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The Real World of Victorian Steampunk by Simon Webb Pdf
A look at the surprising nineteenth-century technology that inspires this literary and cultural movement: “I was very impressed by this book.” —SF Crowsnest In recent decades, steampunk has grown from a rather obscure subgenre of science fiction into a striking and distinctive style of fashion, art, design, and even music. It is in the written word, however, that steampunk has its roots—and in this book Simon Webb explores and examines the real inventions that underpin the fantasy. In doing so, he reveals a world unknown to most people today. Webb reveals the Victorian era as a surprising place: one of steam-powered airplanes, fax machines linking Moscow and St Petersburg, steam cars traveling at over 100 mph, electric taxis, and wireless telephones. It is, in short, the nineteenth century as you’ve never before seen it—a steampunk extravaganza of anachronistic technology and unfamiliar gadgets. Imagine Europe spanned by a mechanical internet, a telecommunication system of clattering semaphore towers capable of transmitting information across the continent in a matter of minutes. Consider too, the fact that a steam plane the size of a modern airliner took off in England in 1894. Drawing entirely on contemporary sources, we see how little-known developments in technology have been used as the basis for so many steampunk narratives. From seminal novels such as The Difference Engine to the steampunk fantasy of Terry Pratchett’s later works, this book shows that steampunk is at least as much solid fact as it is whimsical fiction.
Steampunk World by Jay Lake,Ken Liu,Lucy A. Snyder,Lillian Cohen-Moore,Nisi Shawl,Lucien Soulban,SJ Chambers,Rochita Loenen-Ruiz,Tade Thompson,Emily Cataneo,Indrapramit Das,Pip Ballantine,Malon Edwards,Jaymee Goh,Balogun Ojetade,Diana Pho Pdf
There's something compelling about the shine of clicking brass clockwork and hiss of steam-driven automatons. But there was something missing. It was easy to find excellent stories of American and British citizens... but we rarely got to see steampunk from the point of view of the rest of the world. Until now. Steampunk World is a showcase for nineteen authors to flip the levers and start the pistons and invite you to experience the entirety of steampunk.
Steampunk! An Anthology of Fantastically Rich and Strange Stories by Gavin J. Grant,Kelly Link Pdf
In the first major YA steampunk anthology, fourteen top storytellers push the genre's mix of sci-fi, fantasy, history, and adventure in fascinating new directions. Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships. Here, fourteen masters of speculative fiction, including two graphic storytellers, embrace the genre's established themes and refashion them in surprising ways and settings as diverse as Appalachia, ancient Rome, future Australia, and alternate California. Visionaries Kelly Link and Gavin J. Grant have invited all-new explorations and expansions, taking a genre already rich, strange, and inventive in the extreme and challenging contributors to remake it from the ground up. The result is an anthology that defies its genre even as it defines it.
