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The Second Coming of Joan of Arc and Other Plays by Carolyn Gage Pdf
In this stunning collection of seven plays, Carolyn Gage shows us the real women behind the sterile patriarchal stereotypes: the angry teenage lesbian Joan of Arc; the alcoholic butch Calamity Jane; the Louis May Alcott with repressed incest memories; the political prisoner known as "Typhoid Mary"; the lesbian Jane Addams. Blazing with anger and crackling with wit, Gage's women redraw the map of contemporary theatre in a formidable bid to TAKE BACK THE STATE!
Joan of Arc, A Saint for All Reasons by Dominique Goy-Blanquet Pdf
The interaction of poetry and politics has shaped Joan into a transnational myth dedicated to the most contradictory causes. No other character has inspired a more impressive list of writers, but no other myth possesses the malleability required to serve rival camps. Whatever their distortions of fact for art's sake, these famed authors deployed an extensive knowledge of known records. The quality of the exchanges between the best creative and philosophical minds of preceding centuries, their capacity for reading, range of interests, literary judgment, critical shrewdness, all offer priceless models of investigation for our times. A close inquiry into the makings of the legendary heroine brings to light various false impressions still endorsed today by a number of noteworthy historians and literary critics. This collection of essays, updated for the English language edition, follows Joan of Arc in the Western consciousness, throughout the chain of texts, fictions, comments, from the time of her launching into celebrity by Jean Gerson and Christine de Pizan to the most recent stage and film versions. D. Goy-Blanquet investigates the exchanges between England, France and Germany, down to Joan's nationalisation by Michelet. Francoise Michaud-Frejaville studies, through little known seventeenth-century versions, a period of decline in the heroine's popularity, with Jean Chapelain's much decried Pucelle at its lowest ebb. Nadia Margolis picks up the thread from Michelet to explore the background of frenzied political quarrels, and personal self-identifications, for possession of the nineteenth-century heroine, down to their ultimate appropriation, that by the National Front. Jacques Darras questions Peguy and the warmongers who used Joan as a firebrand against pacifists like Jean Jaures, down to the singular fate of Anouilh's L'Alouette, and beyond them the nationalistic strains which continue to infect the French political scene. An essay composed especially for this
The Second Coming of Joan of Arc and Selected Plays by Carolyn Gage Pdf
Gage's award-winning collection of plays, including The Second Coming of Joan of Arc, The Last Reading of Charlotte Cushman, The Parmachene Belle, Cookin' with Typhoid Mary, Harriet Tubman Visits A Therapist, Calamity Jane Sends a Message to Her Daughter, and Artemisia and Hildegard. National winner of the Lambda Literary Award in Drama.
The Second Coming of Joan of Arc by Carolyn Gage Pdf
In The Second Coming of Joan of Arc, Joan returns to share her story with contemporary women. She tells her experiences with the highest levels of church, state, and military, and unmasks the brutal misogyny behind male institutions. Award-winning, internationally-acclaimed lesbian drama
Take Stage is the first comprehensive "how-to" book for lesbians wanting to produce or direct lesbian theatre. Controversial and anecdotal, Take Stage is written for the lesbian with no previous experience with theatre or lesbian organization. In addition to chapters on auditioning, rehearsals, selecting the script, booking space, and assembling a staff, the book includes chapters on issues of special interest to lesbians. Take Stage includes information on how to challenge the "isms"--lookism, racism, classism, ageism, and other prejudices with which lesbian culture is currently engaged. It also looks at problems of accountability in non-hierarchal structures, boundary-setting among all-volunteer staffs, sabotage via hidden agendas or disassociative behaviors, horizontal hostility, and internalized homophobia. The appendix contains sample contracts, audition forms, light plots, budgets, and schedules. From the decision to produce the play to opening night and touring, Take Stage covers all the bases and provides a healthy dose of moral support.
