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Of the Greek and Latin love poets, Propertius (c. 50-10 B.C.) is one of those who holds the most immediate appeal for the twentieth-century reader. His helpless infatuation for the sinister figure of his mistress Cynthia forms the main subject of his poetry, and is analyzed with a tormented but witty grandeur in all its changing moods--from ecstasy to suicidal despair. This study includes English verse translations of his work, along with a chronology, explanatory notes, and a brief bibliography.
These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.
The Poems of Sextus Propertius by Sextus Propertius Pdf
"Propertius is a poet of singular boldness and originality. It is, perhaps, fitting that he have a translator to match. . .. The results justify his approach. McCulloch has remained faithful to the essential content, development, and tone of his originals. At the same time, by refusing rigid adherence tot he syntax and vocabulary of each poem, he has allowed himself the freedom to endow his versions with all the force and expressiveness that he has at his command. These are considerable, for he is a gifted poet. His versions possess a rapidity and piquancy unusual in translations. Some of his turns of phrase are quite arresting. In short, his translations are also poems in their own right." --Classical World This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
The Complete Elegies of Sextus Propertius by Sextus Propertius Pdf
Vincent Katz offers translations of all 107 known poems by the Augustan poet Sextus Propertius, a contemporary of Ovid. The translations keep as closely as possible to the original syntax, as Propertius' willful compressions & unusual tellings of myth are definitive of his poetics.
The Complete Elegies of Sextus Propertius by Propertius Pdf
The Roman poet Propertius is best known as the writer who perfected the Latin love elegy, a technical as much as a psychological and cultural feat. Propertius has been admired for both his metrical genius and the modernity of his narrative flow. Many of the poems here pay tribute to Cynthia, Propertius's romantic obsession, but the scope of these 107 elegies is broad. Propertius's poetry offers a fascinating look into life in the Augustan age, addressing social, political, and historical subjects. A contemporary of Virgil and Horace, Propertius has influenced scores of poets--from Ovid to Housman to Pound. His poetry appears here for the first time in a dual-language edition with the translations facing the original Latin. Rendered into English by a poet who is also one of the nation's pre-eminent Propertius experts, the volume brings Propertius's difficult mix of vernacular and high literary allusion into contemporary language. Cynthia was the first. She caught me with her eyes, a fool who had never before been touched by desires. Love cast down my look of constant pride, and he pressed on my head with his feet, until he taught me to despise chaste girls, perversely, and to live without plan. Already, it's been a whole year that the frenzy hasn't stopped, when, for all that, the gods are against me. ?
Author : Sextus Propertius Publisher : University of Oklahoma Press Page : 228 pages File Size : 50,8 Mb Release : 2004 Category : Foreign Language Study ISBN : 080613643X
Flamboyant and passionate, the love poems of Propertius are among the most beautiful to have been written in any language. In this eloquent and consistently faithful translation, W. G. Shepherd does full justice to the work of this remarkable Latin poet. Born about 48 B.C. in Umbria, Sextus Propertius was one of a group of poets influenced by Greek Alexandrian mannerism who developed the genre of Roman love elegy. Through shifting moods of ecstasy and frustration, his early works celebrate his obsessive love for his mistress, Cynthia. All his work is distinguished by strong visual imagery, richness of language, and an intensely personal style.
In this edition of Propertius Book IV, Camps follows the general lines of his earlier edition of Book I (Cambridge, 1960). He has presented, without concealing difficulties and uncertainties, a fairly conservative but readable and coherent text, together with such annotation as may help the modern reader of Latin to understand the language and follow the thought of this difficult, much disputed, but very rewarding poet. While the book may be of interest to students and amateurs of Latin in general, the editor has had in mind the particular needs of undergraduates and of sixth forms. The notes are weighted differently from those in Butler and Barber's edition of 1933 and the text of that edition and from the Oxford text of 1960. As far as we know, this is the poet's last work. He has moved away from his earlier preoccupation with the theme of love and the eleven careful elegies that compose the present book are on a variety of subjects. Most are concerned with Roman antiquities. The last is an elaborate and celebrated epitaph on a lady of Roman nobility. But perhaps the poems likely to appeal most to a modern reader are the two in which Propertius recalls and exhibits in a new light, the figure of Cynthia, the declared inspiration of the elegies of Book I.
Propertius, Greek Myth, and Virgil by Peter J. Heslin Pdf
This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas. It begins by examining all of the references to Greek mythology in Propertius' first book; these passages emerge as strongly intertextual in nature, providing a way for the poet to situate himself with respect to his predecessors, both Greek and Roman. More specifically, myth is also the medium of a sustained polemic with Virgil's Eclogues, published only a few years earlier. Virgil's response can be traced in the Georgics, and subsequently, in his second and third books, Propertius continued to use mythology and its relationship to contemporary events as a vehicle for literary polemic. This volume argues that their competition can be seen as exemplifying a revised model for how the poets within Maecenas' circle interacted and engaged with each other's work - a model based on rivalry rather than ideological adhesion or subversion - while also painting a revealing picture of how Virgil was viewed by a contemporary in the days before his death had canonized his work as an instant classic. In particular, its novel interpretation offers us a new understanding of Propertius, one of the foundational figures in Western love poetry, and how his frequent references to other poets, especially Gallus and Ennius, take on new meanings when interpreted as responses to Virgil's changing career.
First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice." In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.
Propertius' elegies, written towards the end of the 1st century BC, record the poet's desparate and impossible relationship with his volatile mistress Cynthia'. Slavitt's elegant translations are preceded by a foreword by Matthew S Santirocco that examines Propertius' persona and places his works within a context of Greek and Latin love poetry.
Of all the great classical love poets, Propertius is surely one of those with most immediate appeal for the twentieth-century reader. His poetry centres on a helpless infatuation for his sinister mistress, Cynthia, and it is analysed with a tormented but witty grandeur in all its changing moods - from ecstasy to suicidal despair.
The Roman elegiac poet Propertius was one such author. This final published collection, issued in 16 BCE, has been traditionally read as an abandonment by Propertius of his earlier flippant love poems for a more mature engagement with Roman public life or else a comical send-up of imperial policies as embodied in Rome's public buildings. The Elegiac Cityscape explores Propertius' Rome and the various ways his poetry about the city illuminates the dynamic relationship between one individual and his environment. The relationship between poet and city is complicated at every turn by the presence in the background of the emperor Augustus, whose sustained artistic patronage of Roman monuments brought about the most pervasive transformation that the city had yet seen. Combining the approaches of archaeology and literary criticism, Tara S. Welch examines how Propertius' poems on Roman places scrutinize the monumentalization of various ideological positions in Rome, as they poke and prod Rome's monuments to see what further meanings they might admit. The result is a poetic book rife with different perspectives on the eternal city, perspectives that often call into question any sleepy or complacent adherence to Rome's traditional values. Book jacket.