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Author : Anonim
Publisher : Unknown
Page : 162 pages
File Size : 53,9 Mb
Release : 1824
Category : Electronic
ISBN : BL:A0019349606
Author : Anonim
Publisher : Unknown
Page : 174 pages
File Size : 46,7 Mb
Release : 1824
Category : Cambridge (England)
ISBN : OXFORD:590196273
Author : Anonim
Publisher : Unknown
Page : 162 pages
File Size : 54,9 Mb
Release : 1825
Category : Electronic
ISBN : OXFORD:590196275
Author : Anonim
Publisher : Unknown
Page : 796 pages
File Size : 45,8 Mb
Release : 1984
Category : Books
ISBN : UVA:X002654631
Author : Charles Knight
Publisher : Unknown
Page : 492 pages
File Size : 53,9 Mb
Release : 1853
Category : Great Britain
ISBN : OXFORD:590567980
Author : British Museum. Department of Printed Books
Publisher : Unknown
Page : 576 pages
File Size : 52,7 Mb
Release : 1965
Category : English imprints
ISBN : IND:30000092328388
Author : British Museum. Dept. of Printed Books
Publisher : Unknown
Page : 578 pages
File Size : 54,7 Mb
Release : 1965
Category : English imprints
ISBN : UOM:39015084673501
Author : Edmund P. Cueva,Shannon N. Byrne
Publisher : John Wiley & Sons
Page : 626 pages
File Size : 53,9 Mb
Release : 2014-03-03
Category : Literary Criticism
ISBN : 9781444336023
This companion addresses a topic of continuing contemporary relevance, both cultural and literary. Offers both a wide-ranging exploration of the classical novel of antiquity and a wealth of close literary analysis Brings together the most up-to-date international scholarship on the ancient novel, including fresh new academic voices Includes focused chapters on individual classical authors, such as Petronius, Xenophon and Apuleius, as well as a wide-ranging thematic analysis Addresses perplexing questions concerning authorial expression and readership of the ancient novel form Provides an accomplished introduction to a genre with a rising profile
Author : Charles Knight
Publisher : Unknown
Page : 492 pages
File Size : 52,7 Mb
Release : 1851
Category : England
ISBN : NYPL:33433000642128
Author : Charles Knight (Publisher.)
Publisher : Unknown
Page : 488 pages
File Size : 41,8 Mb
Release : 1851
Category : Electronic
ISBN : NLS:B000672458
Author : University of Aberdeen. Library
Publisher : Unknown
Page : 950 pages
File Size : 48,9 Mb
Release : 1873
Category : Library catalogs
ISBN : HARVARD:32044089276968
Author : Anna Strhan
Publisher : Oxford University Press, USA
Page : 243 pages
File Size : 47,5 Mb
Release : 2015
Category : Religion
ISBN : 9780198724469
Based on in-depth fieldwork with a conservative evangelical church in London, this book explores the everyday realities of what it means to try to hold on to a strong sense of religious identity in a secular, modern urban context.
Author : Sarah Baker,Lauren Istvandity,Raphaël Nowak
Publisher : Bloomsbury Publishing USA
Page : 191 pages
File Size : 46,9 Mb
Release : 2019-06-27
Category : Music
ISBN : 9781501343599
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.
Author : John S. Bak,Bill Reynolds
Publisher : Taylor & Francis
Page : 579 pages
File Size : 40,9 Mb
Release : 2022-12-30
Category : Social Science
ISBN : 9781000799224
This cutting-edge research companion addresses our current understanding of literary journalism’s global scope and evolution, offering an immersive study of how different nations have experimented with and perfected the narrative journalistic form/genre over time. The Routledge Companion to World Literary Journalism demonstrates the genre’s rich genealogy and global impact through a comprehensive study of its many traditions, including the crónica, the ocherk, reportage, the New Journalism, the New New Journalism, Jornalismo literário, periodismo narrativo, bao gao wen xue, creative nonfiction, Literarischer Journalismus, As-SaHafa al Adabiyya, and literary nonfiction. Contributions from a diverse range of established and emerging scholars explore key issues such as the current role of literary journalism in countries radically affected by the print media crisis and the potential future of literary journalism, both as a centerpiece to print media writ large and as an academic discipline universally recognized around the world. The book also discusses literary journalism's responses to war, immigration, and censorship; its many female and Indigenous authors; and its digital footprints on the internet. This extensive and authoritative collection is a vital resource for academics and researchers in literary journalism studies, as well as in journalism studies and literature in general. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author : Ioannis Tsioulakis,Elina Hytönen-Ng
Publisher : Taylor & Francis
Page : 226 pages
File Size : 50,6 Mb
Release : 2016-12-19
Category : Music
ISBN : 9781317091301
How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
