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This enthralling collection of weird and wonderful tales from the world of theatre includes such unusual stories as the legendary ghost of Drury Lane, how an actor can exorcise the curse of Macbeth, and the well-known theatre manager who fried bacon and eggs in the Royal Box to feed her starving cast at the interval. If you have ever wondered whether what happens in the stalls is actually more dramatic than what happens on stage, which shows were so bad that they closed during the interval on the first night, or how the ‘green room’ was named, then 'Theatre’s Strangest Acts' is the book for you.
The Strange Career of Porgy and Bess by Ellen Noonan Pdf
Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twentieth-century American expectations about race, culture, and the struggle for equality. In its surprising endurance lies a myriad of local, national, and international stories. For black performers and commentators, Porgy and Bess was a nexus for debates about cultural representation and racial uplift. White producers, critics, and even audiences spun revealing racial narratives around the show, initially in an attempt to demonstrate its authenticity and later to keep it from becoming discredited or irrelevant. Expertly weaving together the wide-ranging debates over the original novel, Porgy, and its adaptations on stage and film with a history of its intimate ties to Charleston, The Strange Career of "Porgy and Bess" uncovers the complexities behind one of our nation's most long-lived cultural touchstones.
All the fun of Portico's bestselling Strangest series, now in quiz form! Test your London knowledge with this fascinating book, packed with fun and challenging quiz questions based around the weirdest events from the illustrious history of this wonderful city. Quiz categories include: Ancient traditions London eccentrics Getting about Ghosts and ghouls Corridors of power Monumental monuments Quirky buildings Just plain weird Whether you're testing your friends, practising for pub quizzes or just reading it in an armchair, this book will take your London knowledge to a whole new level. Word count: 30,000 words.
The Strange Laws Of Old England by Nigel Cawthorne Pdf
Did you know that: It's against the law to check into a hotel in London under assumed names for the purpose of lovemaking? Under a statute of Edwards II all whales washed up on the shore belong to the monarch? Under a Tudor law Welshmen are not allowed into the city of Chester after dark? In THE STRANGE LAWS OF OLD ENGLAND, Nigel Cawthorne unearths an extraordinary collection of the most bizarre and arcane laws that have been enacted over the centuries. Some of the laws, incredibly, are still in force. It is still illegal to enter the Houses of Parliament in a suit of armour . . . This elegant and amusing book is perfect for everyone fascinated by the eccentric history of these islands.
Heritage, Nostalgia and Modern British Theatre by Benjamin Poore Pdf
The stage portrayal of the Victorians in recent times is a key reference point in understanding notions of Britishness, and the profound politicisation of that debate over the last four decades. This book throws new light on works by canonical playwrights like Bond, Edgar, and Churchill, linking theatre to the wider culture at large.
Contemporary Theatres in Europe by Joe Kelleher,Nicholas Ridout Pdf
With specific examples and case studies by specialist writers, academics and a new generation of theatre researchers, this collection of specially commissioned essays is the perfect introduction to contemporary theatre practices in Europe.
The Strange Case of Mr Pelham by Anthony Armstrong Pdf
First published in 1957 The Strange Case of Mr Pelham is Anthony Armstrong?s masterclass in suspense, a slow-burning examination of one man?s descent into paranoia. Filmed several times for television in both the UK for the BBC, and in the US as an episode of Alfred Hitchcock Presents, Armstrong?s Pelham eventually hit the big screen in 1970 as the movie The Man Who Haunted Himself, starring Roger Moore. Reissued here for the first time in more than half a century, this classic period piece is set to bring one of the great 20th century thriller writers to a new generation of admirers.
Autocratic male impresarios increasingly dominated the American stage between 1865 and 1914. Many rose from poor immigrant roots and built their own careers by making huge stars out of “undiscovered,” Anglo-identified actresses. Reflecting the antics of self-made industrial empire-builders and independent, challenging New Women, these theatrical potentates and their protégées gained a level of wealth and celebrity comparable to that of Hollywood stars today. In her engaging and provocative Strange Duets, Kim Marra spotlights three passionate impresario-actress relationships of exceptional duration that encapsulated the social tensions of the day and strongly influenced the theatre of the twentieth century. Augustin Daly and Ada Rehan, Charles Frohman and Maude Adams, and David Belasco and Mrs. Leslie Carter reigned over “legitimate” Broadway theatre, the venue of greatest social cachet for the monied classes. Unlike impresarios and actresses in vaudeville and burlesque, they produced full-length spoken drama that involved special rigors of training and rehearsal to sustain a character’s emotional “truth” as well as a high level of physical athleticism and endurance. Their efforts compelled fascination at a time when most people believed women’s emotions were seated primarily in the reproductive organs and thus were fundamentally embodied and sexual in nature. While the impresario ostensibly exercised full control over his leading lady, showing fashionable audiences that the exciting but unruly New Woman could be both tamed and enjoyed, she acquired a power of her own that could bring him to his knees.Kim Marra combines methods of cultural, gender, and sexuality studies with theatre history to explore the vexed mutual dependency between these status-seeking Svengalis and their alternately willing and resistant leading ladies. She illuminates how their on- and off-stage performances, highly charged in this Darwinian era with “racial” as well as gender, sexual, and class dynamics, tapped into the contradictory fantasies and aspirations of their audiences. Played out against a backdrop of enormous cultural and institutional transformation, the volatile romance of Daly and Rehan, closeted homosexuality of Frohman and Adams, and carnal expiations of Belasco and Carter produced strange duets indeed.