Praise for The Violent Century “The Violent Century is a very sophisticated blend of fantasy and real life. Of flawed superheroes engaging with key events in the twentieth and twenty-first centuries. Lavie Tidhar is a veteran of seamlessly weaving an intriguing blend of fiction into world changing historical events.” —Strange Alliances “The Violent Centuryis a wonderfully constructed, crafted work that bears a great emotional weight even as it raises more intellectual questions. It’s the kind of work that lingers in the mind long after the reading.” —Fantasy Literature “Heart, a sly sense of humour, great action set-pieces and a range of fascinating supporting players.” —Newtown Review of Books “A brilliantly etched phantasmagoric reconfiguring of that most sizzling of eras—the twilight 20th . . . a torrid tour de force.” —James Ellroy, author of L.A. Confidential and Blood’s a Rover “A brilliant novel of ideas.” — B&N Book Blog “The Violent Century is admirably plotted and well paced, with an atmosphere of menace throughout, I’m puzzled as to why this wasn’t on any award shortlist for its year.” —Jack Deighton, author of A Son of the Rock “Like Watchmen on crack.” —io9 “If Nietzche had written an X-Men storyline whilst high on mescaline, it might have read something like The Violent Century.” —Adam Roberts, author of Jack Glass “Pack your bags and go home; the superhero genre is now completed . . . if John le Carre wrote a superhero novel about the Cold War, it might be this good.” —Charles Stross, author of Neptune’s Brood: A Space Opera “The Violent Century is a brilliant story of superheroes and spies and secret histories. It stands with Alan Moore’s Watchmen as an examination of the myths that we made in the 20th Century and the ways they still haunt us now. it’s as dramatic and vital as the best comic books and as beautifully written and evocative as any literary novel today. Read it. You’ll see.” — Christopher Farnsworth, author of Blood Oath and Flashmob “An alternative history tour-de-force. Epic, intense and authentic. Lavie Tidhar reboots the 20th century with spies and superheroes battling for mastery—and the results are electric.” —Tom Harper, author of The Lost Temple “A stunning masterpiece” —The Independent “Tidhar synthesises the geeky and the political in a vision of world events that breaks new superhero ground.” —The Guardian “It’s hard, but not impossible as Alan Moore, Neil Gaiman, Mike Carey and others have shown, to create a morally complex, artistically ambitious story based on characters whose origins are not that far removed from the simplicity of Superman, Spiderman, and their ilk. Tidhar has succeeded brilliantly in this task.” —LA Review of Books “A sophisticated, moving and gripping take on 20th century conflicts and our capacity for love and hate, honour and betrayal.” —The Daily Mail “A love story and meditation on heroism, this is an elegiac espionage adventure that demands a second reading.” —Metro “Could keep anyone, regardless of the types of stories they regularly enjoy, interested and engaged. Tidhar has created a book that oozes excellence in both characterisation and storytelling.” —The Huffington Post [STARRED REVIEW]"This study in heroism, love, revenge, and violence will be in demand by lovers of complex, intelligent sf and alternative history. Anyone who enjoys stories of people with supernatural abilities will thrive reading Tidhar’s world.” —Library Journal “A terrifically told tale of heroism and enduring friendship that captures our imaginations from the very first page.” —Booklist “If you love Philip K. Dick, Lavie Tidhar should be your new favorite writer . . . an unforgettable read.” —The Jewish Standard “He’s dealing with the grandest schemes on the largest of backdrops in time and place, and this level of awe-inspiring craft places him firmly within the highest tier of writers working today, no longer an emerging writer, but a master.” —British Fantasy Society “Intense and evocative.” —SFX “Gripping, imaginative and moving.” —Sci Fi Now “The sort of thing Quentin Tarantino did as bloody wish-fulfillment in Inglourious Basterds, multiplied by several orders of magnitude.” —Locus “This is a novel that can break your heart and then, ever so subtly, include a cameo by Stan Lee. Tidhar clearly knows as much about supermen of all kinds as he does about the circumstances that produce them.” —Strange Horizons “The Violent Century is an excellent novel that demonstrates, once again, the impressive versatility of its author.” —Interzone “A masterful example of alternate universe science fiction and can only add to its author’s rapidly growing reputation.”