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The Spider's Web and Zipper and His Father by Joseph Roth Pdf
Two novellas of rare energy, "The Spider's Web" and "Zipper and His Father" are filled with Joseph Roth's surprising political foresight and compassionate sensitivity to the tremors of a world on the brink of collapse. "The Spider's Web" paints a chillingly realistic picture of the conspiracies that paved the way for the rise of Hitler. "Zipper and His Father" chronicles the progress of a father and son through the febrile world of German cinema in the 1920s.
The Spider's Web ; And, Zipper and His Father by Joseph Roth Pdf
Two novellas, available for the first time in English: "The Spider's Web", reflecting the terrifying picture of German politics between the wars, and "Zipper and His Father", evoking the melancholy world of clerks and Viennese coffee houses and the flashy world of German cinema in the 1920s.
The Viennese Café and Fin-de-Siècle Culture by Charlotte Ashby,Tag Gronberg,Simon Shaw-Miller Pdf
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
The Routledge Encyclopedia of Jewish Writers of the Twentieth Century by Sorrel Kerbel Pdf
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Reworking the German Past by Susan G. Figge,Jenifer K. Ward Pdf
Coming to terms with the past has been a preoccupation within German culture and German Studies since the Second World War. In addition, there has been a surge of interest in adaptation of literary works in recent years. Numerous volumes have theorized, chronicled, or analyzed adaptations from novel to film, asking how and why adaptations are undertaken and what happens when a text is adapted in a particular historical context. With its focus on adaptation of twentieth-century German texts not only from one medium to another but also from one cultural moment to another, the present collection resides at the intersection of these two areas of inquiry. The ten essays treat a variety of media. Each considers the way in which a particular adaptation alters a story - or history - for a subsequent audience, taking into account the changing context in which the retelling takes place and the evolution of cultural strategies for coming to terms with the past. The resulting case studies find in the retellings potentially corrective versions of the stories for changing times. The volume makes the case that adaptation studies are particularly well suited for tracing Germany's obsessive cultural engagement with its twentieth-century history. Contributors: Elizabeth Baer, Rachel Epp Buller, Maria Euchner, Richard C. Figge, Susan G. Figge, Mareike Hermann, Linda Hutcheon, Irene Lazda, Cary Nathenson, Thomas Sebastian, Sunka Simon, Jenifer K. Ward. Susan G. Figge is Professor of German Emeritus at the College of Wooster, Ohio, and Jenifer K. Ward is Associate Provost, Cornish College of the Arts, Seattle.
Finalist, 2018 National Jewish Book Award for Modern Jewish Thought and Experience, presented by the Jewish Book Council A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
Unravels an internationally esteemed author's quest for a homeland A writer described as a "Jew in search of a fatherland" and a "wanderer in flight toward a tragic end," the Austrian writer Joseph Roth (1894–1939) spent his life in pursuit of a national and cultural identity and his final years writing in fervent opposition to the Third Reich. In this introduction to Roth's novels, which include Job and The Radetzky March, Sidney Rosenfeld demonstrates how the experience of homelessness not only shaped Roth's life but also decisively defined his body of work. Rosenfeld suggests that more than any other component of Roth's varied fiction, his skillful portrayals of uprootedness and the search for home explain his international appeal, which has grown in recent decades with the translation of his works into English. Rosenfeld examines Roth's obsession with the question of belonging, tracing it to his boyhood in the Slavic-Jewish Austrian Crown land of Galicia. Illustrating how Roth's quest determined his most typical themes and gave rise to the Jewish-Slavic melancholy that permeates his narratives, Rosenfeld includes readings of the early novels. Through this fiction Roth quickly established his reputation as a literary chronicler of both the final years of the Habsburg monarchy and the lost world of East European Jewry. Rosenfeld describes Roth's flight from Berlin upon Hitler's ascent to power in January 1933, and his precarious existence as an exile. While copies of Roth's works went up in flames in Nazi book burnings, the novelist moved from one European city to another, living in hotels and writing at café tables. From the time of his exile until his death in Paris just months before the outbreak of the Second World War, Roth produced six novels, as well as shorter works of fiction and a steady flow of journalism denouncing the Third Reich. Rosenfeld's critical readings of the novels written during Roth's exile connect them with the novelist's prescient estimate of Hitler's intentions and his own longing for a sovereign Austria.
Nazi Characters in German Propaganda and Literature by Dagmar C. G. Lorenz Pdf
Antifascist literature repurposed Nazi stereotypes to express opposition. These stereotypes became adaptable ideological signifiers during the political struggles in interwar Germany and Austria, and they remain integral elements in today’s cultural imagination.
