Rutgers University Press
Page : 320 pages
File Size : 40,9 Mb
Release : 2015-10-16
Category : Performing Arts
ISBN : 9780813575605

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Thinking in the Dark by Murray Pomerance,R. Barton Palmer Pdf

Today’s film scholars draw from a dizzying range of theoretical perspectives—they’re just as likely to cite philosopher Gilles Deleuze as they are to quote classic film theorist André Bazin. To students first encountering them, these theoretical lenses for viewing film can seem exhilarating, but also overwhelming. Thinking in the Dark introduces readers to twenty-one key theorists whose work has made a great impact on film scholarship today, including Rudolf Arnheim, Sergei Eisenstein, Michel Foucault, Siegfried Kracauer, and Judith Butler. Rather than just discussing each theorist’s ideas in the abstract, the book shows how those concepts might be applied when interpreting specific films by including an analysis of both a classic film and a contemporary one. It thus demonstrates how theory can help us better appreciate films from all eras and genres: from Hugo to Vertigo, from City Lights to Sunset Blvd., and from Young Mr. Lincoln to A.I. and Wall-E. The volume’s contributors are all experts on their chosen theorist’s work and, furthermore, are skilled at explaining that thinker’s key ideas and terms to readers who are not yet familiar with them. Thinking in the Dark is not only a valuable resource for teachers and students of film, it’s also a fun read, one that teaches us all how to view familiar films through new eyes. Theorists examined in this volume are: Rudolf Arnheim, Béla Balázs, Roland Barthes, André Bazin, Walter Benjamin, Judith Butler, Stanley Cavell, Michel Chion, Gilles Deleuze, Jean Douchet, Sergei Eisenstein, Jean Epstein, Michel Foucault, Siegfried Kracauer, Jacques Lacan, Vachel Lindsay, Christian Metz, Hugo Münsterberg, V. F. Perkins, Jacques Rancière, and Jean Rouch.