The Photographic Uncanny

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The Photographic Uncanny

Author : Claire Raymond
Publisher : Springer Nature
Page : 329 pages
File Size : 52,6 Mb
Release : 2019-11-23
Category : Photography
ISBN : 9783030284978

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The Photographic Uncanny by Claire Raymond Pdf

This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.

Dolls, Photography and the Late Lacan

Author : Rosalinda Quintieri
Publisher : Routledge
Page : 188 pages
File Size : 45,7 Mb
Release : 2020-12-30
Category : Art
ISBN : 9781000300147

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Dolls, Photography and the Late Lacan by Rosalinda Quintieri Pdf

In this fascinating new book, Rosalinda Quintieri addresses some of the key questions of visual theory concerning our unending fascination with simulacra by evaluating the recent return of the life-size doll in European and American visual culture. Through a focus on the contemporary photographic and cinematic forms of this figure and a critical mobilisation of its anthropological complexity, this book offers a new critical understanding of this classical aesthetic motif as a way to explore the relevance that doubling, fantasy and simulation hold in our contemporary culture. Quintieri explores the figure of the inanimate human double as an "inhuman partner", reflecting on contemporary visuality as the field of a hypermodern, post-Oedipal aesthetic. Through a series of case studies that blur traditional boundaries between practices (photography, performance, sculpture, painting, documentary) and between genres (comedy, drama, fairy tale), Quintieri puts in contrast the new function of the double and its plays of simulations on the background of the capitalist injunction to enjoy. Engaging with new theories on post-Oedipal forms of subjectivity developed within the Lacanian orientation of psychoanalysis, Quintieri offers exciting analyses of still and moving photographic work, giving body to an original aesthetic model that promises to revitalise our understanding of contemporary photography and visual culture. It will appeal to psychoanalysts and researchers from Lacanian psychoanalysis, visual studies and cultural theory, as well as readers with an academic interest in the cultural history of dolls and the theory of the uncanny.

Magical Surfaces

Author : Parasol Unit: Foundation for Contemporary Art (London),Ziba de Weck
Publisher : Unknown
Page : 100 pages
File Size : 52,9 Mb
Release : 2017-12
Category : Photography
ISBN : 0993519504

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Magical Surfaces by Parasol Unit: Foundation for Contemporary Art (London),Ziba de Weck Pdf

To mark the occasion of the exhibition, Magical Surfaces: The Uncanny in Contemporary Photography, Parasol unit has published a comprehensive, limited edition publication.0The works of the seven artists selected for this exhibition, Sonja Braas, David Claerbout, Elger Esser, Julie Monaco, Jörg Sasse, Stephen Shore and Joel Sternfeld, all reveal in varying forms the idea of the uncanny ? from the magical to the strange and fearful. Each of the exhibiting artists has chosen their own process, either manipulating photographic imagery or creating such settings, which prompts us to marvel at the many ways the uncanny can occur in surfaces and realise once more that any photograph is indeed authored.00Exhibition: Parasol unit foundation for contemporary art, London, UK (13.04.-19.06.2016).

The Uncanny

Author : Anonim
Publisher : Gost Books
Page : 0 pages
File Size : 53,6 Mb
Release : 2023-08-21
Category : Electronic
ISBN : 1910401722

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The Uncanny by Anonim Pdf

The Uncanny is a personal visual exploration of the Democratic Republic of Congo by Belgian photographer Léonard Pongo. Collaborating with friends and family in the country, Pongo became immersed in their vision. He let them decide what he should witness as he attempted to understand the region, reconnect with his heritage and reconcile his preconceptions with realities. In 2011, Pongo travelled to the Democratic Republic of Congo to photograph the country's general election and its impact on society. He soon became aware that, as a European educated photographer he could neither define which stories mattered nor were they his to tell. As his awareness of this increased, he came to terms with the limits of photography to show 'the truth' as well as his own limitations in accessing and understanding the environment, bias, and stereotypes. The project evolved into the photographs which form his first book The Uncanny.

Photography and Surrealism

Author : David Bate
Publisher : Routledge
Page : 245 pages
File Size : 53,8 Mb
Release : 2020-08-12
Category : Art
ISBN : 9781000213485

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Photography and Surrealism by David Bate Pdf

David Bate examines automatism and the photographic image, the Surrealist passion for insanity, ambivalent use of Orientalism, use of Sadean philosophy and the effect of fascism of the Surrealists. The book is illustrated wtih a wide range of surrealist photographs.

