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The Red Mother is a fantasy novella by Hugo Award-winning author Elizabeth Bear. Auga, a wandering sorcerer, follows his brother's fate-thread into the village of Ormsfjoll, where he expects to deliver good news and continue his travels. What he doesn't anticipate is that to meet his brother he must first contend with the truth at the heart of the volcano that wreaks havoc on Ormsfjoll. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A red Mother with Child, a 14th century African sculpture, is saved from the destructive madness of Islamists by Alou, a young honey hunter. In the company of other migrants, sisters, and brothers of misfortune, Alou goes all out to reach Europe. His goal and obsession: entrust the precious statuette to the Louvre Museum! A new and exciting addition to the ever-expanding Louvre collection that commissions graphic novels from leading world artists to spin tales around the famous museum.
Finalist for the Shirley Jackson Award: “Beautiful and brutal nightmares . . . made all the more terrifying by the history in which they’re grounded.” —Publishers Weekly, starred review Three neighboring villages on the Ukrainian/Romanian border are the final refuge for the last of the mythical creatures of Eastern Europe. Now, on the eve of the war that may eradicate their kind—and with the ruthless Night Police descending upon their sanctuary—they tell their stories and confront their destinies. The Rusalka, the beautiful, vengeful water spirit who lives in lakes and ponds and lures men and children to their deaths. The Vovkulaka, who changes from her human form into that of a wolf and hides with her kind deep in the densest forests. The Strigoi, a revenant who feasts on blood and twists the minds of those who love, serve, and shelter him. The Drevniye, an apparition that impersonates its victim and draws him into a web of evil in order to free itself. And the Bone Mother, a skeletal crone with iron teeth who lurks in her house in the heart of the woods, and cooks and eats those who fail her vexing challenges. Eerie and unsettling like the best fairy tales, these incisor-sharp portraits of ghosts, witches, sirens, and seers—and the mortals who live at their side and in their thrall—will chill your marrow and tear at your heart. “A fable filled with mythical creatures ranging from werewolves to witches . . . set, in part, among the villages of eastern Europe on the eve of the Second World War.” —The Globe and Mail (Toronto) “Extraordinary . . . A dark and shining mosaic of a story with unforgettable imagery and elegant, evocative prose.” —Publishers Weekly, starred review Longlisted for the 2017 Scotiabank Giller Prize Winner of the 2018 Sunburst Award Longlisted for the 2018 Toronto Book Awards
The Girl in the Red Boots by Judith Ruskay Rabinor, PhD Pdf
Can a mother be both loving and selfish? Caring and thoughtless? Deceitful and devoted? These are the questions that fuel psychologist Dr. Judy Rabinor’s quest to understand her ambivalence toward her mother. While leading a seminar exploring the importance of the mother-daughter relationship, Dr. Judy Rabinor, an eating disorder expert, is blindsided by a memory of a childhood trauma. Realizing how this buried trauma has resonated through her life, she sets off to heal herself. The Girl in the Red Boots weaves together tales from Rabinor’s psychotherapy practice and her life, helping readers understand how painful childhood experiences can linger and leave emotional scars. In the process, Rabinor traces her own journey becoming a wounded healer and ultimately making peace with her mother, and herself. Not a traditional self-help book outlining “steps” to reconcile or forgive one’s mother, The Girl in the Red Boots is a poignant memoir filled with hard-won life lessons, including the fact that it’s never too late to let go of hurts and disappointments and develop compassion for yourself—and even for your mother.
What My Mother and I Don't Talk About by Michele Filgate Pdf
“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.
WINNER of the Cindy Roadburg Memorial Prize—Western Canada Jewish Book Awards NATIONAL BESTSELLER For readers of All Things Consoled by Elizabeth Hay and They Left Us Everything by Plum Johnson, Kiss the Red Stairs is a compelling memoir by award-winning journalist Marsha Lederman delves into her parents’ Holocaust stories in the wake of her own divorce, investigating how trauma migrates through generations with empathy, humour, and resilience. Marsha was five when a simple question led to a horrifying answer. Sitting in her kitchen, she asked her mother why she didn’t have any grandparents. Her mother told her the truth: the Holocaust. Decades later, her parents dead and herself a mother to a young son, Marsha begins to wonder how much history has shaped her own life. Reeling in the wake of a divorce, she craves her parents’ help. But in their absence, she is gripped by a need to understand the trauma they suffered, and she begins her own journey into the past to tell her family’s stories of loss and resilience. Kiss the Red Stairs is a compelling memoir of Holocaust survival, intergenerational trauma, divorce, and discovery that will guide readers through several lifetimes of monumental change.
House of Slaughter #5 by James Tynion IV,Tate Brombal Pdf
The first arc of House of Slaughter comes to a close as Jace finally enacts his secret plan. As chaos fills the halls and the Order members fight off legions of monsters, will Aaron be able to intervene in the battle between his love and the House? And in those final moments, what will he choose?
