The Sacred And Profane In English Renaissance Literature
The Sacred And Profane In English Renaissance Literature Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Sacred And Profane In English Renaissance Literature book. This book definitely worth reading, it is an incredibly well-written.
The Sacred and Profane in English Renaissance Literature by Mary Arshagouni Papazian Pdf
This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.
The Encyclopedia of English Renaissance Literature, 3 Volume Set by Garrett A. Sullivan, Jr.,Alan Stewart,Rebecca Lemon,Nicholas McDowell,Jennifer Richards Pdf
Featuring entries composed by leading international scholars, The Encyclopedia of English Renaissance Literature presents comprehensive coverage of all aspects of English literature produced from the early 16th to the mid 17th centuries. Comprises over 400 entries ranging from 1000 to 5000 words written by leading international scholars Arranged in A-Z format across three fully indexed and cross-referenced volumes Provides coverage of canonical authors and their works, as well as a variety of previously under-considered areas, including women writers, broadside ballads, commonplace books, and other popular literary forms Biographical material on authors is presented in the context of cutting-edge critical discussion of literary works. Represents the most comprehensive resource available for those working in English Renaissance literary studies Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
Handbook of English Renaissance Literature by Ingo Berensmeyer Pdf
This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
Literature and the Encounter with God in Post-Reformation England by Michael Martin Pdf
Each of the figures examined in this study”John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead”is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of phenomenology, the primary mode of inquiry of this study resides in contemplation, not in a religious sense, but in the realm of perception, attendance, and acceptance. Martin portrays figures such as Dee, Digby, and Thomas Vaughan not as the eccentrics they are often depicted to have been, but rather as participating in a religious mainstream that had been radically altered by the disappearance of any kind of mandatory or regular spiritual direction, a problem which was further complicated and exacerbated by the rise of science. Thus this study contributes to a reconfiguration of our notion of what ’religious orthodoxy’ really meant during the period, and calls into question our own assumptions about what is (or was) ’orthodox’ and ’heterodox.’
Religion and Culture in Renaissance England by Claire McEachern,Debora Shuger Pdf
These essays by leading historians and literary scholars investigate the role of religion in shaping political, social and literary forms, and their reciprocal role in shaping early modern religion, from the Reformation to the Civil Wars. Reflecting and rethinking the insights of new historicism and cultural studies, individual essays take up various aspects of the productive, if tense, relation between Tudor-Stuart Christianity and culture, and explore how religion informs some of the central texts of English Renaissance literature: the vernacular Bible, Foxe's Acts and Monuments, Hooker's Laws, Shakespeare's plays and sonnets, the poems of John Donne, Amelia Lanyer and John Milton. The collection demonstrates the centrality of religion to sixteenth- and seventeenth-century England, and its influence on early modern constructions of gender, subjectivity and nationhood.
Lying in Early Modern English Culture by Andrew Hadfield Pdf
Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.
The Variorum Edition of the Poetry of John Donne, Volume 4.2 by John Donne Pdf
This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3.
Henry VIII remains the most iconic and controversial of all English Kings. For over four-hundred years he has been lauded, reviled and mocked, but rarely ignored. In his many guises - model Renaissance prince, Defender of the Faith, rapacious plunderer of the Church, obese Bluebeard-- he has featured in numerous works of fact and faction, in books, magazines, paintings, theatre, film and television. Yet despite this perennial fascination with Henry the man and monarch, there has been little comprehensive exploration of his historiographic legacy. Therefore scholars will welcome this collection, which provides a systematic survey of Henry's reputation from his own age through to the present. Divided into three sections, the volume begins with an examination of Henry's reputation in the period between his death and the outbreak of the English Civil War, a time that was to create many of the tropes that would dominate his historical legacy. The second section deals with the further evolution of his reputation, from the Restoration to Edwardian era, a time when Catholic commentators and women writers began moving into the mainstream of English print culture. The final section covers the twentieth and twenty-first centuries, which witnessed an explosion of representations of Henry, both in print and on screen. Taken together these studies, by a distinguished group of international scholars, offer a lively and engaging overview of how Henry's reputation has been used, abused and manipulated in both academia and popular culture since the sixteenth century. They provide intriguing insights into how he has been reinvented at different times to reflect the cultural, political and religious demands of the moment; sometimes as hero, sometimes as villain, but always as an unmistakable and iconic figure in the historical landscape.
