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The Strange Tales of Albert Street by Oliver Anderson Pdf
Anderson pens ten fictional short stories followed by journal entries. There are lgbt characters as well as straight characters in the book. The first story is about a person with a mutation. The last story is about a pair of witches. Each story is guided along by Winnipeg musicians, but Anderson makes those stories his own.
Author : New South Wales. Parliament. Legislative Council Publisher : Unknown Page : 1266 pages File Size : 48,9 Mb Release : 1892 Category : New South Wales ISBN : STANFORD:36105119247372
Ohio history can get pretty strange! Meet Ashtabula's famed Headless Chicken, who lived without his noggin for 38 days. Was Ohio really bombed by the Japanese in WWII? Introducing the inventor of disposable diapers . . . For anyone who enjoys history with a twist, here are 75 tales of the Buckeye State's most unusual people, places, and events.
Phantom Hitchhikers and Other Urban Legends by Albert Jack Pdf
Have you heard the one about… • Walt Disney’s frozen body? • Coca-Cola owning Santa Claus? • Alligators living in New York City sewers? We all love a good story. But where do the urban legends, conspiracy theories, and old wives’ tales we hear every day really originate? Albert Jack explores the best, strangest, and funniest of the tales so many of us take as gospel, and uncovers some eye-popping true stories that are even more far-fetched than their mythical counterparts. From Robin Hood to JFK’s brain, from hamsters under carpets to mysterious travelers, you’ll never be short of a scary or bizarre anecdote again.
With screaming demons in Wealdon copses and dragons lurking in bottomless ponds, the folk tales of Sussex truly represent the diversity of the area. Meet knuckers and willocks, mawkins and marsh monsters, the Piltdown Man, Lord Moon of Amberley Swamp and the princess of the Mixon Hole. There is also something terrible crawling to Crawley from Gatwick, which develops a degraded appetite in a bin... From ghosts and madmen to witches and wise women, Michael O'Leary reveals many of the hidden horrors of Sussex – horrors that can be found in the most beautiful places, or that lurk beneath the seemingly mundane. Amid these dark tales are stories of humour and silliness, of love, lust and passion.
This latest book of suspense by R. M. Ahmose contains two tales that, once again, address controversial issues. The first tells the story of a police officer who performs his duties with a certain flair and seeming disregard for consequences. Still, he's a good cop whose passion for fighting crime puts him on a collision course with real evil. Story Two explores the concept of euthenics. What happens when a global organization spares no expense to create conditions for improving the human species? This tale, too, flies recklessly "off the rails." The author is a dedicated and imaginative writer of fictional suspense designed to expand the reader's thinking. From decades of life experience, he has gained a profound understanding of human behavior and motivation. Educationally, he earned a BA degree in History and an MS degree in Applied Psychology. Together, these factors comprise the source from which Ahmose draws to produce his plethora of engrossing tales.
Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.