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Winner of the Sillerman First Book Prize for African Poetry, The Rinehart Frames questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe upon monolithic categorizations of Blackness and what can be intersected with it.
2021 National Book Critics Circle Award Finalist 2021 Foreword Indies Finalist Winner of the Sillerman First Book Prize for African Poetry The poems in The Rinehart Frames seek to exhaust the labyrinths of ekphrasis. By juxtaposing the character of Rinehart from Ralph Ellison's Invisible Man with the film 24 Frames by Abbas Kiarostami, the poems leap into secondary histories, spaces, and languages that encompass a collective yet varied consciousness of being. Cheswayo Mphanza's collection questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe on monolithic categorizations of Blackness and what can be intersected with it. The poems continue the conversations of the infinite possibilities of the imagination to dabble in, with, and out of history.
Author : David H. Wilson, Jr. Publisher : U of Nebraska Press Page : 416 pages File Size : 53,8 Mb Release : 2022-05 Category : History ISBN : 9781496231222
Northern Paiutes of the Malheur by David H. Wilson, Jr. Pdf
2023 Oregon Book Award Finalist In 1870 a twenty-six-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land. The eloquence of her letter was such that it made its way into Harper's Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and free the Paiutes as well. Schurz's decision unleashed furious opposition from the Bureau of Indian Affairs, cattlemen, and settlers. A campaign of disinformation by government officials followed, sweeping truth aside and falsely branding Paiute chief Egan as instigator and leader of the Indian forces. The campaign succeeded in its mission to overturn Schurz's decision. To this day histories of the war appear to be unanimous in their mistaken claim that Egan led his Paiutes into war. Indian agents' betrayal of the people they were paid to protect saddled Paiutes with responsibility for a war that most opposed and that led to U.S. misappropriation of their land, their only source of life's necessities. With neither land nor reservation, Paiutes were driven more deeply into poverty and disease than any other Natives of that era. David H. Wilson Jr. pulls back the curtain to reveal what government officials hid--exposing the full jarring injustice and, after 140 years, recounting the Paiutes' true and proud history for the first time.
Author : David H. Wilson Publisher : U of Nebraska Press Page : 336 pages File Size : 41,5 Mb Release : 2022-05 Category : History ISBN : 9781496231239
Northern Paiutes of the Malheur by David H. Wilson Pdf
In 1870 a twenty-six-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land. The eloquence of her letter was such that it made its way into Harper’s Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and free the Paiutes as well. Schurz’s decision unleashed furious opposition from the Bureau of Indian Affairs, cattlemen, and settlers. A campaign of disinformation by government officials followed, sweeping truth aside and falsely branding Paiute chief Egan as instigator and leader of the Indian forces. The campaign succeeded in its mission to overturn Schurz’s decision. To this day histories of the war appear to be unanimous in their mistaken claim that Egan led his Paiutes into war. Indian agents’ betrayal of the people they were paid to protect saddled Paiutes with responsibility for a war that most opposed and that led to U.S. misappropriation of their land, their only source of life’s necessities. With neither land nor reservation, Paiutes were driven more deeply into poverty and disease than any other Natives of that era. David H. Wilson Jr. pulls back the curtain to reveal what government officials hid—exposing the full jarring injustice and, after 140 years, recounting the Paiutes’ true and proud history for the first time.
Edith Wharton and Mary Roberts Rinehart at the Western Front, 1915 by Ed Klekowski,Libby Klekowski Pdf
By 1915, the Western Front was a 450-mile line of trenches, barbed wire and concrete bunkers, stretching across Europe. Attempts to break the stalemate were murderous and futile. Censorship of the press was extreme--no one wanted the carnage reported. Remakably, the Allied command gave two intrepid American women, Edith Wharton and Mary Roberts Rinehart, permission to visit the front and report on what they saw. Their travels are reconstructed from their own published accounts, Rinehart's unpublished day-by-day notes, and the writings of other journalists who toured the front in 1915. The present authors' explorations of the places Wharton and Rinehart visited serves as a travel guide to the Western Front.