— The Los Angeles Review of Books “An original, engrossing fusion of noir-ish super-heroes and gritty espionage thriller . . . a fantastic novel” —Civilian Reader “Lavie Tidhar is no longer a rising star in the genre, but one burning bright.” —Staffer’s Book Review Praise for the Campbell Award and Neukom Literary-winning novel Central Station An NPR Best Book of 2016 An Amazon Featured Best Science Fiction & Fantasy Book A Tor.com Best Book of 2016 A Guardian Best SF & Fantasy Book of 2016 A Publishers Weekly Staff Pick A Kirkus Best Science Fiction and Fantasy pick British Science Fiction Award, shortlist Arthur C. Clarke Award, shortlist “It is just this side of a masterpiece — short, restrained, lush — and the truest joy of it is in the way Tidhar scatters brilliant ideas like pennies on the sidewalk.” —NPR Books [STARRED REVIEW] "Readers of all persuasions will be entranced.” —Publishers Weekly [STARRED REVIEW] “. . . a fascinating future glimpsed through the lens of a tight-knit community. Verdict: Tidhar (A Man Lies Dreaming; The Violent Century) changes genres with every outing, but his astounding talents guarantee something new and compelling no matter the story he tells.” —Library Journal, starred review "A sprawling hymn to the glory and mess of cultural diversity.” —Guardian ”Quietly enthralling and subtly ingenious.” —Asimov's Science Fiction “Beautiful, original, a shimmering tapestry of connections and images - I can't think of another SF novel quite like it. Lavie Tidhar is one of the most distinctive voices to enter the field in many years.” —Alastair Reynolds, author of the Revelation Space series “If you want to know what SF is going to look like in the next decade, this is it.” —Gardner Dozois, editor of the bestselling Year’s Best Science Fiction series “A dazzling tale of complicated politics and even more complicated souls. Beautiful.” —Ken Liu, author of The Paper Menagerie “Central Station is masterful: simultaneously spare and sweeping—a perfect combination of emotional sophistication and speculative vision. Tidhar always stuns me.” —Kij Johnson, author of At the Mouth of the River of Bees “ A unique marriage of Philip K. Dick, William Gibson, C. L. Moore, China Miéville, and Larry Niven with 50 degrees of compassion and the bizarre added. An irresistible cocktail.” —Maxim Jakubowski, author of the Sunday Times bestselling Vina Jackson novels Praise for Unholy Land “Lavie Tidhar does it again. A jewelled little box of miracles. Magnificent.” —Warren Ellis, author of Gun Machine “[STARRED REVIEW] Readers of all kinds, and particularly fans of detective stories and puzzles, will enjoy grappling with the numerous questions raised by this stellar work.” —Publishers Weekly “It’s precisely what we’ve come to expect of Tidhar, a writer who just keeps getting better.” —Angela Slatter, author of the World Fantasy Award-winning The Bitterwood Bible “There are SFF writers. There are good SFF writers. And there is Lavie Tidhar . . . Bold and witty and smoky, [Unholy Land] plays games and coquetries, makes dark dalliances and will leave you dazzled and delighted.” —Ian McDonald, author of Time Was and Luna: Wolf Moon "A genius, dreamlike fantasy for those who slip across might-have-been worlds.” —Saad Z. Hossain, author of Escape from Baghdad! “Unholy Land is a stunning achievement.” —The Speculative Shelf “Lavie Tidhar has given us a mystically charged, morally complex vision of Theodor Herzl’s famous Jewish state that might have been.” —James Morrow, author of The Last Witchfinder and Shambling Towards Hiroshima “Lavie Tidhar’s daring Unholy Land brilliantly showcases one of the foremost science fiction authors of our generation.” — Silvia Moreno-Garcia, World Fantasy Award-winning editor and author of Certain Dark Things “Unholy Land is probably better than Michael Chabon’s Yiddish Policeman’s Union.” —Bradley Horner, author of the Darkside Earther series
The Palgrave Handbook of Neo-Victorianism by Brenda Ayres,Sarah E. Maier Pdf
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
Presentations of the 2010 Upstate Steampunk Extravaganza and Meetup by Gypsey Elaine Teague Pdf
In November 2010, a small but growing group of Victorian Alternate Historians, often referred to as Steampunk, met for the first conference of its kind. There was music, fashion, merchants, and all the other trappings of the Victorian time period set in a venue of “what if.” What set this conference apart was the academic nature of the presentations. Utilizing the internet and scholarly publications, a call for papers was sent out and the response was impressive. Faculty, graduate students, specialists, and general interest writers wrote, prepared, and presented on a wide array of subject matters. This publication is the culmination of those presentations. Before, during, and after the conference, Steampunk became a much debated and discussed subject on our list servers and emails. While some had no idea what Steampunk was and others had an idea that they thought was correct, there was no “one size fits all” definition to this new genre. It was at that point that a number of us that had been at the conference sat down and tried to describe the phenomenon. This is what we came up with: Steampunk is a juxtaposition of science fiction, fantasy, and Victorian alternate history. Its roots are in the literature and architecture of the late 19th century while having its branches reach into the future. It is The League of Extraordinary Gentlemen, the music of Abney Park, the engineering of Nikola Tesla, and the aviation of helium and hot air. In the 1980s a subculture of science fiction found a foothold in literature and science fiction conventions. These “paths not taken” alternative histories gave the cyberpunk and Goth followers at the conventions a new path to follow. There were the works of H. G. Wells, the undersea submersible of Captain Nemo in Verne’s 20,000 Leagues Under the Sea, and the Victorian work of Mary Shelley’s Frankenstein to start with. Add to that the architecture of the Victorian age as a gentrification in many of the inner cities of America and England, and you have a breeding ground for something not quite realized but possibly attainable.
