The Subtext Of Form In The English Renaissance

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The Subtext of Form in the English Renaissance

Author : S. K. Heninger
Publisher : Penn State Press
Page : 228 pages
File Size : 50,5 Mb
Release : 1994
Category : Poetry
ISBN : 0271010711

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The Subtext of Form in the English Renaissance by S. K. Heninger Pdf

During the sixteenth century in England the logocentrism of the Middle Ages was confronted by a materialism that heralded the modern world. With remarkable tenacity in music, poetry, and painting, the orthodox aesthetic persisted as formal features which served as nonverbal signs and provided a subtext of form. In opposition, however, a radical aesthetic emerged to accommodate the new attention to physical nature. The growing force of materialism occasioned a fundamental rethinking of what an artifact might represent and how that representation might be achieved. This book explores the ontological and epistemological issues that poststructuralist thought raises about that shift in our cultural history. In doing so, it charts a course for Renaissance studies, now in disarray, that avoids the old positivism while not succumbing to the new nihilism.

The Power of Forms in the English Renaissance

Author : Stephen Greenblatt
Publisher : Unknown
Page : 246 pages
File Size : 49,6 Mb
Release : 1982
Category : English literature
ISBN : OCLC:702563202

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The Power of Forms in the English Renaissance by Stephen Greenblatt Pdf

Impossible Desire and the Limits of Knowledge in Renaissance Poetry

Author : Wendy Beth Hyman
Publisher : Oxford University Press
Page : 240 pages
File Size : 53,5 Mb
Release : 2019-04-04
Category : Literary Criticism
ISBN : 9780192574404

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Impossible Desire and the Limits of Knowledge in Renaissance Poetry by Wendy Beth Hyman Pdf

Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and—quite stunningly given the Reformation context—humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.

Writing on the Renaissance Stage

Author : Frederick Kiefer
Publisher : University of Delaware Press
Page : 394 pages
File Size : 51,6 Mb
Release : 1996
Category : Books and reading
ISBN : 0874135958

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Writing on the Renaissance Stage by Frederick Kiefer Pdf

Playwrights also made extraordinary use of metaphors involving the written and printed word to describe the workings of the mind and the interaction of people.

Renaissance Literature and its Formal Engagements

Author : M. Rasmussen
Publisher : Springer
Page : 227 pages
File Size : 52,8 Mb
Release : 2016-04-30
Category : Literary Criticism
ISBN : 9781137071774

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Renaissance Literature and its Formal Engagements by M. Rasmussen Pdf

What might a self-conscious turn to formal analysis look like in Renaissance literary studies today, after theory and the new historicism? The essays collected here address this question from a variety of critical perspectives, as part of a renewed willingness within literary and cultural studies to engage questions of form. Essays by Paul Alpers, Douglas Bruster, Stephen Cohen, Heather Dubrow, William Flesch, Joseph Loewenstein, Elizabeth Harris Sagaser, and Mark Womack, together with an introduction of Mark David Rasmussen and an afterword by Richard Strier.

Renaissance Theories of Vision

Author : John Shannon Hendrix,Charles H. Carman
Publisher : Routledge
Page : 258 pages
File Size : 46,7 Mb
Release : 2016-12-05
Category : Art
ISBN : 9781317066408

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Renaissance Theories of Vision by John Shannon Hendrix,Charles H. Carman Pdf

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

Leon Battista Alberti and Nicholas Cusanus

Author : Dr Charles H Carman
Publisher : Ashgate Publishing, Ltd.
Page : 215 pages
File Size : 52,8 Mb
Release : 2014-08-28
Category : Art
ISBN : 9781472429254

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Leon Battista Alberti and Nicholas Cusanus by Dr Charles H Carman Pdf

Providing a fresh evaluation of Alberti’s text On Painting (1435), along with comparisons to various works of Nicholas Cusanus - particularly his Vision of God (1450) - this study reveals a shared epistemology of vision. And, the author argues, it is one that reflects a more deeply Christian Neoplatonic ideal than is typically accorded Alberti. Whether regarding his purpose in teaching the use of a geometric single point perspective system, or more broadly in rendering forms naturalistically, the emphasis leans toward the ideal of Renaissance art as highly rational. There remains the impression that the principle aim of the painter is to create objective, even illusionistic images. A close reading of Alberti’s text, however, including some adjustments in translation, points rather towards an emphasis on discerning the spiritual in the material. Alberti’s use of the tropes Minerva and Narcissus, for example, indicates the opposing characteristics of wisdom and sense certainty that function dialectically to foster the traditional importance of seeing with the eye of the intellect rather than merely with physical eyes. In this sense these figures also set the context for his, and, as the author explains, Brunelleschi’s earlier invention of this perspective system that posits not so much an objective seeing as an opposition of finite and infinite seeing, which, moreover, approximates Cusanus’s famous notion of a coincidence of opposites. Together with Alberti’s and Cusanus’s ideals of vision, extensive analysis of art works discloses a ubiquitous commitment to stimulating an intellectual perception of divine, essential, and unseen realities that enliven the visible material world.

