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Visiting the famous hunter and wildlife writer Mahitosh Sinha-Roy in his Jalpaiguri palace, Feluda is presented with a riddle that holds the clue to ancestral treasure. But before he can begin unravelling the puzzle, Mr Sinha-Roy's secretary is found dead in the forest, his body savaged by a big cat. Feluda's investigations lead him deeper and deeper into a scandalous family secret, and bring him face to face with a bloodthirsty royal Bengal tiger in a final confrontation.
A man-eater in the jungles of the Terai. An ancient riddle. The lure of hidden treasure. Visiting the famous hunter and wildlife writer Mahitosh Sinha-Roy in his Jalpaiguri palace, Feluda is presented with a riddle that holds the clue to ancestral treasure. But before he can begin unravelling the puzzle, Mr Sinha-Roy's secretary is found dead in the forest, his body savaged by a big cat. Feluda's investigations lead him deeper and deeper into a scandalous family secret, and bring him face to face with a bloodthirsty royal Bengal tiger in a final confrontation.
An incident near the desolate Chhinnamasta temple on the rocky riverbank of Rajrappa leads to the death of Mahesh Chowdhury, the head of a Hazaribagh family. Adding to the mystery are a set of coded diaries, a valuable stamp collection that is missing and a tiger that is roaming the streets of Hazaribagh. One of Feluda’s most intriguing adventures, this shows the master sleuth at his best.
The Complete Adventures of Feluda by Satyajit Ray Pdf
This omnibus edition features the ever-popular adventures of Satyajit Ray’s enduring creation, the professional sleuth Pradosh C. Mitter (Feluda). In his escapades, Feluda is accompanied by his cousin Topshe and the bumbling crime writer Lalmohan Ganguly (Jatayu). From Jaisalmer to Simla, from the Ellora Caves to Varanasi, the trio traverse fascinating locales to unravel one devious crime after another.
Recent crime fiction increasingly transcends national boundaries, with investigators operating across countries and continents. Frequently, the detective is a migrant or comes from a transcultural background. To solve the crime, the investigator is called upon to decipher the meaning(s) hidden in clues and testimonies that require transcultural forms of understanding. For the reader, the investigation discloses new interpretive methods and processes of social investigation, often challenging facile interpretations of the postcolonial world order. Under the rubric 'postcolonial postmortems', this collection of essays seeks to explore the tropes, issues and themes that characterise this emergent form of crime fiction. But what does the 'postcolonial' bring to the genre apart from the well-known, and valid, discourses of resistance, subversion and ethnicity? And why 'postmortems'? A dissection and medical examination of a body to determine the cause of death, the 'postmortem' of the postcolonial not only alludes to the investigation of the victim's remains, but also to the body of the individual text and its contexts. This collection interrogates literary concepts of postcoloniality and crime from transcultural perspectives in the attempt to offer new critical impulses to the study of crime fiction and postcolonial literatures. International scholars offer insights into the 'postcolonial postmortems' of a wide range of texts by authors from Africa, South Asia, the Asian and African Diaspora, and Australia, including Robert G. Barrett, Unity Dow, Wessel Ebersohn, Romesh Gunesekera, Kazuo Ishiguro, Sujata Massey, Alexander McCall Smith and Michael Ondaatje.
Seven gripping tales of murder, mystery and intrigue featuring Satyajit Rayýs inimitable super sleuth, Feluda Feludaýs Last Case collects seven cases which span the career of Pradosh Mitter, a.k.a. Feluda. Starting with the first Feluda story, ýDanger in Darjeelingý ( 1965), in which Feluda and Topshe, his young cousin, grapple with anonymous letters, the young, keen-eyed detective grows more mature with each baffling crime he encounters. With amazing mental dexterity Feluda solves a gruesome murder case in ýTrouble in Gangtoký (1970), catches an unusual burglar in ýThe Anubis Mysteryý (1970), unravels the riddle of ýThe Keyý to a treasure (1973), lays a trap for the person who has stolen ýThe Gold Coins of Jehangirý (1983), and deals deftly with a group of kidnappers in ýThe Mystery of Nayaný (1990). The last story in this collection, ýRobertsonýs Rubyý ( 1992) was published after Satyajit Ray passed away, and brings to a close the glorious career of Feluda. In some of the stories Feluda and Topshe are assisted by Lalmohan Babu, alias Jatayu (a bumbling writer of crime fiction), who adds a touch of humour to the gripping action and high drama.
Popular Cinema in Bengal by Madhuja Mukherjee,Kaustav Bakshi Pdf
Popular Cinema in Bengal marks a decisive turn in studies of Bengali language cinema by shifting the focus from auteur and text-based studies to exhaustive readings of the film industry. The book covers a wide range of themes and issues, including: generic tropes (like comedy and action); iconic figurations (of the detective and the city); (female) stars such as Kanan Bala, Sadhana Bose and Aparna Sen; intensities of public debates (subjects of high and low cultures, taste, viewership, gender and sexuality); print cultures (including posters, magazines and song-booklets); cinematic spaces; and trans-media and trans-cultural traffic. By locating cinema within the crosscurrents of geo-political transformations, the book highlights the new and persuasive research that has materialised over the last decade. The authors raise pertinent questions regarding 'regional' cinema as a category, in relation to 'national' cinema models, and trace the non-linear journey of the popular via multiple (media) trajectories. They address subjects of physicality, sexuality and its representations, industrial change, spaces of consumption, and cinema’s meandering directions through global circuits and low-end networks. Highlighting the ever-changing contours of cinema in Bengal in all its popular forms and proposing a new historiography, Popular Cinema in Bengal will be of great interest to scholars of film studies and South-Asian popular culture. The chapters were originally published in the journal South Asian History and Culture.
A murder in an elevator. A trail of heady perfume. The nanasaheb's priceless naulakha necklace. Feluda, Topshe and Jatayu are in Bombay where Jatayu's latest book is being filmed under the title Jet Bahadur. Soon after Jatayu hands over a package to a man in a red shirt, a murder takes place in the high-rise where the producer lives. Feluda and his companions find themselves in the midst of one of their most thrilling adventures ever, with a hair-raising climax aboard a train during location shooting. Feluda’s twelve greatest adventures are now available in special Puffin editions. Translated from the Bengali by Gopa Majumdar.
A child who calls himself Captain Spark. The mysterious Machchli Baba. A stabbing in a dark alley... In Varanasi during the Durga Puja, a valuable statuette of Ganesh is stolen from the famous Ghoshal household. Before he can recover it, Feluda has to face the arch-villain Maganlal Meghraj, solve a murder case, and unmask a fraud sadhu. One of Feluda's most hair-raising adventures, this case puts all his skills to the test.
A Disturbed Grave In A Century-Old Cemetery. A Ciphered Message. A Mysterious `Repeater'&Hellip; On A Visit To The Park Street Cemetery In Calcutta, Feluda And His Friends Chance Upon An Old Grave That Has Been Dug Into. Slight Clues Lead Them Into The Heart Of A Mystery That Is Both Complex And Blood-Curdling. When The Jigsaw That Involves A Seance In A Gloomy Old Building, A Singer In A Restaurant, A Ruthless And Rich Collector And A Midnight Vigil At The Graveyard Is Put Together, What Emerges Is One Of The Most Intriguing Mysteries Feluda Has Ever Been Faced With. &Nbsp;
Indian Writing in English and the Global Literary Market by O. Dwivedi,L. Lau Pdf
Indian Writing in English and the Global Literary Market delves into the influences and pressures of the marketplace on this genre, which this volume contends has been both gatekeeper as well as a significant force in shaping the production and consumption of this literature.