The South Korean Film Renaissance

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The South Korean Film Renaissance

Author : Jinhee Choi
Publisher : Wesleyan University Press
Page : 264 pages
File Size : 44,6 Mb
Release : 2011-07-21
Category : Performing Arts
ISBN : 9780819569868

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The South Korean Film Renaissance by Jinhee Choi Pdf

For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis—triggered in part by globalizing processes in the world film industry—into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendices include data on box office rankings, numbers of films produced and released, market shares, and film festival showings.

South Korean Golden Age Melodrama

Author : Kathleen McHugh,Nancy Abelmann
Publisher : Wayne State University Press
Page : 276 pages
File Size : 43,5 Mb
Release : 2005
Category : Melodrama in motion pictures
ISBN : 0814332536

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South Korean Golden Age Melodrama by Kathleen McHugh,Nancy Abelmann Pdf

Examining the theoretical, historical, and contemporary impact of South Korea's Golden Age of cinema.

Korean Cinema

Author : Yŏnghwa Chinhŭng Wiwŏnhoe (Korea)
Publisher : 커뮤니케이션북스
Page : 532 pages
File Size : 47,8 Mb
Release : 2007
Category : Motion pictures
ISBN : STANFORD:36105123917036

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Korean Cinema by Yŏnghwa Chinhŭng Wiwŏnhoe (Korea) Pdf

Cine-Mobility

Author : Han Sang Kim
Publisher : BRILL
Page : 270 pages
File Size : 55,8 Mb
Release : 2023-12-04
Category : History
ISBN : 9781684176618

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Cine-Mobility by Han Sang Kim Pdf

In 1916, a group of Korean farmers and their children gathered to watch a film depicting the enthronement of the Japanese emperor. For this screening, a unit of the colonial government’s news agency brought a projector and generator by train to their remote rural town. Before the formation of commercial moviegoing culture for colonial audiences in rural Korean towns, many films were sent to such towns and villages as propaganda. The colonial authorities, as well as later South Korean postcolonial state authorities, saw film as the most effective medium for disseminating their political messages. In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea was derived primarily not from their messages but from the new mobility of the viewing position. From the first film shot in Korea in 1901 through early internet screen cultures in late 1990s South Korea, Cine-Mobility explores the association between cinematic media and transportation mobility, not only in diverse and discrete forms such as railroads, motorways, automobiles, automation, and digital technologies, but also in connection with the newly established rules and restrictions and the new culture of mobility, including changes in gender dynamics, that accompanied it.

Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 51,7 Mb
Release : 2024-04-27
Category : Electronic
ISBN : 9780520295308

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by Anonim Pdf

New Korean Cinema

Author : Darcy Paquet
Publisher : Columbia University Press
Page : 145 pages
File Size : 54,5 Mb
Release : 2010-04-26
Category : Performing Arts
ISBN : 9780231850124

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New Korean Cinema by Darcy Paquet Pdf

New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy (1999), Oldboy (2003), and The Host (2006).

Urban Landscapes and National Visions in Post-Millennial South Korean Cinema

Author : Gemma Ballard
Publisher : Springer Nature
Page : 179 pages
File Size : 55,5 Mb
Release : 2023-05-11
Category : Performing Arts
ISBN : 9783031297397

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Urban Landscapes and National Visions in Post-Millennial South Korean Cinema by Gemma Ballard Pdf

This book explores South Korean cinema’s inimitable relationship with the urban landscape and identifies the ways in which Seoul is utilised as a celluloid canvas, national artefact and, above all else, a distinctive cultural backdrop. Using five different approaches to urban space, from five distinctive and contrasting theoretical perspectives, Urban Landscapes in Post-Millennial South Korean Cinema investigates and seeks to understand why the cinematic representation, identity and presence of Seoul have been central to the preservation and recognition of the South Korean film industry as an independent, autonomous and nationally unique institution.

A Look Inside South Korean Cinema

Author : Korean Culture and Information Service (South Korea)
Publisher : 길잡이미디어
Page : 112 pages
File Size : 41,7 Mb
Release : 2015-01-05
Category : Electronic
ISBN : 8210379456XXX

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A Look Inside South Korean Cinema by Korean Culture and Information Service (South Korea) Pdf

