The Pianos I Have Known The Autobiography Of Irving Fields
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The Pianos I Have Known: The Autobiography Of Irving Fields by Irving Fields,Tony Sachs Pdf
Jewish pianist/composer Irving Fields formed one of the first piano-bass-drum trios in jazz, going on to compose song performed by Frank Sinatra, Louis Armstrong, Xavier Cugat, Guy Lombardo, Dinah Shore, Sarah Vaughan and others. In 1959 made history by fusing Latin and jazz music on his album "Bagels And Bongos", followed by a series of albums fusing jazz with world rhythms and his legacy was set. Irving died in 2016 at age 101. In his 90's his wrote this autobiography about his life with the help of Huffington Post columnist and former music store owner Tony Sachs. It was edited by music writer Aaron Joy with an introduction by cocktail pianist Albert Aprigliano.
Heavy Metal Music From The Inside: Quotes On Being A Rocker by Aaron Joy Pdf
A rock musician's life is glamorous, but it is also a winding road of learning and discovery with no clear road signs to guide by. This book broadly paints this unique journey via the words of those who have done it and have much to share following both successes and failures ... or at least stuff to vent about. This book - written by a musician and label owner known for his music crossword book series - goes deep inside the music business and into the musician's life, looking for the real struggle, real life and real feelings. It tries to paint the otherwise invisible street signs as it charts the life of a musician from learning an instrument to being in a band to breaking up, quoting both mainstream and indie musicians. While the book may be focused on the heavy metal/hard rock experience, the story it tells is actually one any struggling or successful working musician will relate to. This is unlike any other music quote book around and is more than a collection of thoughts but an education.
Drivin' Sideways: The Story Of The Band Danger Danger by Aaron Joy Pdf
This is the first book on Danger Danger, charting their life via researched history and words from all the members, from their early days as Hotshot to their quasi-reunion via the Defiants. This is an unauthorized fan publication. Many critics lump them in with their 1980's peers, but further listening makes it evident that Danger Danger had so much more to offer. While in the glam metal bubble their many textures got lost, only to then reinvent themselves once the grunge wave hit the musical shores. While the members have worked with Michael Bolton, Billy Sheehan, Motley Crue, Peter Criss, Alice Cooper, White Lion, David Lee Roth, Y&T, Megadeth, Joan Jett, Asia, Dee Snider, and Dio, among others. Now comes the history of Steve West, Bruno Ravel, Ted Poley, Paul Laine, Mike Pont, Phil Naro, Rob Marcello, Andy Timmons, Tony ""Bruno"" Rey, Al Pitrelli, Kasey Smith; touring members Steven Mazza of the Ted Poley Band, Steve Brown of Trixter, Scott Brown of Trooper; and roadie Kelly Nickels later of L.A. Guns.
Into Da Bright: Poetry Inspired And In Tribute To The Ruchira Avatar Adi Da Samraj by Aaron Joy,Marino Lee Ann B. Pdf
Adi Da Samraj is a Eastern based guru and teacher unparalleled ...a prolific intellect, writer and artist ...the promised God-Man ...and the divine Ruchira (Bright) Avatar. He's been known over the decades by many names and like many teachers has had his share of controversy, but what he taught and the connection he's made with countless followers goes beyond normal understanding and or the common social landscape. His profundity might be his greatest gift and makes the controversy trivial for many who have come into his presence. These poems by a devotee were written between 2009 and 2013 and look at the relationship of the student to the teacher, the guru, the Bright, God. Yet, they also go beyond Adi Da Samraj to look at spirituality on the whole, the dilemma of an earthly existence, the search for God.
Mazal Tov, Amigos! Jews and Popular Music in the Americas by Amalia Ran,Moshe Morad Pdf
Mazal Tov, Amigos! Jews and Popular Music in the Americas explores the sphere of Jews and Jewishness in the popular music arena in the Americas, by creating a framework for the discussion of new and old trends from an interdisciplinary standpoint.
New Beat Poetry Circus: Old Actors In New Routines Putting Out Strange Fires by Aaron Joy Pdf
Inspired by the Beat Generation throughout school the best tribute seemed to include those legendary characters in his writing. Now, respected music critic & author Aaron Joy finally brings to print those poems, 1995-2001, about the Beats, inspired by the Beats, responding to the Beats and about those who inspired them including Walt Whitman and an extensive poetic tribute to Jim Morrison's Miami incident with the Doors
Zurich: The Center Of The World, An Essay Of Fantasy by Aaron Joy Pdf
With a nod to G.K. Chesterton & in response to an essay by professor Dr. Bob Kramer, respected author Aaron Joy takes up the cry that Zurich is the center of the world. It's the center of the world because it is the home of love, alive via the magic of gnomes. But, what type of love? While gnomes do exist as love requires magic and magic requires magicians and a few other things Aaron points out in this sociological treatise of fantasy and wit.
And You Shall Know Us by the Trail of Our Vinyl by Roger Bennett,Josh Kun Pdf
This illustrated history of Jewish culture in America as told through music includes a collection of amazingly kitschy, truly unforgettable album covers and insightful essays that highlight the funniest, most influential contributions to the musical canon. Full color throughout.
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock 'n' roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.
Tiki torches, cocktails, la dolce vita, and the music that popularized them—Mondo Exotica offers a behind-the-scenes look at the sounds and obsessions of the Space Age and Cold War period as well as the renewed interest in them evident in contemporary music and design. The music journalist and radio host Francesco Adinolfi provides extraordinary detail about artists, songs, albums, and soundtracks, while also presenting an incisive analysis of the ethnic and cultural stereotypes embodied in exotica and related genres. In this encyclopedic account of films, books, TV programs, mixed drinks, and above all music, he balances a respect for exotica’s artistic innovations with a critical assessment of what its popularity says about postwar society in the United States and Europe, and what its revival implies today. Adinolfi interviewed a number of exotica greats, and Mondo Exotica incorporates material from his interviews with Martin Denny, Esquivel, the Italian film composers Piero Piccioni and Piero Umiliani, and others. It begins with an extended look at the postwar popularity of exotica in the United States. Adinolfi describes how American bachelors and suburbanites embraced the Polynesian god Tiki as a symbol of escape and sexual liberation; how Les Baxter’s album Ritual of the Savage (1951) ushered in the exotica music craze; and how Martin Denny’s Exotica built on that craze, hitting number one in 1957. Adinolfi chronicles the popularity of performers from Yma Sumac, “the Peruvian Nightingale,” to Esquivel, who was described by Variety as “the Mexican Duke Ellington,” to the chanteuses Eartha Kitt, Julie London, and Ann-Margret. He explores exotica’s many sub-genres, including mood music, crime jazz, and spy music. Turning to Italy, he reconstructs the postwar years of la dolce vita, explaining how budget spy films, spaghetti westerns, soft-core porn movies, and other genres demonstrated an attraction to the foreign. Mondo Exotica includes a discography of albums, compilations, and remixes.
Charles Hamm,Arthur R Virgin Professor of Music Charles Hamm
Author : Charles Hamm,Arthur R Virgin Professor of Music Charles Hamm Publisher : Oxford University Press on Demand Page : 305 pages File Size : 52,5 Mb Release : 1997 Category : Biography & Autobiography ISBN : 9780195071887
Irving Berlin by Charles Hamm,Arthur R Virgin Professor of Music Charles Hamm Pdf
Describes the early years of the songwriter, who, only a few years after he immigrated to the United States, began writing a series of hit songs that helped to Americanize the musical theater and its audience