The Political Economy Of The Spectacle And Postmodern Caste
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The Political Economy of the Spectacle and Postmodern Caste by John Asimakopoulos Pdf
In The Political Economy of the Spectacle and Postmodern Caste, John Asimakopoulos analyzes the political economy of the spectacle conceptualized by philosophers like Guy Debord through a broad interdisciplinary-nonsectarian approach concluding every society is a caste system legitimized by ideology.
Illusion and Fetishism in Critical Theory by Vasilis Grollios Pdf
Through the negative dialectics of Theodore Adorno, Illusion and Fetishism in Critical Theory offers an examination of Nietzsche, Benjamin, Castoriadis and the Situationists, who put the concept of illusion at the forefront of their philosophical thought. Vasilis Grollios argues that these political philosophers, except Castoriadis, have up to now been wrongly considered by many scholars to be far from the line of thinking of negative dialectics, Critical Theory and the early Frankfurt School/Open Marxist tradition. He illustrates how these thinkers focused on the illusions of capitalism and attempted to show how capitalism, by its innate rationale, creates social forms that are presented as unavoidable and universal, yet are historically specific and of dubious sustainability. Providing a unique overview of concepts including illusion, totality, fetishization, contradiction, identity thinking and dialectics, Grollios expertly reveals how their understanding of critique can help us open cracks in capitalism and radicalize democratic social practice today. Illusion and Fetishism in Critical Theory is a must read for scholars of political theory and political philosophy, critical theory, the Frankfurt School, sociology and democratic theory.
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author : James Robert Compton Publisher : Peter Lang Page : 264 pages File Size : 46,8 Mb Release : 2004 Category : Business & Economics ISBN : 0820470708
The Integrated News Spectacle by James Robert Compton Pdf
The Integrated News Spectacle examines the rational organization of control of popular news forms. It uses spectacular media events - such as the mourning of Princess Diana, the Monica Lewinsky presidential scandal, and the Gulf wars of 1991 and 2003 - as entry points into a discussion of the broader context surrounding an integrated system of commodity production, distribution and exchange. James R. Compton critiques the generally accepted notion of tabloidization associated with media spectacles, and situates these dramatic narratives within a broad historical context. Drawing on the work of Guy Debord, David Harvey, and Pierre Bourdieu, this book explains how the power relationships associated with media events can best be comprehended by revealing the practical application of the logic of spectacle - a logic characterized by the transposable circulation and promotion of cultural commodities.
Re/presenting Class by J. K. Gibson-Graham,Stephen Resnick,Richard Wolff,Julie Graham,Katherine Gibson Pdf
Re/presenting Class is a collection of essays that develops a poststructuralist Marxian conception of class in order to theorize the complex contemporary economic terrain. Both building upon and reconsidering a tradition that Stephen Resnick and Richard Wolff—two of this volume’s editors—began in the late 1980s with their groundbreaking work Knowledge and Class, contributors aim to correct previous research that has largely failed to place class as a central theme in economic analysis. Suggesting the possibility of a new politics of the economy, the collection as a whole focuses on the diversity and contingency of economic relations and processes. Investigating a wide range of cases, the essays illuminate, for instance, the organizational and cultural means by which unmeasured surpluses—labor that occurs outside the formal workplace‚ such as domestic work—are distributed and put to use. Editors Resnick and Wolff, along with J. K. Gibson-Graham, bring theoretical essays together with those that apply their vision to topics ranging from the Iranian Revolution to sharecropping in the Mississippi Delta to the struggle over the ownership of teaching materials at a liberal arts college. Rather than understanding class as an element of an overarching capitalist social structure, the contributors—from radical and cultural economists to social scientists—define class in terms of diverse and ongoing processes of producing, appropriating, and distributing surplus labor and view class identities as multiple, changing, and interacting with other aspects of identity in contingent and unpredictable ways. Re/presenting Class will appeal primarily to scholars of Marxism and political economy. Contributors. Carole Biewener, Anjan Chakrabarti, Stephen Cullenberg, Fred Curtis, Satyananda Gabriel, J. K. Gibson-Graham, Serap Kayatekin, Bruce Norton, Phillip O’Neill, Stephen Resnick, David Ruccio, Dean Saitta, Andriana Vlachou, Richard Wolff
Baudrillard, Youth, and American Film by Kip Kline Pdf
Baudrillard, Youth, and American Film examines the portrayal of youth in American cinema with Jean Baudrillard's radical social theory and philosophical system. Kline uses Baudrillard's corpus to analyze the troubling effects of the portrayal of youth in American teen films, namely, its contribution to discursive violence against young people which holds such a prominent place in many adult-controlled, modern institutions like schools. This kind of violence has multiple iterations, including the inability to imagine youth as meaningful political actors, the insistence on taking teenagers to be morally impoverished, and the propensity for viewing young people as thoroughly heteronomous. While there are certainly pockets of exception, violent discourses often animate institutional disregard for youth. Kline promotes Baudrillard's fatal theory as a way for critical educators, philosophers, sociologists, and other concerned pedagogues to argue for an alteration in the way that youth is portrayed in American films, and to discourage the negative discourse that have colonized conceptions and treatment of young people.
Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau-his directing, writing, and criticism-has been a determining force during this period as theater encounters theory. Blau's struggle to bring a critical intelligence to the American stage goes back half a century, to the quiescent postwar years (which he has eloquently described in The Impossible Theater: A Manifesto). His innovations in performance began with early productions of now-canonical plays that were hardly known at that time (works by Brecht, Beckett, Genet, Pinter, Duerrenmatt, and others). His experience is as distinctive as his versatile habits of mind and conceptual urgency of style. If the impossible takes a little time (as the title of one essay states), Blau's struggle now continues in a theoretical vein. Performance-and his own compelling writing- has moved across other genres and disciplines into fashion, politics, sexuality, and theory. His diversity of thought is demonstrated here in commentaries about the newer modes of performance (including conceptual and body art), various American playwrights, Renaissance drama, new music and theater, voice, the senses and the baroque, and the photographic image. As the essays reflect upon each other, a kind of cultural history, with inflections of autobiography, develops-which is what readers of Blau's previous books have come to expect.
Fredric Jameson, a leading voice on the subject of postmodernism, assembles his most powerful writings on the culture of late capitalism in this essential volume. Classic insights on pastiche, nostalgia, and architecture stand alongside essays on the status of history, theory, Marxism, and the subject in an age propelled by finance capital and endless spectacle. Surveying the debates that blazed up around his earlier essays, Jameson responds to critics and maps out the theoretical positions of postmodernism's prominent friends and foes.
Consumer Culture and Postmodernism by Mike Featherstone Pdf
Implicit within claims that society itself is in some sense postmodern is an argument about the priority of consumption as a determinant of everyday life. In this view, mass media advertising and market dynamics lead to a constant search for new fashions, new styles, new sensations and experiences. Material goods are consumed as `communicators'; they are valued as signifiers of taste and of lifestyle. This volume examines the viability of this portrait of contemporary society. Mike Featherstone explores the roots of consumer culture, how it is defined and differentiated and the extent to which it represents the arrival of a `postmodern' world. He examines the theories of consumption and postmodernism among contemporary social theorists such
CSA Sociological Abstracts abstracts and indexes the international literature in sociology and related disciplines in the social and behavioral sciences. The database provides abstracts of journal articles and citations to book reviews drawn from over 1,800+ serials publications, and also provides abstracts of books, book chapters, dissertations, and conference papers.
Symbolic Exchange and Death by Jean Baudrillard Pdf
"This is easily Baudrillard’s most important work.... Anyone who wants to understand the complexity and provocativeness of Baudrillard’s richest period must read this text." – Douglas Kellner
The Spectacle of Disintegration by McKenzie Wark Pdf
Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
The Types of Economic Policies under Capitalism by Uno Kōzō Pdf
Uno was perhaps the greatest exponent of the Japanese school of Marxist economics. In this book he illustrates how he would present a ‘mid-range’ theory of capitalism, by summarising the three types of economic policy that the bourgeois state successively adopted: mercantilism, liberalism and imperialism.
NASCAR, Sturgis, and the New Economy of Spectacle by Daniel Krier,William J. Swart Pdf
NASCAR, Sturgis, and the New Economy of Spectacle vividly illustrates how legendary spectacles, such as those in NASCAR racing and the Sturgis Motorcycle Rally, generate a triple-circuit of profit.
