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The Regency Revisited by Tim Fulford,Michael E Sinatra Pdf
The Regency Revisited reconfigures Romantic Studies through a neglected timeframe. It demonstrates how politics and culture of the Regency years transformed literature. By co-opting authors, the Regency provoked opposition, and brought new genres and modes of writing to the fore. Key figures are Robert Southey and Leigh Hunt: The Regency Revisited shows their pivotal roles in transforming Romanticism. Austen and Byron also feature as authors who honed their satire in response to Regency culture. Other topics include Blake and popular art, Regency science (Humphry Davy), Moore and parlour songs, Cockney writing and Pierce Egan, and Anna Barbauld and the collecting and exhibiting that was so popular an aspect of Regency London.
Regency Society Revisited by Susanne Marie Knight Pdf
Duty or Love? In the year 2020, anthropologist Serenity Steele's research assignment is to travel back into the past--however, she doesn't count on the many attractions of a certain Regency rake. Should she ignore her obligations and stay in the past... or should she leave behind the man she loves? An Enchanting Dilemma: Nicholas Wycliffe, the toplofty Lord Brockton, has no desire to take a wife, especially a mysterious widow who doesn't live by society's rules. But what is he to make of the enchanting "Mrs." Steele, who not only refuses to discuss her past, she also has the audacity to turn him down when he proposes marriage?
In Aiken's sequel to Jane Austen's complex and fascinating novel, after heroine Fanny Price marries Edmund Bertram, they depart for the Caribbean, and Fanny's younger sister Susan moves to Mansfield Park as Lady Bertram's new companion.
In Aiken's sequel to Jane Austen's complex and fascinating novel, after heroine Fanny Price marries Edmund Bertram, they depart for the Caribbean, and Fanny's younger sister Susan moves to Mansfield Park as Lady Bertram's new companion. Surrounded by the familiar cast of characters from Jane Austen's original, and joined by a few charming new characters introduced by the author, Susan finds herself entangled in romance, surprise, scandal, and redemption. Aiken's diverting tale gives the reader interesting speculation on how the Crawfords, whose winning personalities were marred by an amoral upbringing, might have turned out, and Jane Austen's morality tale takes new directions with an unexpected and somewhat controversial ending. "A lovely read—and you don't have to have read Mansfield Park to enjoy it."—Woman's Own "Her sense of time and place is impeccable."—Publishers Weekly "An excellent sequel...remarkably effective and very funny." —Evening Standard
The Routledge Anthology of British Women Playwrights, 1777-1843 by Thomas C. Crochunis,Michael E. Sinatra Pdf
The Routledge Anthology of British Women Playwrights, 1777-1843 brings together ten eclectic plays by female dramatists and writers, to stimulate a rich discussion of women, writing, and theatre history. Ranging through tragedy, comedy, musical theatre and mixed-genre texts, this volume celebrates the breadth and experimental spirit of women's eighteenth- and nineteenth-century dramatic writing. Each play is accompanied by an introductory essay that addresses its sociopolitical and theatrical contexts, and outlines its performance and reception history. The selections included here invite teachers and their students to study particular works by authors of note, but also to consider the differences between works written for page and stage. While many of the plays are recognizable as published dramas, they have been placed alongside textual artifacts that suggest plays or theatrical events of which no definitive record exists, as well as supplementary materials that invite teachers to engage their students in exploring women's dramatic writing in this era. Organized in chronological order, The Routledge Anthology of British Women Playwrights, 1777-1843 traces a history of women's writing across genres and styles, offering an invaluable resource to students and teachers alike.
Romantic Actors, Romantic Dramas by James Armstrong Pdf
This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes an in-depth look at four pairs of performers and playwrights: Sarah Siddons and Joanna Baillie, Julia Glover and Samuel Taylor Coleridge, Edmund Kean and Lord Byron, and Eliza O'Neill and Percy Bysshe Shelley. These charismatic performers, knowingly or not, helped to guide the development of a character-based theatre—from the emotion-dominated plays made popular by Baillie to the pinnacle of Romantic drama under Shelley. They shepherded in a new style of writing that had verbal sophistication and engaged meaningfully with the moral issues of the day. They helped to create not just new modes of acting, but new ways of writing that could make use of their extraordinary talents.
