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While historians know that history is about interpreting primary sources, students tend to think of history as a set of facts. In The Saint and the Count, Leah Shopkow opens up the interpretive world of the historian using the biography of St. Vitalis of Savigny (d. 1122) as a case study. This biography was written around 1174 by Stephen of Fougères and provides a rich stage to demonstrate the kinds of questions historians ask about primary sources and the interpretive and conceptual frameworks they use. What is the nature of medieval sources and what are the interpretive problems they present? How does the positionality of Stephen of Fougères shape his biography of St. Vitalis? How did medieval people respond to stories of miracles? And finally, how does this biography illuminate the problem of violence in medieval society? A translation of the biography is included, so that readers can explore the text on their own.
The Comte de St. Germain by Isabel Cooper-Oakley Pdf
The original 'International Man of Mystery,' the Count St. Germain, was an 18th century European aristocrat of unknown origin. He had no visible means of support, but no lack of resources, and moved in high social circles. He was a renowned conversationalist and a skilled musician. He dropped hints that he was centuries old and could grow diamonds. He never ate in public, was ambidextrous, and as far as anyone could tell, totally celibate. He served as a backchannel diplomat between England and France, and may have played some role in Freemasonry. He hobnobbed with Marie Antoinette, Catherine the Great, Voltaire, Rousseau, Mesmer, and Casanova. He dabbled in materials and textile technology as well as alchemy, as did many intellectuals of the time (e.g., Newton). These are established historical facts, documented by the extensive collection of contemporary accounts in this book. He is a subject of interest for students of the esoteric.
Tales of a Minstrel of Reims in the Thirteenth Century by Anonim Pdf
An anonymous minstrel in thirteenth-century France composed this gripping account of historical events in his time. Crusaders and Muslim forces battle for control of the Holy Land, while power struggles rage between and among religious authorities and their conflicting secular counterparts, pope and German emperor, the kings of England and the kings of France. Meanwhile, the kings cannot count on their independent-minded barons to support or even tolerate the royal ambitions. Although politics (and the collapse of a royal marriage) frame the narrative, the logistics of war are also in play: competing military machinery and the challenges of transporting troops and matariel. Inevitably, the civilian population suffers. The minstrel was a professional story-teller, and his livelihood likely depended on his ability to captivate an audience. Beyond would-be objective reporting, the minstrel dramatizes events through dialogue, while he delves into the motives and intentions of important figures, and imparts traditional moral guidance. We follow the deeds of many prominent women and witness striking episodes in the lives of Eleanor of Aquitaine, Richard the Lionhearted, Blanche of Castile, Frederick the Great, Saladin, and others. These tales survive in several manuscripts, suggesting that they enjoyed significant success and popularity in their day. Samuel N. Rosenberg produced this first scholarly translation of the Old French tales into English. References that might have been obvious to the minstrel’s original audience are explained for the modern reader in the indispensable annotations of medieval historian Randall Todd Pippenger. The introduction by eminent medievalist William Chester Jordan places the minstrel’s work in historical context and discusses the surviving manuscript sources.