Renaissance Theories Of Vision

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Renaissance Theories of Vision

John Shannon Hendrix,Charles H. Carman
Renaissance Theories of Vision Book PDF

Author : John Shannon Hendrix,Charles H. Carman
Publisher : Routledge
Page : 258 pages
File Size : 53,7 Mb
Release : 2016-12-05
Category : Art
ISBN : 9781317066408

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Renaissance Theories of Vision by John Shannon Hendrix,Charles H. Carman Pdf

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

Renaissance Theories of Vision

John Hendrix
Renaissance Theories of Vision Book PDF

Author : John Hendrix
Publisher : Unknown
Page : 258 pages
File Size : 48,5 Mb
Release : 2016
Category : Electronic
ISBN : OCLC:1137343654

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Renaissance Theories of Vision by John Hendrix Pdf

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

Theories of Vision from Al-kindi to Kepler

David C. Lindberg
Theories of Vision from Al kindi to Kepler Book PDF

Author : David C. Lindberg
Publisher : University of Chicago Press
Page : 337 pages
File Size : 52,9 Mb
Release : 1976
Category : Medical
ISBN : 9780226482354

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Theories of Vision from Al-kindi to Kepler by David C. Lindberg Pdf

Kepler's successful solution to the problem of vision early in the seventeenth century was a theoretical triumph as significant as many of the more celebrated developments of the scientific revolution. Yet the full import of Kepler's arguments can be grasped only when they are viewed against the background of ancient, medieval, and Renaissance visual theory. David C. Lindberg provides this background, and in doing so he fills the gap in historical scholarship and constructs a model for tracing the development of scientific ideas. David C. Lindberg is professor and chairman of the department of the history of science at the University of Wisconsin, Madison.

Reading by Design

Pauline Reid
Reading by Design Book PDF

Author : Pauline Reid
Publisher : University of Toronto Press
Page : 300 pages
File Size : 52,8 Mb
Release : 2019-04-08
Category : Literary Criticism
ISBN : 9781487511630

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Reading by Design by Pauline Reid Pdf

Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.

The Routledge Companion to Music and Visual Culture

Tim Shephard,Anne Leonard
The Routledge Companion to Music and Visual Culture Book PDF

Author : Tim Shephard,Anne Leonard
Publisher : Routledge
Page : 578 pages
File Size : 54,7 Mb
Release : 2013-07-31
Category : Music
ISBN : 9781135956530

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The Routledge Companion to Music and Visual Culture by Tim Shephard,Anne Leonard Pdf

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation – the musical in visual culture and the visual in musical culture Convergence –in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.

Early Modern Art Theory. Visual Culture and Ideology, 1400-1700

James Hutson
Early Modern Art Theory Visual Culture and Ideology 1400 1700 Book PDF

Author : James Hutson
Publisher : Anchor Academic Publishing
Page : 301 pages
File Size : 49,8 Mb
Release : 2016-03
Category : Art
ISBN : 9783954894970

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Early Modern Art Theory. Visual Culture and Ideology, 1400-1700 by James Hutson Pdf

The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.

Vision and the Visionary in Raphael

Christian K. Kleinbub
Vision and the Visionary in Raphael Book PDF

Author : Christian K. Kleinbub
Publisher : Penn State Press
Page : 226 pages
File Size : 41,6 Mb
Release : 2011
Category : Art
ISBN : 0271037040

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Vision and the Visionary in Raphael by Christian K. Kleinbub Pdf

"Studies Raphael's images of supernatural phenomena, including apparitions and prophetic visions, within their contemporary artistic and religious contexts. Asks how a fundamentally naturalistic style of painting like that of the Italian Renaissance can accommodate representations of the supernatural without self-contradiction"--Provided by publisher.