Metropolitan Museum of Art (New York, N.Y.),Lauretta Dimmick,Donna J. Hassler
Author : Metropolitan Museum of Art (New York, N.Y.),Lauretta Dimmick,Donna J. Hassler Publisher : Metropolitan Museum of Art Page : 481 pages File Size : 54,5 Mb Release : 1999 Category : Sculpture ISBN : 9780870999147
American Sculpture in the Metropolitan Museum of Art: A catalogue of works by artists born before 1865 by Metropolitan Museum of Art (New York, N.Y.),Lauretta Dimmick,Donna J. Hassler Pdf
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
Like I knew, standing on the seashore, the hunger wracking a migrant’s body is movement. —from Romeo Oriogun’s “Migrant by the Sea” The Gathering of Bastards chronicles the movement of migrants as they navigate borders both internal and external. At the heart of these poems of vulnerability and sharp intelligence, the poet himself is the perpetual migrant embarked on forced journeys that take him across nations in West and North Africa, through Europe, and through American cities as he navigates the challenges of living through terror and loss and wrestles with the meaning of home.
There Where It's So Bright in Me by Tanella Boni Pdf
There Where It's So Bright in Me pries at the complexities of difference--race, religion, gender, nationality--that shape twenty-first-century geopolitical conditions. With work spanning more than thirty-five years and as one of the most prominent figures in contemporary African literature, Tanella Boni is uniquely positioned to test the distinctions of self, other, and belonging. Two twenty-first-century civil wars have made her West African home country of Côte d'Ivoire unstable. Abroad in the United States, Boni confronts the racialized violence that accompanies the idea of Blackness; in France, a second home since her university days, Boni encounters the nationalism roiling much of Europe as the consequences of (neo)colonialism shift the continent's ethnic and racial profile. What would it mean for the borders that segregate--for these social, political, cultural, personal, and historicizing forces that enshroud us--to lose their dominion? In a body under constant threat, how does the human spirit stay afloat? Boni's poetry is characterized by a hard-earned buoyancy, given her subject matter. Her empathy, insight, and plainspoken address are crucial contributions to the many difficult contemporary conversations we must engage.
Winner of the Sillerman First Book Prize for African Poets, Sherry Shenoda’s collection Mummy Eaters follows in the footsteps of an imagined ancestor, one of the daughters of the house of Akhenaten in the Eighteenth Dynasty, Egypt. Shenoda forges an imagined path through her ancestor’s mummification and journey to the afterlife. Parallel to this exploration run the implications of colonialism on her passage. The mythology of the ancient Egyptians was oriented toward resurrection through the preservation of the human body in mummification. Shenoda juxtaposes this reverence for the human body as sacred matter and a pathway to eternal life with the sixteenth- and seventeenth-century European fascination with ingesting Egyptian human remains as medicine and using exhumed Egyptian mummies as paper, paint, and fertilizer. Today Egyptian human remains are displayed in museums. Much of Mummy Eaters is written as a call and response, in the Coptic tradition, between the imagined ancestor and the author as descendant.
Ancestors by Alexis Pauline Gumbs,Ed Pavlic,Ivelisse Rodriguez Pdf
Some of today's most imaginative writers consider what it means to be made and fashioned by others. It is rare now for people to stay where they were raised, and when we encounter one another--whether in person or, increasingly, online--it is usually in contexts that obscure if not outright hide details about our past. But even in moments of pure self-invention, we are always shaped by the past. In Ancestors, some of today's most imaginative writers consider what it means to be made and fashioned by others. Are we shaped by grandparents, family, the deep past, political forebears, inherited social and economic circumstances? Can we choose our family, or is blood always thicker? And looking forward, what will it mean to be ancestors ourselves, and how will our descendants remember us? Contributors Bennet Bergman, Sam Bett, Tyree Daye, Diamond Forde, Duana Fullwiley, José B. González, Racquel Goodison, Terrance Hayes, Day Heisinger-Nixon, Tyehimba Jess, Christina Knight, Emily Lordi, Vuyelwa Maluleke, Reginald McKnight, Cheswayo Mphanza, Achal Prabhala, Domenica Ruta, Metta Sáma, Sonia Sanchez, Izumi Suzuki, Deborah Taffa, Kyoko Uchida, Ocean Vuong, Binyavanga Wainaina, Yeoh Jo-Ann, Felicia Zamora
Breaking the Silence by Patricia Jabbeh Wesley Pdf