CHOICE: OUTSTANDING ACADEMIC TITLE A scholarly and thought-provoking work that places Jewish humor at the center of a discourse about Jewish and German relations through most of the twentieth century. At Wit’s End explores the fascinating discourse on Jewish wit in the twentieth century when the Jewish joke became the subject of serious humanistic inquiry and inserted itself into the cultural and political debates among Germans and Jews against the ideologically charged backdrop of anti-Semitism, the Jewish question, and the Holocaust. The first in-depth study to explore the Jewish joke as a crucial rhetorical figure in larger cultural debates in Germany, author Louis Kaplan presents an engrossing and lucid work of scholarship that examines how “der jüdische Witz” (referring to both Jewish wit and jokes) was utilized differently in a number of texts, from the Weimar Republic to the rise of National Socialism, and how it was re-introduced into the public sphere after the Holocaust with the controversial publication of Salcia Landmann’s collection of Jewish jokes in the reparations era (Wiedergutmachung). Kaplan reviews the claims made about the Jewish joke and its provocative laughter by notable writers from a variety of ideological perspectives, demonstrating how their reflections on this complex cultural trope enable a better understanding of German–Jewish intercultural relations and their eventual breakdown in the Third Reich. He also illustrates how selfcritical and self-ironic Jewish Witz maintained a fraught and ambivalent relationship with anti-Semitism. In reviewing this critical and traumatic moment in modern German–Jewish history through the deadly discourse on the Jewish joke, At Wit’s End includes chapters on the virulent Austrian anti-Semitic racial theorist Arthur Trebitsch, the Nazi racial propagandist Siegfried Kadner, the German Marxist cultural historian Eduard Fuchs, the Jewish diasporic historian Erich Kahler, and the Jewish cabaret impresario Kurt Robitschek, among others. Shedding new light on anti-Semitism and on the Jewish question leading up to the Holocaust, At Wit’s End provides readers with a unique perspective by which to gain important insights about this crucial historical period that reverberates into the present day, when potentially offensive humor coupled with a toxic political climate and xenophobia can have deadly consequences.
Cacciari discusses Vienna at a crucial turning point in Western thinking, as the 19th century ended, treating this extraordinarily rich concentration of people and events as the hub upon which wheeled into the 20th century.
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
An Orthodox Jew’s faith is tested when he leaves Tsarist Russia for NYC in this retelling of the Book of Job—“inspired in its poetry and its deep insight” (The New York Times). Job is the tale of Mendel Singer, a pious Eastern-European Jew who teaches the Torah to children, and whose faith is tested at every turn. His youngest son seems to be incurably disabled, one of his older sons joins the Russian Army, the other deserts to America, and his daughter is running around with a Cossack. When he flees with his wife and daughter, further blows of fate await him . . . In this modern fable based on the biblical story of Job, Mendel Singer witnesses the collapse of his world, experiences unbearable suffering and loss, and ultimately gives up hope and curses God, only to be saved by a miraculous reversal of fortune.
A POW meets other survivors of World War I in a Polish hotel in this acclaimed classic novel by the author of The Radetzky March. Still bearing the scars from gulag experiences, a freed POW traverses Russia to arrive at the Polish town of Lodz. In its massive Hotel Savoy, he meets a surreal cast of characters, each eagerly awaiting the return from America of a rich man named Bloomfield. Like Europe itself at the time, the hotel is the stage upon which characters follow fate to its tragic destination . . . Praise for Hotel Savoy “Superb Roth: witty, elegant, invariably honing in on the point where history trickles down to the level of the individual character and turns into fate.” —The Nation “Roth’s considerable gift lay in sketching myriad personal convulsions in that time of conflagration.” —Publishers Weekly
An intensely beautiful book about one of history’s bleakest periods The Emperor’s Tomb – the last novel Joseph Roth wrote – is a haunting elegy to the vanished world of the Austro-Hungarian Empire, and a magically evocative paean to the passing of time and the loss of hope. The Emperor’s Tomb runs from 1913 to 1938, from the eve of one world war to the eve of the next, from disaster to disaster. Striped with beauty and written in short propulsive chapters – full of upheavals, reversals and abrupt twists of plot – the novel powerfully sketches a time of change and loss. Prophetic and regretful, intuitive and exact, Roth tells of one man’s foppish, sleepwalking, spoiled youth and then his struggle to come to terms with the uncongenial society of post-First World War Vienna, financial ruin, and the first intimations of Nazi barbarities.
The monumentality of this biographical work further establishes Joseph Roth—with Kafka, Mann, and Musil—in the twentieth-century literary canon. Who would have thought that seventy-three years after Joseph Roth’s lonely death in Paris, new editions of his translations would be appearing regularly? Roth, a transcendent novelist who also produced some of the most breathtakingly lyrical journalism ever written, is now being discovered by a new generation. Nine years in the making, this life through letters provides us with our most extensive portrait of Roth’s calamitous life—his father’s madness, his wife’s schizophrenia, his parade of mistresses (each more exotic than the next), and his classic westward journey from a virtual Hapsburg shtetl to Vienna, Berlin, Frankfurt, and finally Paris. Containing 457 newly translated letters, along with eloquent introductions that richly frame Roth’s life, this book brilliantly evokes the crumbling specters of the Weimar Republic and 1930s France. Displaying Roth’s ceaselessly inventive powers, it finally charts his descent into despair at a time when “the word had died, [and] men bark like dogs.”