Arthur Golding’s 'A Moral Fabletalk' and Other Renaissance Fable Translations

Author : Liza Blake,Kathryn Vomero Santos
Publisher : MHRA
Page : 596 pages
File Size : 50,8 Mb
Release : 2017-01-03
Category : Literary Criticism
ISBN : 9781781886069

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Arthur Golding’s 'A Moral Fabletalk' and Other Renaissance Fable Translations by Liza Blake,Kathryn Vomero Santos Pdf

This volume brings together five translations of Aesopian fables that range from the beginning to the end of the English Renaissance. At the centre of the volume is an edition of the entirety of Arthur Golding’s manuscript translation of emblematic fables, A Morall Fabletalke (c. 1580s). By situating Golding’s text alongside William Caxton’s early printed translation from French (1485), Richard Smith’s English version of Robert Henryson’s Middle-Scots Moral Fabillis (1577), John Brinsley’s grammar school translation (1617), and John Ogilby’s politicized fables translated at the end of the English Civil War (1651), this book shows the wide-ranging forms and functions of the fable during this period.

Epistolary Community in Print, 1580–1664

Author : Diana G. Barnes
Publisher : Routledge
Page : 306 pages
File Size : 53,8 Mb
Release : 2016-05-13
Category : Literary Criticism
ISBN : 9781317141938

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Epistolary Community in Print, 1580–1664 by Diana G. Barnes Pdf

Epistolary Community in Print contends that the printed letter is an inherently sociable genre ideally suited to the theorisation of community in early modern England. In manual, prose or poetic form, printed letter collections make private matters public, and in so doing reveal, first how tenuous is the divide between these two realms in the early modern period and, second, how each collection helps to constitute particular communities of readers. Consequently, as Epistolary Community details, epistolary visions of community were gendered. This book provides a genealogy of epistolary discourse beginning with an introductory discussion of Gabriel Harvey and Edmund Spenser’s Wise and Wittie Letters (1580), and opening into chapters on six printed letter collections generated at times of political change. Among the authors whose letters are examined are Angel Day, Michael Drayton, Jacques du Bosque and Margaret Cavendish. Epistolary Community identifies broad patterns that were taking shape, and constantly morphing, in English printed letters from 1580 to 1664, and then considers how the six examples of printed letters selected for discussion manipulate this generic tradition to articulate ideas of community under specific historical and political circumstances. This study makes a substantial contribution to the rapidly growing field of early modern letters, and demonstrates how the field impacts our understanding of political discourses in circulation between 1580 and 1664, early modern women’s writing, print culture and rhetoric.

The Poem and the Garden in Early Modern England

Author : Deborah Solomon
Publisher : Taylor & Francis
Page : 202 pages
File Size : 53,5 Mb
Release : 2022-12-30
Category : History
ISBN : 9781000828047

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The Poem and the Garden in Early Modern England by Deborah Solomon Pdf

This book draws attention to the pervasive artistic rivalry between Elizabethan poetry and gardens in order to illustrate the benefits of a trans-media approach to the literary culture of the period. In its blending of textual studies with discussions of specific historical patches of earth, The Poem and the Garden demonstrates how the fashions that drove poetic invention were as likely to be influenced by a popular print convention or a particular garden experience as they were by the formal genres of the classical poets. By moving beyond a strictly verbal approach in its analysis of creative imitation, this volume offers new ways of appreciating the kinds of comparative and competitive methods that shaped early modern poetics. Noting shared patterns—both conceptual and material—in these two areas not only helps explain the persistence of botanical metaphors in sixteenth-century books of poetry but also offers a new perspective on the types of contrastive illusions that distinguish the Elizabethan aesthetic. With its interdisciplinary approach, The Poem and the Garden is of interest to all students and scholars who study early modern poetics, book history, and garden studies.