The Selfie, Temporality, and Contemporary Photography

Author : Claire Raymond
Publisher : Taylor & Francis
Page : 189 pages
File Size : 47,5 Mb
Release : 2021-05-09
Category : Art
ISBN : 9781000379983

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The Selfie, Temporality, and Contemporary Photography by Claire Raymond Pdf

This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.

Impure Vision

Author : Moa Goysdotter
Publisher : Nordic Academic Press
Page : 146 pages
File Size : 49,6 Mb
Release : 2015-01-01
Category : Photography
ISBN : 9789187351020

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Impure Vision by Moa Goysdotter Pdf

American staged art photography is the focus of this unique, in-depth study. Offering a new methodological strategy for viewing photographs, this fascinating account analyzes the work of four of the leading names in this new genre - Les Krims, Duane Michals, Arthur Tress, and Lucas Samaras - and applies new perspectives to 1970s art photography. As it sheds fresh light on the four artists' critiques of purist ideals, it also looks closely at their efforts to transcend the limitations of the purely visual effect of photography. Not only does this book tell the history of American staged photography in broad terms by drawing on theories and methods new to the field, but it also presents the latest approaches to photography history and theory.

Women Photographers and Feminist Aesthetics

Author : Claire Raymond
Publisher : Taylor & Francis
Page : 242 pages
File Size : 51,5 Mb
Release : 2017-04-21
Category : Art
ISBN : 9781317242468

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Women Photographers and Feminist Aesthetics by Claire Raymond Pdf

Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.

Surface Imaginations

Author : Rachel Alpha Johnston Hurst
Publisher : McGill-Queen's Press - MQUP
Page : 273 pages
File Size : 48,6 Mb
Release : 2015-11-01
Category : Social Science
ISBN : 9780773597754

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Surface Imaginations by Rachel Alpha Johnston Hurst Pdf

Versatile, trendy, and resilient, the global cosmetic surgery industry shows no signs of decline, especially with its promises, not just of aesthetic improvement, but of absolute transformation. Introducing the concept of "surface imagination," Rachel Hurst discusses the fantasy that a change to the exterior will enhance the interior, or that the outside is more significant because it fashions the inside. Drawing on psychoanalysis, feminist theory, popular culture, the history of medicine, and interviews with women who have undergone cosmetic procedures, Hurst explores the tensions between the two primary surfaces of cosmetic surgery: the photograph and the skin. The photograph, an idealized surface for envisioning the effects of cosmetic surgery, allows for speculation and retouching, predictably and without pain. The skin, on the other hand, is a recalcitrant surface that records the passage of time and heals unpredictably. Ultimately, Hurst argues, the fantasy of surface imagination corroborates the belief that one's body is mutable and controllable, and that control over one's body permits control over one's social, emotional, and mental suffering. Acknowledging the varied experiences and opinions of the patients interviewed, but also critiquing the promises made by the industry, Surface Imaginations develops an innovative approach to thinking about cosmetic surgical transformations through the seduction of surfaces.

Monstrous Bodies

Author : Anonim
Publisher : BRILL
Page : 204 pages
File Size : 42,5 Mb
Release : 2020-05-11
Category : History
ISBN : 9781684175574

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Monstrous Bodies by Anonim Pdf

Monstrous Bodies is a cultural and literary history of ambiguous bodies in imperial Japan. It focuses on what the book calls modern monsters—doppelgangers, robots, twins, hybrid creations—bodily metaphors that became ubiquitous in the literary landscape from the Meiji era (1868–1912) up until the outbreak of the Second Sino–Japanese War in 1937. Such monsters have often been understood as representations of the premodern past or of “stigmatized others”—figures subversive to national ideologies. Miri Nakamura contends instead that these monsters were products of modernity, informed by the newly imported scientific discourses on the body, and that they can be read as being complicit in the ideologies of the empire, for they are uncanny bodies that ignite a sense of terror by blurring the binary of “normal” and “abnormal” that modern sciences like eugenics and psychology created. Reading these literary bodies against the historical rise of the Japanese empire and its colonial wars in Asia, Nakamura argues that they must be understood in relation to the most “monstrous” body of all in modern Japan: the carefully constructed image of the empire itself.