If you love Bridgerton, you'll love Georgette Heyer! 'Probably the best book ever written' Antonia Fraser 'A rollicking good read that will be of particular joy to Bridgerton viewers' Independent 'Elegant, witty and rapturously romantic' Katie Fforde _____________ Beautiful heiress Judith Taverner has her pick of London suitors . . . But her luck takes a turn for the worse when her hapless brother, Peregrine, becomes the target of a would-be-assassin. To Judith's great annoyance, their mysterious guardian - the handsome Earl of Worth - seems far more intent on wooing her than saving her brother, but all is not as it seems... When the truth is revealed, Judith will finally discover if the Earl is after her money or her heart. _____________ 'The greatest writer who ever lived' Antonia Fraser '[My] generation's Julia Quinn' Adjoa Andoh, star of Bridgerton 'Utterly delightful' Guardian 'Fabulously witty' Stephen Fry 'Heyer's books are as incisively witty and quietly subversive as any of Jane Austen's' Joanne Harris 'Absolutely delicious tales of Regency heroes. . . Utter, immersive escapism' Sophie Kinsella 'Brim with elegance, wit and historical accuracy, and this is one of her finest and most entertaining ... Escapism of the highest order' Daily Mail 'What a treat you have in store!' Harriet Evans 'Georgette Heyer is unbeatable.' Sunday Telegraph _____________ Readers love Regency Buck . . . ***** 'A must read for any Georgette Heyer fan!' ***** 'It's a great novel, barrels of fun, highly recommend.' ***** 'One of my favourite historicals!' ***** 'You will not regret reading this book.' ***** 'Totally one of my favourite Heyer novels.'
Doubled Plots by Susan Strehle,Mary Paniccia Carden Pdf
In art, myth, and popular culture, romance is connected with the realm of emotions, private thought, and sentimentality. History, its counterpart, is the seemingly objective compendium of public fact. In theory, the two genres are diametrically opposed, offering widely divergent views of human experience. In this collection of essays, however, the writers challenge these basic assumptions and consider the two as parallel and as reflections of each other. Looking closely at specific narratives, they argue that romance and history share expectations and purposes and create the metaphors that can either hold cultures and institutions together or drive them apart. The writers explore the internal contradictions of both genres, as seen in works in which the elements of both romance and history are present. The theme that flows throughout this collection is that romance literature and art frequently engage with or comment on actual historical events or histories. Included among the contributions are discussions of romance and race in James Fenimore Cooper's The Last of the Mohicans, the Rudolph Valentino film classic The Sheik, the series of English “Regency Romance” novels, the constructs of love and history in two of Alice McDermott's novels, and a feminist reading of African American women's historical romances. Moreover, the essays approach romance and history from a variety of critical and political perspectives and examine a wide selection of romances from the 1800s to contemporary times. They look at bestsellers and literary classics, at texts by and for white audiences, and at works created by writers on the margins of Western culture. The anthology is a radical approach to romance, a genre often dismissed as diversionary and reactionary. It explores how well this genre serves for critical examinations of history.
