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This book provides a wide-ranging history of every aspect of Stalin's dictatorship over the peoples of the Soviet Union. Drawing upon a huge array of primary and secondary sources, The Stalin Era is a first-hand account of Stalinist thought, policy and and their effects. It places the man and his ideology into context both within pre-Revolutionary Russia, Lenin's Soviet Union and post-Stalinist Russia. The Stalin Era examines: * collectivisation * industrialisation * terror * government * the Cult of Stalin * education and Science * family * religion: The Russian Orthodox Church * art and the state.
This book brings together for the first time a collection of essays by western scholars about women in the Stalin era (1928-53). It explores both the realities of women's lived experience in the 1930s and 1940s, and the various forms in which womanhood and femininity were represented and constructed in these decades. Women in the Stalin Era challenges the scholarly neglect women's history has suffered at the hands, and pens, of Russian and western historians of the Stalin period.
Writing the Stalin Era by G. Alexopoulos,J. Hessler,K. Tomoff Pdf
Covering topics such as the Soviet monopoly over information and communication, violence in the gulags, and gender relations after World War II, this festschrift volume highlights the work and legacy of Sheila Fitzpatrick offers a cross-section of some of the best work being done on a critical period of Russia and the Soviet Union.
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.
Architecture and Ideology in Eastern Europe During the Stalin Era by Anders Åman Pdf
Since 1978, Anders Åman has been researching, photographing, and documenting the architectural style known as Socialist Realism. In the midst of the current statue toppling, this book records in over 200 illustrations the government-planned buildings, cities, parks, and monuments from the Stalinist postwar period in Eastern Europe, providing a valuable record and analysis of the relation between architecture and the state in Poland, Czechoslovakia, Hungary, Romania, Bulgaria, and former East Germany. Very little has been written on architecture and politics during the Cold War period for any country, and next to nothing is known about the architecture, or about state policies reflected in the architecture, of Eastern Europe. Åman not only illuminates these issues but also reveals the influence they had on the course of architectural history in the West. Following an overview of the Stalinist era and the ideological spread of Socialist Realism, Åman investigates several buildings in detail monumental structures such as the Palace of Culture in Warsaw and Stalinallee in East Berlin - and the socialist cities of Stalinstadt, Nowa Huta, Szt & a ́linv & a ́ros, and Dimitrovgrad. Sketching the lives of eight selected architects, he illuminates how their profession was affected by Socialist Realism. Åman also takes up such political works of art as the influential Polish painting "Pass me a brick!" and the Stalin monuments in Budapest and Prague, noting that even as history is being obliterated, Socialist Realism remains a key to understanding pictorial art and the built environment in Eastern Europe. He concludes with a discussion of how architecture is related to political ideologies. Anders Åman is Professor of the History and Theory of Art at Ume & a ́ University, Sweden. An Architectural History Foundation Book
This book looks at the entire Stalin era, and includes chapters on ideology, politics, economic development, social change, nationalities, culture and external relations. The final chapter deals with the Great Terror.
Popular Opinion in Stalin's Russia by Sarah Rosemary Davies Pdf
Between 1934 and 1941 Stalin unleashed what came to be known as the 'Great Terror' against millions of Soviet citizens. The same period also saw the 'Great Retreat', the repudiation of many of the aspirations of the Russian Revolution. The response of ordinary Russians to the extraordinary events of this time has been obscure. Sarah Davies's study uses NKVD and party reports, letters and other evidence to show that, despite propaganda and repression, dissonant public opinion was not extinguished. The people continued to criticise Stalin and the Soviet regime, and complain about particular policies. The book examines many themes, including attitudes towards social and economic policy, the terror, and the leader cult, shedding light on a hugely important part of Russia's social, political, and cultural history.
The Culture of the Stalin Period by Hans Gunther Pdf
Up to now the culture of the Stalin period has been studied mainly from a political or ideological point of view. In this book renowned specialists from many countries approach the problem rather 'from inside'. The authors deal with numerous aspects of Stalinist culture such as art, literature, architecture, film and popular culture. Yet the volume is more than a mere collection of studies on special issues. It is an inquiry into the very nature of a certain type of culture, its symbols, rites and myths. The book will be useful not only for students of Soviet culture but also for a wider audience.
How the last years of Stalin’s rule led to the formation ofan imperial Soviet consciousness In this nuanced historical analysis of late Stalinism organized chronologically around the main events of the period—beginning with Victory in May 1945 and concluding with the death of Stalin in March 1953—Evgeny Dobrenko analyzes key cultural texts to trace the emergence of an imperial Soviet consciousness that, he argues, still defines the political and cultural profile of modern Russia.
The Haunted Wood by Allen Weinstein,Alexander Vassiliev Pdf
Drawing upon previously secret KGB records released exclusively to Allen Weinstein and Alexander Vassiliev, The Haunted Wood reveals for the first time the riveting story of Soviet espionage's "golden age" in the United States, from the 1930s through the early cold war.
In old Russia, patron/client relations, "clan" politics, and a variety of other informal practices spanned the centuries. Government was understood to be patrimonial and personal rather than legal, and office holding was far less important than proximity to patrons. Working from heretofore unused documents from the Communist archives, J. Arch Getty shows how these political practices and traditions from old Russia have persisted throughout the twentieth-century Soviet Union and down to the present day. Getty examines a number of case studies of political practices in the Stalin era and after. These include cults of personality, the transformation of Old Bolsheviks into noble grandees, the Communist Party's personnel selection system, and the rise of political clans ("family circles") after the 1917 Revolutions. Stalin's conflicts with these clans, and his eventual destruction of them, were key elements of the Great Purges of the 1930s. But although Stalin could destroy the competing clans, he could not destroy the historically embedded patron-client relationship, as a final chapter on political practice under Putin shows.
After the First Congress of Soviet Writers in 1934, folklore, like literature, became an instrument of the political propagandist. Folklorists devoted considerable efforts to attending to what purported to be a rebirth of the Russian epic tradition, producing works of pseudofolklore that as often as not featured Joseph Stalin in the hero's role. Miller's account of this curious episode in the history of popular culture and totalitarian politics, and his synopses and translations of "classic" examples of folklore for Stalin, seek to serve as a resource not only for the study of contemporary folklore but also for the political scientist.
The Landscape of Stalinism by Evgeny Dobrenko,Eric Naiman Pdf
This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.