Making Animals Public

Author : Anonim
Publisher : Sydney University Press
Page : 205 pages
File Size : 52,6 Mb
Release : 2024-06-01
Category : Performing Arts
ISBN : 9781743329702

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Making Animals Public by Anonim Pdf

Making Animals Public: television, animality and political engagement focuses on the proliferation of animal content on television and how this has transformed how animals are known and encountered, generating unique modes of televisual animality. The book examines the multiplicity of public realities and knowledges that animals on TV have constituted: from scientific objectivity, to the unique Australian environment, to controversial victims of gross exploitation. Just as television has made animals public in very particular ways, it has also made new publics that have learnt to be affected by them. Thanks to extraordinary access to the ABC’s Natural History and general archives, the authors are able to investigate the dynamic relation between making animals public and making publics over time.

Photography Degree Zero

Author : Geoffrey Batchen
Publisher : Unknown
Page : 312 pages
File Size : 52,8 Mb
Release : 2009
Category : Photographic criticism
ISBN : UCSD:31822037455235

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Photography Degree Zero by Geoffrey Batchen Pdf

Roland Barthes's 1980 book Camera Lucidais perhaps the most influential book ever published on photography. The terms studiumand punctum,coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero,the first anthology of writings on Camera Lucida,goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero(the title links Barthes's first book, Writing Degree Zero,to his last, Camera Lucida)includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucidaand its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero,and the focus on Camera Lucidain the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work. Contributors: Geoffrey Batchen, Victor Burgin, Eduardo Cadava, Paolo Cortes-Rocca, James Elkins, Michael Fried, Jane Gallop, Gordon Hughes, Margaret Iverson, Rosalind E. Krauss, Carol Mavor, Margaret Olin, Jay Prosser, Shawn Michelle Smith

Analog Fictions for the Digital Age

Author : Julia Breitbach
Publisher : Camden House
Page : 250 pages
File Size : 53,8 Mb
Release : 2012
Category : Art
ISBN : 9781571135407

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Analog Fictions for the Digital Age by Julia Breitbach Pdf

Shows how current photographic discourse can illuminate the analysis of recent literary realism and proposes a truly original photographic hermeneutics for literary study. Both realist, post-postmodernist aesthetics in the twenty-first century and the legacy of analog photography in its recent digital incarnation depend on an aesthetics of trust and a sense of contingent referentiality. Julia Breitbach's innovative study demonstrates how current photographic discourse may be used as an illuminating critical idiom for the analysis of recent forms of literary realism, thus proposing a photographic hermeneutics for the study ofliterature. Along with a thorough critical investigation of both fields, Breitbach offers a pioneering theoretical exploration of analog and digital photography based on recent "thing theory," which she then applies to in-depth analyses of realist aesthetics in selected post-millennial novels by Don DeLillo, Michael Ondaatje, and Ali Smith, yielding fresh perspectives on the remediation between photography and literature in the twenty-first century. An original contribution to the study of contemporary Anglophone literatures with an interdisciplinary appeal, this study will be of interest especially to scholars and students in Anglophone literary studies, comparative literature, cultural studies, and media studies. Julia Breitbach is Assistant Professor in the Department of American Studies at the University of Konstanz, Germany.

The Cobra Movement in Postwar Europe

Author : Karen Kurczynski
Publisher : Routledge
Page : 269 pages
File Size : 46,5 Mb
Release : 2020-07-12
Category : Art
ISBN : 9781351034487

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The Cobra Movement in Postwar Europe by Karen Kurczynski Pdf

This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948–1951). Although the name stood for the organizers’ home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of the Second World War, to create artistic experiments capable of facing the challenges of postwar society. It explores how Cobra’s experimental, often collective art works and publications relate to broader debates in Europe about the use of images to commemorate violent events, the possibility of free expression in an art world constrained by Cold War politics, the breakdown of primitivism in an era of colonial independence movements, and the importance of spontaneity in a society increasingly dominated by the mass media. This book will be of interest to scholars in art history, 20th-century modern art, avant-garde arts, and European history.

Deja View

Author : Martin Parr,Anonymous Project
Publisher : Unknown
Page : 144 pages
File Size : 54,9 Mb
Release : 2021-10-21
Category : Electronic
ISBN : 191431414X

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Deja View by Martin Parr,Anonymous Project Pdf

In a unique visual dialogue, Deja View brings together the work of beloved photographer Martin Parr, master of capturing the art in everyday existence, with The Anonymous Project's archive of unidentified vintage slides, collected from across Europe and America. Surprising and delighting in their similarity, these affectionately matched images celebrate photography's power to capture the small moments of humour, warmth, ennui and absurdity that are in fact our most important of all.