The 20th anniversary edition of the classic steampunk novel With new commentary by the authors 1855: The Industrial Revolution is in full swing, powered by steam-driven cybernetic Engines. Charles Babbage perfects his Analytical Engine, and the computer age arrives a century ahead of its time. Three extraordinary characters race toward a rendezvous with the future: Sybil Gerard—fallen woman, politician’s tart, daughter of a Luddite agitator; Edward “Leviathan” Mallory—explorer and paleontologist; Laurence Oliphant—diplomat, mystic, and spy. Their adventure begins with the discovery of a box of punched Engine cards of unknown origin and purpose. Cards someone wants badly enough to kill for. Part detective story, part historical thriller, The Difference Engine took the science fiction community by storm when it was first published twenty years ago. This special anniversary edition features an Introduction by Cory Doctorow and a collaborative essay from the authors looking back on their creation. Provocative, compelling, intensely imagined, this novel is poised to impress a whole new generation.
It's 1870, and women are finally allowed to attend university in Brythion, well, four women at least. Pippa Stanhope can barely contain her excitement, she was accepted to Grantabridge University. Pippa's dreams have come true. She's attending university and has the opportunity to study steam engineering with the very best. However, all is not as it seems at Grantabridge University. Society does not condone women seeking an education. There are very few people that welcome the ladies, let alone with open arms. In fact, Pippa can only think of two, the handsome Kaiden Fremont and Professor Aneurin. After some break-ins and destruction at the ladies dorms, one more advocate of ladies attending university dies. The detective accuses Pippa of their murder. To clear her name and find the actual murderer, Pippa finds herself amid a dangerous conspiracy. With the help of her friends and Kaiden, Pippa is determined to find the real killer. Will Pippa be able to bring the killer to justice before it's too late?
An anthology focusing on newer elements of steampunk, one which deconstructs the staples of the genre and expands on them, rather than simply repeating them, with a greater spread both in terms of location and character. This is steampunk with a modern, post-colonial sensibility. Contributors include: Jeff VanderMeer, Caitlín Kiernan, Mary Robinette Kowal, Jay Lake, Cherie Priest, Cat Rambo, Catherynne M. Valente, Genevieve Valentine and many more.
Featuring individual images as well as original design collages, this one-of-a-kind compilation from Dover's vast archives offers more than 500 images that range from dirigibles and sea vessels to corsets and pocket watches.
Reading the Fantastic Imagination by Dana Percec Pdf
The purpose of Reading the Fantastic Imagination: The Avatars of a Literary Genre is the observation of the very hybridity of the fantastic genre, as a typical postmodern form. The volume continues an older project of the editor and a large number of the contributors, that of investigating the current status of several popular genres, from historical fiction to romance. The scrutiny continues in this third volume, dedicated to the fantastic imagination and the plethora of themes, moods, media, and formats deriving from it. FanLit is surely trendy, even if it is not highbrow, despite its noble ancestry. This apparent paradox characterizes many of the literary genres en vogue today, from historical fiction to romance. This very contradiction forms part of the basis for this book. After the success of the previous book in the series dedicated to a “borderline” literary genre – Romance: The History of a Genre was declared by Cambridge Scholars Publishing as the Critics’ Choice Book of the Month in January 2013 – this collection of studies about the fantastic imagination takes a further step into completing a larger research project which seeks to investigate the varieties of popular fiction. Although all contributors in the series teach canonical literary texts, they did not hesitate to plunge into the opposite area of fictional work and, moreover, continued doing so even though such a project caused the “raise of a few (high)brows,” (Percec 2012, 232) as argued in the Endnote of Romance: The History of a Genre.