Breaking the Silence is the first comprehensive collection of literature from Liberia since before the nation's independence. Patricia Jabbeh Wesley has gathered work from the 1800s to the present, including poets and emerging young writers exploring contemporary literary traditions with African and African diaspora poetry that transcends borders. In this collection, Liberia's founding settlers wrestle with their identity as African free slaves in the homeland from which their ancestors were captured, and writers of the early twentieth and twenty-first centuries find themselves navigating a landscape at odds with itself. From poets of Liberia's past to young writers of the present, the contributors to this volume celebrate the beauty of their nation while mourning the devastation of a long, bloody civil war. Patricia Jabbeh Wesley is a professor of English, creative writing, and African literature at Pennsylvania State University-Altoona. She immigrated to the United States with her husband and children in 1991, during the Liberian civil war. Wesley is the winner of the Levinson Prize from the Poetry Foundation and is the author of six collections of poetry, including Praise Song for My Children: New and Selected Poems, winner of the 2023 Theodore Roethke Memorial Poetry Prize; Becoming Ebony, a 2002 Crab Orchard Award winner; and When the Wanderers Come Home (Nebraska, 2016). She is a founder of Young Scholars of Liberia.
Nigeria Prize for Literature shortlist Julie Suk Award finalist Derek Walcott Prize for Poetry shortlist Your Crib, My Qibla interrogates loss, the death of a child, and a father’s pursuit of language able to articulate grief. In these poems, the language of memory functions as a space of mourning, connecting the dead with the world of the living. Culminating in an imagined dialogue between the father and his deceased daughter in the intricate space of the family, Your Crib, My Qibla explores grief, the fleeting nature of healing, and the constant obsession of memory as a language to reach the dead.
Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives. These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice. Varying in tone and complexity, Verwey’s poems focus on the tension between escapism and reality, truth and delusion (for individuals and societies), and the need to face death if we are to care for the aged and learn to understand the process of dying. As in his first poetry collection, In a Language That You Know, Verwey continues his effort to understand the successes and failures of the South African post-apartheid journey, with both humor and some despair.
Salvaging a decolonised future Red Africa makes the case for a revolutionary Black politics inspired by Marxist anti-colonial struggles in Africa. Kevin Ochieng Okoth revisits historical moments when Black radicalism was defined by international solidarity in the struggle against capitalist-imperialism, that together help us to navigate the complex histories of the Black radical tradition. He challenges common misconceptions about national liberation, showing that the horizon of national liberation was not limited to the nation-building projects of post-independence governments. While African socialists sought to distance themselves from Marxism and argued for a ‘third way’ socialism rooted in ‘traditional African culture’ the intellectual and political tradition Okoth calls ‘Red Africa’ showed that Marxism and Black radicalism were never incompatible. The revolutionary Black politics of Eduardo Mondlane, Amílcar Cabral, Walter Rodney and Andrée Blouin gesture toward a decolonised future that never materialised. We might yet build something new from the ruins of national liberation, something which clings onto the utopian promise of freedom and refuses to let go. Red Africa is not simply an exercise in nostalgia, it is a political project that hopes to salvage what remains of this tradition—which has been betrayed, violently suppressed, or erased—and to build from it a Black revolutionary politics capable of imagining new futures out of the uncertain present.
In the face of amnesia, how does one exist? In this poem, Hawad speaks directly to Azawad, a silent figure whose name designates a portion of Tuareg lands divided among five nation-states created in the 1960s. This evanescent being, situated on the edge of the abyss and deprived of speech, space, and the right to exist, has reached such a stage of suffering, misery, and oppression that it acquiesces to the erasure implicit in the labels attached to it. Through an avalanche of words, sounds, and gestures, Hawad attempts to free this creature from the net that ensnares it, to patch together a silhouette that is capable of standing up again, to transform pain into a breeding ground for resistance—a resistance requiring a return to the self, the imagination, and ways of thinking about the world differently. The road will be long. Hawad uses poetry, “cartridges of old words, / a thousand and one misfires, botched, reloaded,” as a weapon of resistance.