The Potter S Dictionary Of Materials And Techniques
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The Potter's Dictionary of Materials and Techniques by Frank Hamer,Janet Hamer Pdf
"An alphabetical listing of almost every material, form, term, and process used in or relating to pottery making. Well illustrated in black-and-white, with a few gorgeous color plates."--Pottery Making Illustrated (reviewing the fourth edition)
"A book of advances wheel techniques and inspiration for potters who have basic skills but would like to learn more about throwing large forms, lids, handles, darting, and more"--
Clay and Glazes for the Potter by Daniel Rhodes Pdf
My purpose in writing this book has been to present in as clear and understandable form as possible the important facts about ceramic materials and their use in pottery. The ceramic medium has a rich potential. It is so various and adaptable that each culture and each succeeding generation finds in it a new means of expression. As a medium, it is capable of great beauty of form, color, and texture, and its expressions are unique not only for variety but for permanence and utility as well. To make full use of the medium, the ceramist or potter not only needs skill, imagination, and artistic vision, but he also needs to have a sound knowledge of the technical side of the craft. This knowledge has not been easy to come by, and many of those seriously engaged in pottery have learned through endless experimentation and discouraging failures. It is hoped that the present work will enable the creative worker to go more directly to his goal in pottery, and that it will enable him to experiment intelligently and with a minimum of lost effort. While technical information must not be considered as an end in itself, it is a necessary prerequisite to a free and creative choice of means in ceramics. None of the subjects included are dealt with exhaustively, and I have tried not to overwhelm the reader with details. The information given is presented in as practical form as possible, and no more technical data or chemical theory is given than has been thought necessary to clarify the subject. This work is organized as follows: Part One—Clay Chapter I. Geologic Origins of Clay Chapter 2. The Chemical Composition of Clay Chapter 3. The Physical Nature of Clay Chapter 4. Drying and Firing Clay Chapter 5. Kinds of Clay Chapter 6. Clay Bodies Chapter 7. Mining and Preparing Clay Part Two—Glazes Chapter 8. The Nature of Glass and Glazes Chapter 9. Early Types of Glazes Chapter 10. The Oxides and Their Function in Glaze Forming Chapter 11. Glaze Materials Chapter 12. Glaze Calculations, Theory and Objectives Chapter 13. Glaze Calculation Using Materials Containing More Than One Oxide Chapter 14. Calculating Glaze Formulas from Batches or Recipes Chapter 15. Practical Problems in Glaze Calculation Chapter 16. The Composition of Glazes Chapter 17. Types of Glazes Chapter 18. Originating Glaze Formulas Chapter 19. Fritted Glazes Chapter 20. Glaze Textures Chapter 21. Sources of Color in Glazes Chapter 22. Methods of Compounding and Blending Colored Glazes Chapter 23. Glaze Mixing and Application Chapter 24. Firing Glazes Chapter 25. Glaze Flaws Chapter 26. Engobes Chapter 27. Underglaze Colors and Decoration Chapter 28. Overglaze Decoration Chapter 29. Reduction Firing and Reduction Glazes Chapter 30. Special Glazes and Glaze Effects
When he went to West Africa in the 1940s, Michael Cardew found himself in a land where the potter's art had been flourishing for centuries without the use of wheels, or kilns, or glazes. This book grew out of his desire to share all that he had learned from the African pioneers of pottery.
This definitive guide takes you through all the processes from clay to kiln: from designing your own pieces, to making, decorating and firing them. The book is clearly laid out and packed with factual information that creative ceramists will want to have to hand, including descriptions of the very latest materials, and instructions on how to use them effectively in your work. Step-by-step instructions for traditional methods and new products, such as paper-clay and print-on-clay, are combined with examples of work by some of the world's top ceramicists and details of how they achieve their results.
"[This book] has a bit of everything. . . . It looks good, both visually (large-scale, hard-back, glossy) and in terms of content."—Glass Art Society News
A Dictionary of Chinese Ceramics by Qingzheng Wang,Kelun Chen Pdf
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.
Every potter wants to work in a safe environment and needs the extensive data presented in this unique reference. &break;&break;The potter's health and safety are covered in detail from ceramic toxicology to safe handling of raw materials. Guidelines for using clays, glazes, tools, kilns, and other equipment are presented. Questions such as "What's the best way to handle ceramic materials?" and "Is barium carbonate safe?" are answered in full detail. This is the safety guide that every student, teacher, and ceramic professional will refer to again and again while working with clay and glaze materials. &break;&break;Covers, in expert detail, all aspects of safety in the ceramics studio &break;&break;Text and detailed photos offer a practical "how to" approach to working in a safe environment &break;&break;Easy-to-understand, non-technical language
Illustrated Dictionary of Practical Pottery by Robert Fournier Pdf
The new edition of a standard reference first published in 1973 carries some 1,200 entries, the new ones addressing health and hygiene concerns, the others presenting techniques, types of glazes and firing methods, and chemical constants. Aesthetics and historical references are considered in other works by the author ( a potter in the UK for over 40 years); the scope here is practical information in the form of definitions, descriptions, formulas, recipes, analyses, and charts. Well-illustrated with photos and drawings. Annotation copyrighted by Book News, Inc., Portland, OR