Hollywood films may dominate the world’s box offices today, but in Korea it’s the homegrown product that has been capturing the public’s attention. Korean films industry today and look inside of directors and stars. Korean film directors were getting major press at the world’s different film festivals. Exports were booming, and the films that reached overseas audiences found a warm reception there Contents Prologue Chapter One A Look Inside Korean Cinema The Korean Film Industry Today A Foreign Perspective Fostering New Talent Chapter Two Going Global Hallyu and Korean Film Working Internationally: Co-Productions Acclaimed Directors K-Movie Stars Chapter Three How Korean Film Got Here The Early Years (1920–1939) Golden Age: The 1960s and the ‘Literary Film’ Out of the Quicksand (1970–1989) Renaissance: 'Planned Movies' and Government Support (1990 to today) Chapter Four Film Festivals Busan International Film Festival Jeonju International Film Festival Puchon International Fantastic Film Festival International Women’s Film Festival in Seoul Jecheon International Music & Film Festival Other Festivals Chapter Five Ten Korean Films with Overseas Followings Appendix Further Reading Award-winning Korean Films at Overseas Festivals Park Chan-wook,Hong Sang-soo,Kim Ki-duk,Lee Chang-dong,Bong Joon-ho,Kim Jee-woon, Im Sang-soo, Byun Young-joo, Choi Dong-hoon, Na Hong-jin, Yang Ik-june, Yun Seong-hyeon, Yeon Sang-ho, Song Kang-ho, Jeon Do-youn, Sul Kyoung-gu, Lee Byung-hun, Jun Ji-hyun, Busan International Film Festival (BIFF), The Housemaid, The Coachman, Heavenly Homecoming to Stars, The Surrogate Woman, Why Has Bodhi-Dharma Left for the East?, My Sassy Girl , Oldboy, Spring, Summer, Autumn, Winter. . . and Spring, The Host, Poetry

Routledge Handbook of Contemporary South Korea

Author : Sojin Lim,Niki J.P. Alsford
Publisher : Routledge
Page : 467 pages
File Size : 46,6 Mb
Release : 2021-08-31
Category : Social Science
ISBN : 9781000422283

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Routledge Handbook of Contemporary South Korea by Sojin Lim,Niki J.P. Alsford Pdf

The Routledge Handbook of Contemporary South Korea offers a ground-breaking study of the socio-political development of the Korean peninsula in the contemporary period. Written by an international team of scholars and experts, contributions to this book address key intellectual questions in the development of Korean studies, projecting new ways of thinking about how international systems can be organised and how local societies adapt to global challenges. Academically rigorous, each chapter defines current research and lends the reader greater understanding of the social, cultural, economic, and political developments of South Korea, ranging from chapters on the Korean Wave to relations with North Korea and the Korean language overseas. The volume is divided into eight sections, each representing a focused area of inquiry: socio-political history contemporary politics political economy and development society culture international relations security and diplomacy South Korea in international education This handbook provides an interdisciplinary and comprehensive account of contemporary South Korea. It will be of great interest to students and scholars of Korean history, politics and international relations, culture and society, and will also appeal to policy makers interested in the Indo-Asia Pacific region.

New Korean Cinema

Author : Chi-Yun Shin,Julian Stringer
Publisher : NYU Press
Page : 247 pages
File Size : 48,7 Mb
Release : 2005-09
Category : Performing Arts
ISBN : 9780814740309

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New Korean Cinema by Chi-Yun Shin,Julian Stringer Pdf

Korean film has been heralded as the “newest tiger” of Asian cinema. In the past year, South Korea became one of the only countries in the world in which local films outsold Hollywood films, and Korean director Park Chan-wook was awarded the Grand Prix at Cannes. New Korean Cinema provides a comprehensive overview of the production, circulation, and reception of this vibrant cinema, which has begun to flourish again in the past decade, following the lifting of repressive government policies. In addition to providing a cultural, historical, and social context for understanding this burgeoning cinema, the book considers the political economy of South Korea's film industry, strategies of domestic and international distribution and marketing, and the consumption of Korean films throughout the world. The volume also includes a glossary of key terms and a bibliography of works on Korean cinema. New Korean Cinema gathers prominent critics from North America, Asia, and Europe to make sense of this exploding film industry. This book is essential reading for anyone seeking to understand the complex roles played by national and regional cinemas in a global age.

Rediscovering Korean Cinema

Author : Sangjoon Lee
Publisher : University of Michigan Press
Page : 612 pages
File Size : 44,7 Mb
Release : 2019-12-20
Category : Performing Arts
ISBN : 9780472054299

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Rediscovering Korean Cinema by Sangjoon Lee Pdf

South Korean cinema is a striking example of non-Western contemporary cinematic success. Thanks to the increasing numbers of moviegoers and domestic films produced, South Korea has become one of the world’s major film markets. In 2001, the South Korean film industry became the first in recent history to reclaim its domestic market from Hollywood and continues to maintain around a 50 percent market share today. High-quality South Korean films are increasingly entering global film markets and connecting with international audiences in commercial cinemas and art theatres, and at major international film festivals. Despite this growing recognition of the films themselves, Korean cinema’s rich heritage has not heretofore received significant scholarly attention in English-language publications. This groundbreaking collection of thirty-five essays by a wide range of academic specialists situates current scholarship on Korean cinema within the ongoing theoretical debates in contemporary global film studies. Chapters explore key films of Korean cinema, from Sweet Dream, Madame Freedom, The Housemaid, and The March of Fools to Oldboy, The Host, and Train to Busan, as well as major directors such as Shin Sang-ok, Kim Ki-young, Im Kwon-taek, Bong Joon-ho, Hong Sang-soo, Park Chan-wook, and Lee Chang-dong. While the chapters provide in-depth analyses of particular films, together they cohere into a detailed and multidimensional presentation of Korean cinema’s cumulative history and broader significance. With its historical and critical scope, abundance of new research, and detailed discussion of important individual films, Rediscovering Korean Cinema is at once an accessible classroom text and a deeply informative compendium for scholars of Korean and East Asian studies, cinema and media studies, and communications. It will also be an essential resource for film industry professionals and anyone interested in international cinema.