Rape and Religion in English Renaissance Literature by Anna Swärdh Pdf
"This is a Ph.D. dissertation. William Shakespeare's Titus Andronicus (1594) and The Rape of Lucrece (1594), Michael Drayton's Matilda (1594) and Thomas Middleton's The Ghost of Lucrece (1600) appeared at a time when the religious troubles in the wake of t"
The Politics of Grace in Early Modern Literature by Deni Kasa Pdf
This book tells the story of how early modern poets used the theological concept of grace to reimagine their political communities. The Protestant belief that salvation was due to sola gratia, or grace alone, was originally meant to inspire religious reform. But, as Deni Kasa shows, poets of the period used grace to interrogate the most important political problems of their time, from empire and gender to civil war and poetic authority. Kasa examines how four writers—John Milton, Edmund Spenser, Aemilia Lanyer, and Abraham Cowley—used the promise of grace to develop idealized imagined communities, and not always egalitarian ones. Kasa analyzes the uses of grace to make new space for individual and collective agency in the period, but also to validate domination and inequality, with poets and the educated elite inserted as mediators between the gift of grace and the rest of the people. Offering a literary history of politics in a pre-secular age, Kasa shows that early modern poets mapped salvation onto the most important conflicts of their time in ways missed by literary critics and historians of political thought. Grace, Kasa demonstrates, was an important means of expression and a way to imagine impossible political ideals.
Psalms in the Early Modern World by Linda Phyllis Austern,Kari Boyd McBride Pdf
Psalms in the Early Modern World is the first book to explore the use, interpretation, development, translation, and influence of the Psalms in the Atlantic world, 1400-1800. In the age of Reformation, when religious concerns drove political, social, cultural, economic, and scientific discourse, the Bible was the supreme document, and the Psalms were arguably its most important book.The Psalms played a central role in arbitrating the salient debates of the day, including but scarcely limited to the nature of power and the legitimacy of rule; the proper role and purpose of nations; the justification for holy war and the godliness of peace; and the relationship of individual and community to God. Contributors to the collection follow these debates around the Atlantic world, to pre- and post-Hispanic translators in Latin America, colonists in New England, mystics in Spain, the French court during the religious wars, and both Protestants and Catholics in England. Psalms in the Early Modern World showcases essays by scholars from literature, history, music, and religious studies, all of whom have expertise in the use and influence of Psalms in the early modern world. The collection reaches beyond national and confessional boundaries and to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
Bees in Early Modern Transatlantic Literature by Nicole A. Jacobs Pdf
This book examines apian imagery—bees, drones, honey, and the hive—in the seventeenth- and eighteenth-century literary and oral traditions. In England and the New World colonies during a critical period of expansion, the metaphor of this communal society faced unprecedented challenges even as it came to emblematize the process of colonization itself. The beehive connected the labor of those marginalized by race, class, gender, or species to larger considerations of sovereignty. This study examines the works of William Shakespeare; Francis Daniel Pastorius; Hopi, Wyandotte, and Pocasset cultures; John Milton; Hester Pulter; and Bernard Mandeville. Its contribution lies in its exploration of the simultaneously recuperative and destructive narratives that place the bee at the nexus of the human, the animal, and the environment. The book argues that bees play a central representational and physical role in shaping conflicts over hierarchies of the early transatlantic world.
Early Modern English Catholicism by James E. Kelly,Susan Royal Pdf
Early Modern English Catholicism: Identity, Memory and Counter-Reformation is an interdisciplinary collection that brings together leading scholars in the field to demonstrate the significance of early modern English Catholicism as a contributor to national and European Counter-Reformation culture.
Robert Garnier in Elizabethan England by Marie-Alice Belle,Line Cottegnies Pdf
This volume gathers together, for the first time, Mary Sidney Herbert’s Antonius (1592) and Thomas Kyd’s Cornelia (1594), two significant and inter-related responses to Robert Garnier’s Roman plays, Marc Antoine (1578) and Cornélie (1574). As a unique diptych the translated plays offer invaluable insight into the often ghostly presence of French literature in Elizabethan culture. They also mark an important chapter in the development of early modern neoclassical drama, with Sidney Herbert and Kyd creatively engaging, each in their own way, with Garnier’s learned, Senecan tragedies. This edition offers a critical introduction situating the plays in the rapidly shifting context of the 1590s and discussing their critical reception as translations. The footnotes aim to illuminate Sidney Herbert’s and Kyd’s distinctive translation practices by signaling significant amendments to Garnier’s text and by tracing the web of intertextual allusions that connects each translation, not only with Elizabethan practices of patronage, readership, and text circulation, but also with the wider intellectual and political debates of the late European Renaissance. Also featuring textual notes, a list of neologisms, and a glossary, this edition documents each text’s material and editorial history, as well as their joint contribution to the linguistic creativity of the Elizabethan age. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Times; color: #ffffff}
Author : Anne James Publisher : University of Toronto Press Page : 423 pages File Size : 41,7 Mb Release : 2016-01-01 Category : History ISBN : 9781442649378
On the night of November 4th 1605, the English authorities uncovered an alleged plot by a group of discontented Catholics to blow up the Houses of Parliament with the lords, princes, queen and king in attendance. The failure of the plot is celebrated to this day and is known as Guy Fawkes Day. In Poets, Players and Preachers, Anne James explores the literary responses to the discovery of the Gunpowder Plot in poetry, drama, and sermons. This book is the first full-length study of the literary repercussions of the conspiracy. By analyzing the genres of poems, plays, and sermons produced between 1605 and 1688, the author argues that not only did the continuous reinterpretation of the conspiracy serve religious and political purposes but that such literary reinterpretations produced generic changes.