Tea, Automatons, and Time Machines by Misti McCanna-Porter Pdf
Contemporary art must get inspiration from somewhere. In Tea, Automatons, and Time Machines, the subculture of Steampunk art is studied in relation to art history. Addressing three main topics within social and environmental justice, a comparison of art styles and creativity stems from an artist’s passion within popular culture. Using arts-based research methods and personal introspection viewed through the lens of nostalgia, a unique perspective of art history studies comes to life. Nostalgia, being primarily a psychological study, is used as a lens to view art, culture, and memoir into a complete research project. We live in a world in need of change. Historically, artists have provided a means for change through their work and the lives they choose to live. The vastness of art history provides plenty of room for inspiration and interpretation. In this study, the contemporary sub-culture of Steampunk looks nostalgically at Arts and Crafts, Art Nouveau, and Art Deco eras in a way that paves the way for social change and environmental preservation using fantasy, cos-play, and art to demonstrate needed changes. Through the art and culture of Steampunk, we explore areas that could use improvement in our modern world, and yet, they do tie in with similar occurrences of the past. We find that we’re not that different but with art and demonstration, we too, can make positive changes for our future.
Steaming Into a Victorian Future by Julie Anne Taddeo,Cynthia J. Miller Pdf
This collection of essays explores the social and cultural aspects of steampunk, examining the various manifestations of this multi-faceted genre, in order to better understand the steampunk sub-culture and its effect on--and interrelationship with--popular culture and the wider society.
The Mystery of Spring-Heeled Jack by John Matthews Pdf
An extensive investigation of the origins and numerous sightings of the mysterious and terrifying figure known as Spring-Heeled Jack • Shares original 19th-century newspaper accounts of Spring-Heeled Jack encounters as well as 20th and 21st-century reports • Explains his connections to Jack the Ripper and the Slender Man • Explores his origins in earlier mythical beings from folklore, his Steampunk popularity, and the theory that he may be an alien from a high-gravity planet Spring-Heeled Jack--a tall, thin, bounding figure with bat-like wings, clawed hands, wheels of fire for eyes, and breath of blue flames--first leapt to public attention in Victorian London in 1838, springing over hedges and walls, from dark lanes and dank graveyards, to frighten and sometimes physically attack women. News of this strange and terrifying character quickly spread, but despite numerous sightings through 1904 he was never captured or identified. Exploring the vast urban legend surrounding this enigmatic figure, John Matthews explains how the Victorian fascination with strange phenomena and sinister figures paired with hysterical reports enabled Spring-Heeled Jack to be conjured into existence. Sharing original 19th-century newspaper accounts of Spring-Heeled Jack sightings and encounters, he also examines recent 20th and 21st-century reports, including a 1953 UFO-related sighting from Houston, Texas, and disturbing accounts of the Slender Man, who displays notable similarities with Jack. He traces Spring-Heeled Jack’s origins to earlier mythical beings from folklore, such as fairy creatures and land spirits, and explores the theory that Jack is an alien marooned on Earth whose leaping prowess is attributed to his home planet having far stronger gravity than ours. The author reveals how Jack the Ripper, although a different and much more violent character, chose to identify himself with the old, well-established figure of Spring-Heeled Jack. Providing an extensive look at Spring-Heeled Jack from his beginnings to the present, Matthews illustrates why the worldwide Steampunk community has so thoroughly embraced Jack.