Since their mother's death, Carter and Sadie have become near strangers. While Sadie has lived with her grandparents in London, her brother has traveled the world with their father, the brilliant Egyptologist, Dr. Julius Kane. One night, Dr. Kane brings the siblings together for a "research experiment" at the British Museum, where he hopes to set things right for his family. Instead, he unleashes the Egyptian god Set, who banishes him to oblivion and forces the children to flee for their lives. From the creator of the hit Percy Jackson series.
Hawk Mother: The Story of a Red-Tailed Hawk Who Hatched Chickens by Kara Hagedorn Pdf
When an injured hawk can no longer raise chicks of her own, she raises chickens instead. HAWK MOTHER: THE STORY OF A RED-TAILED HAWK WHO HATCHED CHICKENS is a true story of nurture over nature.
In the latest body of work by author and photographer Claiborne Swanson Frank, the artist set out to explore what modern motherhood means in the 21st century. Turning her lens on 70 iconic families of mothers and children from such celebrated names as Delfina Figueras, Carolina Herrera, Lauren Santo Domingo, Anne Vyalitsyna, Aerin Lauder, and Patti Hansen, Swanson Frank’s stunning portraits capture the emotional bonds and beauty that frame the primal relationship of a mother and her child. Complementing her work is a series of questions-and-answers, in which Swanson Frank delicately tasks each mother to look within themselves and express what being a mother truly means to them. Their answers, while exceedingly thoughtful and introspective, are also amusing, fascinating, and moving. Each one of these deeply intimate and stunning portraits will captivate and inspire readers as they embark on this profound journey that reminds us all of the power of motherhood and the great gift of love.
There is a missing chapter in the narrative of Canada’s Indigenous peoples—the story of the Métis Nation, a new Indigenous people descended from both First Nations and Europeans Their story begins in the last decade of the eighteenth century in the Canadian North-West. Within twenty years the Métis proclaimed themselves a nation and won their first battle. Within forty years they were famous throughout North America for their military skills, their nomadic life and their buffalo hunts. The Métis Nation didn’t just drift slowly into the Canadian consciousness in the early 1800s; it burst onto the scene fully formed. The Métis were flamboyant, defiant, loud and definitely not noble savages. They were nomads with a very different way of being in the world—always on the move, very much in the moment, passionate and fierce. They were romantics and visionaries with big dreams. They battled continuously—for recognition, for their lands and for their rights and freedoms. In 1870 and 1885, led by the iconic Louis Riel, they fought back when Canada took their lands. These acts of resistance became defining moments in Canadian history, with implications that reverberate to this day: Western alienation, Indigenous rights and the French/English divide. After being defeated at the Battle of Batoche in 1885, the Métis lived in hiding for twenty years. But early in the twentieth century, they determined to hide no more and began a long, successful fight back into the Canadian consciousness. The Métis people are now recognized in Canada as a distinct Indigenous nation. Written by the great-grandniece of Louis Riel, this popular and engaging history of “forgotten people” tells the story up to the present era of national reconciliation with Indigenous peoples. 2019 marks the 175th anniversary of Louis Riel’s birthday (October 22, 1844)
Longlisted for the 2022 International Booker Prize A New York Times Notable Book A Library Journal Best Book of 2021 A “marvelous…superbly effective” (The New Yorker) debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes. Met by rave reviews in The New Yorker, The New York Times, and more, this stunning translation of Violaine Huisman’s “witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent” (Oprah Daily). Beautiful and magnetic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly, and her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to surrender, and finally move on.
In Red Mother Laurel Radzieski weaves a love story told from the perspective of a parasite. This series of short poems explores the intimacy we all experience by following the sometimes tender, often distressing relationship that emerges between a parasite and its host. Radzieski's poetry is playful, though often with sinister undertones.
‘Intensely moving . . . feminist . . . a riveting tale of love’ - Observer Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the Book of Genesis that recount the life of Jacob and his infamous dozen sons. Anita Diamant’s The Red Tent is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah’s voice, it opens with the story of her mothers – the four wives of Jacob – each of whom embodies unique feminine traits, and concludes with Dinah’s own startling and unforgettable story of betrayal, grief and love. Deeply affecting and intimate, The Red Tent is a feminist classic which combines outstandingly rich storytelling with an original insight into women’s society in a fascinating period of early history. Such is its warmth and candour, it is guaranteed to win the hearts and minds of women across the world.
"Swept up in the drama of the Bolshevik revolution, Joseph Stalin's Communist Party purges and World War II, the Rakitova family faces innumerable obstacles to survival. But young Maya knows only that her father is gone and that she must hide her Jewish identity. With what Maya calls "uncommon courage, " her mother fights to protect her, relying on the kindness of friends and strangers, and the tenuous hope that Maya can keep her identity a secret."--Résumé de l'éditeur.