Nineteenth-Century Poetry and the Physical Sciences by Gregory Tate Pdf
Poetical Matter examines the two-way exchange of language and methods between nineteenth-century poetry and the physical sciences. The book argues that poets such as William Wordsworth, Mathilde Blind, and Thomas Hardy identified poetry as an experimental investigation of nature’s materiality. It also explores how science writers such as Humphry Davy, Mary Somerville, and John Tyndall used poetry to formulate their theories, to bestow cultural legitimacy on the emerging disciplines of chemistry and physics, and to communicate technical knowledge to non-specialist audiences. The book’s chapters show how poets and science writers relied on a set of shared terms (“form,” “experiment,” “rhythm,” “sound,” “measure”) and how the meaning of those terms was debated and reimagined in a range of different texts. “A stimulating analysis of nineteenth-century poetry and physics. In this groundbreaking study, Tate turns to sound to tease out fascinating continuities across scientific inquiry and verse. Reflecting that ‘the processes of the universe’ were themselves ‘rhythmic,’ he shows that a wide range of poets and scientists were thinking through undulatory motion as a space where the material and the immaterial met. ‘The motion of waves,’ Tate demonstrates, was ‘the exemplary form in the physical sciences.’ Sound waves, light, energy, and poetic meter were each characterized by a ‘process of undulation,’ that could be understood as both a physical and a formal property. Drawing on work in new materialism and new formalism, Tate illuminates a nineteenth-century preoccupation with dynamic patterning that characterizes the undulatory as (in John Herschel’s words) not ‘things, but forms.’” —Anna Henchman, Associate Professor of English at Boston University, USA “This impressive study consolidates and considerably advances the field of physics and poetry studies. Moving easily and authoritatively between canonical and scientist poets, Nineteenth-Century Poetry and the Physical Sciences draws scientific thought and poetic form into telling relation, disclosing how they were understood variously across the nineteenth century as both comparable and competing ways of knowing the physical world. Clearly written and beautifully structured, Nineteenth-Century Poetry and the Physical Sciences is both scholarly and accessible, a fascinating and indispensable contribution to its field.” —Daniel Brown, Professor of English at the University of Southampton, UK “Essential reading for Victorianists. Tate’s study of nineteenth-century poetry and science reconfi gures debate by insisting on the equivalence of accounts of empirical fact and speculative theory rather than their antagonism. The undulatory rhythms of the universe and of poetry, the language of science and of verse, come into new relations. Tate brilliantly re-reads Coleridge, Tennyson, Mathilde Blind and Hardy through their explorations of matter and ontological reality. He also addresses contemporary theory from Latour to Jane Bennett.” — Isobel Armstrong, Emeritus Professor of English at Birkbeck, University of London, UK
Author : David Sigler Publisher : State University of New York Press Page : 393 pages File Size : 40,6 Mb Release : 2021-08-01 Category : Literary Criticism ISBN : 9781438484877
Feminist writers in British Romanticism often developed alternatives to linear time. Viewing time as a system of social control, writers like Mary Wollstonecraft, Anna Barbauld, and Mary Shelley wrote about current events as if they possessed knowledge from the future. Fracture Feminism explores this tradition with a perspective informed by Lacanian psychoanalysis and Derridean deconstruction, showing how time can be imagined to contain a hidden fracture—and how that fracture, when claimed as a point of view, could be the basis for an emancipatory politics. Arguing that the period's most radical experiments in undoing time stemmed from the era's discourses of gender and women's rights, Fracture Feminism asks: to what extent could women "belong" to their historical moment, given their political and social marginalization? How would voices from the future interrupt the ordinary procedures of political debate? What if utopia were understood as a time rather than a place, and its time were already inside the present?
Jane Austen's Unfinished Novel Made Full 'The Watsons' was an early work by Jane Austen, abandoned after the death of her father George Watson with only a few chapters finished. Generations of readers have wondered how the story of young Emma Watson and her family would have turned out had Austen ever returned to it. Now author Eucharista Ward has written a completion of 'The Watsons' along lines suggested by Austen herself. In the tradition of regency romance, the members of the Watson family pursue life and love each in their own way. To succeed they must overcome obstacles originating both in society and in their own misunderstandings of themselves and others - if they can.
Suspense and Sensibility Or, First Impressions Revisited by Carrie Bebris Pdf
Pemberley newlyweds Mr. and Mrs. Darcy identify a seemingly ideal suitor for Elizabeth's younger sister, a situation that turns bizarre when the young man's personality undergoes a radical change.