The Afterlife of "Little Women" by Beverly Lyon Clark Pdf
“Superb, scrupulously researched . . . a comprehensive narrative for understanding the changing reception of Little Women.” —Gregory Eiselein, coeditor of The Louisa May Alcott Encyclopedia The hit Broadway show of 1912. The lost film of 1919. Katharine Hepburn, as Jo, sliding down a banister in George Cukor’s 1933 movie. Mark English’s shimmering 1967 illustrations. Jo—this time played by Sutton Foster—belting “I'll be / astonishing” in the 2004 Broadway musical flop. These are only some of the markers of the afterlife of Little Women. There’s also the nineteenth-century child who wrote, “If you do not ...make Laurie marry Beth, I will never read another of your books as long as I live.” Not to mention Miss Manners, a Little Women devotee, who announced that the book taught her an important life lesson: “Although it’s very nice to have two clean gloves, it’s even more important to have a little ink on your fingers.” In The Afterlife of Little Women, Beverly Lyon Clark, a leading authority on children’s literature, maps the reception of Louisa May Alcott’s timeless novel, first published in 1868. Clark divides her discussion into four historical periods. The first covers the novel’s publication and massive popularity in the late nineteenth century. In the second era—the first three decades of the twentieth century—the novel becomes a nostalgic icon of the domesticity of a previous century, while losing status among the literary and scholarly elite. In its mid-century afterlife, from 1930-1960, Little Women reaches a low in terms of its critical reputation but remains a well-known piece of Americana within popular culture. The book concludes with a long chapter on Little Women’s afterlife from the 1960s to the present, a period in which the reading of the book seems to decline, while scholarly attention expands dramatically and popular echoes continue to proliferate. Drawing on letters and library records as well as reviews, plays, operas, film and television adaptations, spinoff novels, translations, Alcott biographies, and illustrations, Clark demonstrates how the novel resonates with both conservative family values and progressive feminist ones. She grounds her story in criticism of children’s literature, book history, cultural studies, feminist criticism, and adaptation studies—in a book that is “fascinating, cover-to-cover, for the many readers of Little Women still out there, whether scholar or generally interested fan” (Studies in the Novel).
Discover the forgotten story of Mary Mallon—the real Typhoid Mary—in this humanizing portrait offering a window into the ethical dilemmas of public health policy that continue to haunt us in the COVID era. She was an Irish immigrant cook. Between 1900 and 1907, she infected 22 New Yorkers with typhoid fever through her puddings and cakes; one of them died. Tracked down through epidemiological detective work, she was finally apprehended as she hid behind a barricade of trashcans. To protect the public's health, authorities isolated her on Manhattan’s North Brother Island, where she died some 30 years later. This book tells the remarkable story of Mary Mallon—the real Typhoid Mary. Combining social history with biography, historian Judith Leavitt re-creates early 20th-century New York City, a world of strict class divisions and prejudice against immigrants and women. Leavitt engages the reader with the excitement of the early days of microbiology and brings to life the conflicting perspectives of journalists, public health officials, the law, and Mary Mallon herself. Leavitt’s readable account illuminates dilemmas that continue to haunt us in the age of COVID-19. To what degree are we willing to sacrifice individual liberty to protect the public's health? How far should we go? For anyone who is concerned about the threats and quandaries posed by new epidemics, Typhoid Mary is a vivid reminder of the human side of disease and disease control.
Rape, Rage and Feminism in Contemporary American Drama by Davida Bloom Pdf
This first-ever study of rape in modern American drama examines portrayals of rape, raped women and rapists in 36 plays written between 1970 and 2007, the period during which the feminist movement made rape a matter of public discourse. These dramas reveal much about sexuality and masculine and feminine identity in the United States. The author traces the impact of second-wave feminism, antifeminist backlash, third-wave feminism and postfeminism on the dramatic depiction of rape. The prevalence of commonly accepted rape myths—that women who dress provocatively invite sexual assault, for example—is well documented, along with equally frequent examples which dispute these myths.
Describes how Joan of Arc was turned into an iconic figure of European culture and explores the how she has been used in literature, art, music and politics.