Du Bartas' Legacy in England and Scotland

Author : Peter Auger
Publisher : Oxford University Press
Page : 272 pages
File Size : 42,9 Mb
Release : 2019-11-12
Category : Literary Criticism
ISBN : 9780192562821

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Du Bartas' Legacy in England and Scotland by Peter Auger Pdf

Guillaume de Saluste Du Bartas was the most popular and widely-imitated poet in sixteenth- and seventeenth-century England and Scotland. C. S. Lewis felt that a reconsideration of his works' British reception was 'long overdue' back in the 1950s, and this study finally provides the first comprehensive account of how English-speaking authors read, translated, imitated, and eventually discarded Du Bartas' model for Protestant poetry. The first part shows that Du Bartas' friendship with James VI and I was key to his later popularity. Du Bartas' poetry symbolized a transnational Protestant literary culture in Huguenot France and Britain. Through James intervention, Scottish literary tastes had a significant impact in England. Later chapters assess how Sidney, Spenser, Milton, and many other poets justified writing poetic fictions in reaction to Du Bartas' austere emphasis on scriptural truth. These chapters give equal attention to how Du Bartas' example offered a route into original verse composition for male and female poets across the literate population. Du Bartas' Legacy in England and Scotland responds to recent developments in transnational and translation studies, the history of reading, women's writing, religious literature, and manuscript studies. It argues that Du Bartas' legacy deserves far greater prominence than it has previously received because it offers a richer, more democratic, and more accurate view of sixteenth- and seventeenth-century English, Scottish, and French literature and religious culture.

The Oxford Handbook of Shakespeare's Poetry

Author : Jonathan Post
Publisher : Oxford University Press
Page : 775 pages
File Size : 50,9 Mb
Release : 2013-07-18
Category : Drama
ISBN : 9780199607747

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The Oxford Handbook of Shakespeare's Poetry by Jonathan Post Pdf

The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.

The Watchman in Pieces

Author : David Rosen,Aaron Santesso
Publisher : Yale University Press
Page : 419 pages
File Size : 44,5 Mb
Release : 2013-06-18
Category : Literary Criticism
ISBN : 9780300156645

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The Watchman in Pieces by David Rosen,Aaron Santesso Pdf

DIV Spanning nearly 500 years of cultural and social history, this book examines the ways that literature and surveillance have developed together, as kindred modern practices. As ideas about personhood—what constitutes a self—have changed over time, so too have ideas about how to represent, shape, or invade the self. The authors show that, since the Renaissance, changes in observation strategies have driven innovations in literature; literature, in turn, has provided a laboratory and forum for the way we think about surveillance and privacy. Ultimately, they contend that the habits of mind cultivated by literature make rational and self-aware participation in contemporary surveillance environments possible. In a society increasingly dominated by interlocking surveillance systems, these habits of mind are consequently necessary for fully realized liberal citizenship. /div

The Building in the Text

Author : Roy Eriksen
Publisher : Penn State Press
Page : 224 pages
File Size : 52,7 Mb
Release : 2001
Category : Literary Criticism
ISBN : 0271020229

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The Building in the Text by Roy Eriksen Pdf

In The Building in the Text, Roy Eriksen shows that Renaissance writers conceived of their texts in accordance with architectural principles. His approach opens the way to wide-ranging discussions of the structure and meaning of a variety of literary texts and also provides new insights into the famed architectural ekphrases of Alberti and Vasari. Analyzing such words as &"plot,&" &"topos,&" &"fabrica,&" and &"stanza,&" Eriksen discloses the fundamental spatial symmetries and complexities in the writings of Ariosto, Shakespeare, and Milton, among other major figures. Ultimately, his book uncovers and clarifies a tradition of literary architecture that is rooted in antiquity and based on correspondences regarded as ordering principles of the cosmos. Eriksen&’s book will be of interest to art historians, historians of literature, and those concerned with the classical heritage, rhetoric, music, and architecture.

Word vs Image

Author : E. Spolsky
Publisher : Springer
Page : 240 pages
File Size : 53,6 Mb
Release : 2006-11-28
Category : History
ISBN : 9780230598034

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Word vs Image by E. Spolsky Pdf

Arguing on recent cognitive evidence that reading a Bible is much more difficult for human brains than seeing images, this book exposes the depth and breadth of Protestant theologians' misunderstandings about how people could reform their spiritual lives - how they could literally change their minds.