Mediating the South Korean Other

Author : David C. Oh
Publisher : University of Michigan Press
Page : 255 pages
File Size : 40,6 Mb
Release : 2022-07-18
Category : History
ISBN : 9780472055456

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Mediating the South Korean Other by David C. Oh Pdf

Multiculturalism in Korea formed in the context of its neoliberal, global aspirations, its postcolonial legacy with Japan, and its subordinated neocolonial relationship with the United States. The Korean ethnoscape and mediascape produce a complex understanding of difference that cannot be easily reduced to racism or ethnocentrism. Indeed the Korean word, injongchabyeol, often translated as racism, refers to discrimination based on any kind of “human category.” Explaining Korea’s relationship to difference and its practices of othering, including in media culture, requires new language and nuance in English-language scholarship. This collection brings together leading and emerging scholars of multiculturalism in Korean media culture to examine mediated constructions of the “other,” taking into account the nation’s postcolonial and neocolonial relationships and its mediated construction of self. “Anthrocategorism,” a more nuanced translation of injongchabyeol, is proffered as a new framework for understanding difference in ways that are locally meaningful in a society and media system in which racial or even ethnic differences are not the most salient. The collection points to the construction of racial others that elevates, tolerates, and incorporates difference; the construction of valued and devalued ethnic others; and the ambivalent construction of co-ethnic others as sympathetic victims or marginalized threats.

Renegotiating Film Genres in East Asian Cinemas and Beyond

Author : Lin Feng,James Aston
Publisher : Springer Nature
Page : 266 pages
File Size : 47,6 Mb
Release : 2020-11-16
Category : Performing Arts
ISBN : 9783030550776

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Renegotiating Film Genres in East Asian Cinemas and Beyond by Lin Feng,James Aston Pdf

This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context. It addresses several urgent and pertinent issues such as the distribution and exhibition practices of East Asian genre films, intra-regional creative flow of screen culture, and genre’s creative response to censorship. The volume expands the scholarly discussion of the rich heritage and fast-changing landscape of filmmaking in East Asian cinemas. Confronting the complex interaction between genres, filmic narrative and aesthetics, film history and politics, and cross-cultural translation, this book not only reevaluates genre’s role in film production, distribution, and consumption, but also tackles several under-explored areas in film studies and transnational cinema, such as the history of East Asian commercial cinema, the East Asian film industry, and cross-media and cross-market film dissemination.

The Journal of Korean Studies, Volume 19, Number 1 (Spring 2014)

Author : Clark W. Sorensen,Donald Baker
Publisher : Rowman & Littlefield
Page : 243 pages
File Size : 53,9 Mb
Release : 2014-06-27
Category : History
ISBN : 9781442236691

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The Journal of Korean Studies, Volume 19, Number 1 (Spring 2014) by Clark W. Sorensen,Donald Baker Pdf

The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.

Understanding Korean Film

Author : Jieun Kiaer,Loli Kim
Publisher : Routledge
Page : 248 pages
File Size : 45,7 Mb
Release : 2021-11-01
Category : Foreign Language Study
ISBN : 9781000476620

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Understanding Korean Film by Jieun Kiaer,Loli Kim Pdf

Film viewing presents a unique situation in which the film viewer is unwittingly placed in the role of a multimodal translator, finding themselves entirely responsible for interpreting multifaceted meanings at the mercy of their own semiotic repertoire. Yet, researchers have made little attempt, as they have for literary texts, to explain the gap in translation when it comes to multimodality. It is no wonder then that, in an era of informed consumerism, film viewers have been trying to develop their own toolboxes for the tasks that they are faced with when viewing foreign language films by sharing information online. This is particularly the case with South Korean film, which has drawn the interest of foreign viewers who want to understand these untranslatable meanings and even go as far as learning the Korean language to do so. Understanding Korean Film: A Cross-Cultural Perspective breaks this long-awaited ground, by explaining the meaning potential of a selection of common Korean verbal and non-verbal expressions in a range of contexts in South Korean film that are often untranslatable for English-speaking Western viewers. Through the selection of expressions provided in the text, readers become familiar with a system that can be extended more generally to understanding expressions in South Korean films. Formal analyses are presented in the form of in-depth discursive deconstructions of verbal and non-verbal expressions within the context of South Korea’s Confucian traditions. Our case studies thus illustrate, in a more systematic way, how various meaning potential can be inferred in particular narrative contexts.