Performing Gender and Violence in Contemporary Transnational Contexts by Maria Anita Stefanelli Pdf
Acknowledgements — Preface by Maria Anita Stefanelli — 1. Making Visible. Theatrical Form as Metaphor: Marina Carr and Caryl Churchill by Cathy Leeney — 2. Obscene Transformations: Violence, Women and Theatre in Sarah Kane and Marina Carr by Melissa Sihra — 3. Can the Subaltern Dream? Epistemic Violence, Oneiric Awakenings and the Quest for Subjective Duality in Marina Carr’s Marble - Interview with Marina Carr - Excerpt from Marble by Marina Carr by Valentina Rapetti — 4. “The house is a battlefield now”: War of the Sexes and Domestic Violence in Van Badham’s Kitchen and Warren Adler’s The War of the Roses - Interview with Van Badham - Excerpt from Kitchen by Van Badham by Barbara Miceli — 5. Serial Killers, Serial Lovers: Raquel Almazan’s La Paloma Prisoner - Interview with Raquel Almazan - Excerpt from La Paloma Prisoner by Raquel Almazan by Alessandro Clericuzio — 6. “To Put My Life Back into the Main Text”: Re-Dressing History in The Second Coming of Joan of Arc by Carolyn Gage - Interview with Carolyn Gage - Excerpt from The Second Coming of Joan of Arc and Selected Plays by Carolyn Gage by Sabrina Vellucci — 7. Turning Muteness into Performance in Erin Shields’ If We Were Birds - Interview with Erin Shields - Excerpt from If We Were Birds by Erin Shields by Maria Anita Stefanelli — 8. Afterword: Vocal and Verbal Assertiveness by Kate Burke — Contributors An extraordinary complexity characterizes the encounter between theatre, mythology, and human rights when gender-based violence is on the platform. Another encounter enhances the cross-disciplinary and transnational dynamics in this book: the one between the scholar and the playwright, who exchange views to pursue a theme demanding due attention at an emergence that needs being explored to be understood and combated, and finally turned into a priority action. Through the analysis of a repertoire of contemporary plays and performance practices from English-speaking countries, the contributors explore in detail the asymmetrical relations that exist between men and women, the crimes involved, and the ways in which the protagonists’ minds work differently. The unconventional format adopted for the five central sections that follow two papers centered on Marina Carr’s theatre in comparison with two noteworthy British playwrights’, and that forerun the final stringent remarks about woman’s (like man’s) fundamental right to speak and need for words, offers not just single chapters, however provocative, on an aspect of the theme, but a tripartite session boasting a critical inquiry into the text, the playwright’s response to criticism, and a sample of the author’s creative expression. What emerges is a prismatic, complex, and visceral vision of the plays offered to the public for further elaboration and critique. Beside Carr, those involved are Raquel Almazan, Van Badham, Carolyn Gage and Erin Shields – all of them champions of today’s feminist commitment to denounce, through their art, violence against women.
The Second Coming of Joan of Arc by Carolyn Gage Pdf
Joan of Arc led an army to victory at seventeen. At eighteen, she engineered the coronation of a king. At nineteen, she went up against the Catholic church...and lost. Her trial lasted five months, and the testimony by witnesses was carefully transcribed by notaries. Twenty years after her death, a new trial was authorized, and again detailed records were kept. There was testimony by her childhood playmates, by her parents, by the women who slept with her, by the soldiers who served under her, by the priests who confessed her, by those who witnessed and administered her torture. She is the most thoroughly documented figure of the fifteenth century. So, why do the myths about the simple-minded peasant girl still pervade the history books?
For the vast generation of actors in their teens and twenties, as well as for teachers, directors, and producers, Under Thirty is an unparalleled source of diverse and challenging roles, created by some of today’s finest writers. The twenty plays presented here in full or in part include insightful looks at the pressure-cooker caste system of American high schools as well as heartbreaking, edgy portrayals of twentysomethings adrift in the city. There are snappy romantic duets, large-cast ensembles, and everything in between, populated by richly dimensional, mold-breaking characters: misfit cheerleaders, nurturing drifters, rich petty thieves—even a rogue SAT tutor. The contributing playwrights span the range of contemporary talent, including award-winning dramatists such as Sam Shepard, Donald Margulies, Warren Leight, and Kenneth Lonergan, hilarious humorists such as David Ives and Douglas Carter Beane, and an impressive array of cutting-edge newer voices. From the Trade Paperback edition.
