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Author : Johann Christoph Friedrich von Schiller
Publisher : Unknown
Page : 430 pages
File Size : 41,7 Mb
Release : 1851
Category : Electronic
ISBN : OXFORD:600083654
Author : Friedrich Schiller
Publisher : Unknown
Page : 408 pages
File Size : 44,6 Mb
Release : 1851
Category : Electronic
ISBN : OXFORD:302959538
Author : Friedrich Schiller
Publisher : Unknown
Page : 0 pages
File Size : 42,6 Mb
Release : 1851
Category : Electronic
ISBN : OCLC:1008065085
Author : Johann Christoph Friedrich von Schiller
Publisher : Unknown
Page : 412 pages
File Size : 41,5 Mb
Release : 2017-08-19
Category : History
ISBN : 1375523171
Author : Friedrich Schiller,Edgar Alfred Bowring
Publisher : Nabu Press
Page : 404 pages
File Size : 55,5 Mb
Release : 2013-11-14
Category : Electronic
ISBN : 1294323040
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author : Friedrich Schiller
Publisher : Unknown
Page : 377 pages
File Size : 51,8 Mb
Release : 1902
Category : Electronic
ISBN : LCCN:04018031
Author : Anonim
Publisher : Unknown
Page : 734 pages
File Size : 46,6 Mb
Release : 1851
Category : New York (N.Y.)
ISBN : UVA:X004613964
Author : M. Kooy
Publisher : Springer
Page : 241 pages
File Size : 42,6 Mb
Release : 2002-02-07
Category : Literary Criticism
ISBN : 9780230596788
This is the first book of its kind to consider at length Coleridge's relationship to his near contemporary, Friedrich Schiller. Contrary to received opinion, the author shows that Schiller's notion of 'aesthetic education' was indeed valuable to Coleridge at an early stage in his career and that it helped to shape much of his work - from his theory of imagination and his notion of the clerisy to his views on women and his account of historical change. Combining close readings with historical research, this book challenges readers to rethink the radical potential of idealist aesthetics.
Author : Anonim
Publisher : Unknown
Page : 734 pages
File Size : 43,7 Mb
Release : 1851
Category : Electronic
ISBN : UCAL:B3057575
Author : Anonim
Publisher : Unknown
Page : 730 pages
File Size : 54,9 Mb
Release : 1851
Category : Art
ISBN : IOWA:31858044942922
Author : Lesley Sharpe
Publisher : Cambridge University Press
Page : 405 pages
File Size : 41,9 Mb
Release : 1991-06-13
Category : Drama
ISBN : 9780521308175
Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker against the background of his life.
Author : G.P. Putnam (Firm)
Publisher : Unknown
Page : 376 pages
File Size : 42,7 Mb
Release : 1852
Category : Publishers' catalogs
ISBN : HARVARD:32044080262090
Author : Heinrich Heine
Publisher : Unknown
Page : 612 pages
File Size : 45,5 Mb
Release : 1859
Category : Electronic
ISBN : BSB:BSB10110730
Author : Nicolai Hartmann
Publisher : Walter de Gruyter GmbH & Co KG
Page : 558 pages
File Size : 49,8 Mb
Release : 2014-11-10
Category : Philosophy
ISBN : 9783110276015
The book is the first English translation of Nicolai Hartmann's final book, published in 1953. It will be of value to graduate students in philosophy, scholars concerned with 20th century Continental philosophy, students of aesthetics and art history and criticism, and persons in and out of academic philosophy who wish to develop their aesthetic understanding and responsiveness to art and music. Aesthetics, Hartmann believes, centers on the phenomenon of beauty, and art “objectivates” beauty, but beauty exists only for a prepared observer. Part One explores the act of aesthetic appreciation and its relation to the aesthetic object. It discovers phenomenologically determinable levels of apprehension. Beauty appears when an observer peers through the physical foreground of the work into the strata upon which form has been bestowed by an artist in the process of expressing some theme. The theory of the stratification of aesthetic objects is perhaps Hartmann's most original and fundamental contribution to aesthetics. He makes useful and perceptive distinctions between the levels in which beauty is given to perception by nature, in the performing and the plastic arts, and in literature of all kinds. Part Two develops the phenomenology of beauty in each of the fine arts. Then Hartmann explores some traditional categories of European aesthetics, most centrally those of unity of value and of truth in art. Part Three discusses the forms of aesthetic values. Hartmann contrasts aesthetic values with moral values, and this exploration culminates in an extensive phenomenological exhibition of three specific aesthetic values, the sublime, the charming, and the comic. A brief appendix, never completed by the author, contains some reflections upon the ontological implications of aesthetics. Engaged in constant dialogue with thinkers of the past, especially with Aristotle, Kant and Hegel, Hartmann corrects and develops their insights by reference to familiar phenomena of art, especially with Shakespeare, Rembrandt and Greek sculpture and architecture. In the course of his analysis, he considers truth in art (the true-to-life and the essential truth), the value of art, and the relation of art and morality. The work stands with other great 20th century contributors to art theory and philosophical aesthetics: Heidegger, Sartre, Croce, Adorno, Ingarden, and Benjamin, among others.
Author : South Kensington Museum. Forster Collection
Publisher : Unknown
Page : 754 pages
File Size : 42,9 Mb
Release : 1888
Category : English literature
ISBN : UCAL:B4231764