The Oxford Handbook of Light in Archaeology

Costas Papadopoulos,Holley Moyes
The Oxford Handbook of Light in Archaeology Book PDF

Author : Costas Papadopoulos,Holley Moyes
Publisher : Oxford University Press
Page : 816 pages
File Size : 42,8 Mb
Release : 2021-12-09
Category : Social Science
ISBN : 9780191092336

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The Oxford Handbook of Light in Archaeology by Costas Papadopoulos,Holley Moyes Pdf

Light has a fundamental role to play in our perception of the world. Natural or artificial lightscapes orchestrate uses and experiences of space and, in turn, influence how people construct and negotiate their identities, form social relationships, and attribute meaning to (im)material practices. Archaeological practice seeks to analyse the material culture of past societies by examining the interaction between people, things, and spaces. As light is a crucial factor that mediates these relationships, understanding its principles and addressing illumination's impact on sensory experience and perception should be a fundamental pursuit in archaeology. However, in archaeological reasoning, studies of lightscapes have remained largely neglected and understudied. This volume provides a comprehensive and accessible consideration of light in archaeology and beyond by including dedicated and fully illustrated chapters covering diverse aspects of illumination in different spatial and temporal contexts, from prehistory to the present. Written by leading international scholars, it interrogates the qualities and affordances of light in different contexts and (im)material environments, explores its manipulation, and problematises its elusive properties. The result is a synthesis of invaluable insights into sensory experience and perception, demonstrating illumination's vital impact on social, cultural, and artistic contexts.

Measuring Shadows

Raz Chen-Morris
Measuring Shadows Book PDF

Author : Raz Chen-Morris
Publisher : Penn State Press
Page : 263 pages
File Size : 52,8 Mb
Release : 2016-03-31
Category : History
ISBN : 9780271077338

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Measuring Shadows by Raz Chen-Morris Pdf

In Measuring Shadows, Raz Chen-Morris demonstrates that a close study of Kepler’s Optics is essential to understanding his astronomical work and his scientific epistemology. He explores Kepler’s radical break from scientific and epistemological traditions and shows how the seventeenth-century astronomer posited new ways to view scientific truth and knowledge. Chen-Morris reveals how Kepler’s ideas about the formation of images on the retina and the geometrics of the camera obscura, as well as his astronomical observations, advanced the argument that physical reality could only be described through artificially produced shadows, reflections, and refractions. Breaking from medieval and Renaissance traditions that insisted upon direct sensory perception, Kepler advocated for instruments as mediators between the eye and physical reality, and for mathematical language to describe motion. It was only through this kind of knowledge, he argued, that observation could produce certainty about the heavens. Not only was this conception of visibility crucial to advancing the early modern understanding of vision and the retina, but it affected how people during that period approached and understood the world around them.

Envisioning Others: Race, Color, and the Visual in Iberia and Latin America

Anonim
Envisioning Others Race Color and the Visual in Iberia and Latin America Book PDF

Author : Anonim
Publisher : BRILL
Page : 382 pages
File Size : 51,9 Mb
Release : 2015-10-05
Category : History
ISBN : 9789004302150

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Envisioning Others: Race, Color, and the Visual in Iberia and Latin America by Anonim Pdf

Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States.

Daniele Barbaro and the University of Padova

Cosimo Monteleone,Kim Williams
Daniele Barbaro and the University of Padova Book PDF

Author : Cosimo Monteleone,Kim Williams
Publisher : Springer Nature
Page : 225 pages
File Size : 55,9 Mb
Release : 2023-05-30
Category : Mathematics
ISBN : 9783031294839

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Daniele Barbaro and the University of Padova by Cosimo Monteleone,Kim Williams Pdf

This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro. Due to the numerous scientific interests that Barbaro matured in the years he spent at the University of Padua, we have invited experts in these topics to discuss Barbaro in relation to his training. In particular, the book opens with the essays of the two editors to frame its general theme in relation to mathematics. Cosimo Monteleone addressed the relationship between Barbaro's perspective theory with Euclid's optics, the Aristotelian process of knowledge and the ophthalmological discoveries of the University of Padova in the Renaissance. Kim Williams underlines how Barbaro's arithmetic and geometry established `the most certain sciences' and set the base of the `primary sciences'. A series of essays concerning Barbaro's training at the University of Padua complete the theoretical framework analyzed by the two editors. These studies embrace the following subjects: mathematical instruments (Filippo Camerota), astronomy and sundials (Cristiano Guarneri), mathematics, geometry and polyhedral (Vera Viana), perspective and anamorphosis (Agostino De Rosa), botany and the foundation of the botanical garden (Stefano Zaggia), Vitruvius' architecture (Ekaterina Igoshina, Ilya Anikyev, Anna Markova) and Aristotelianism (Branko Mitrović). A foreword by Xavier Salomon sets the stage for this book, outlining the innovations that Barbaro brought to scientific knowledge. Barbaro's scientific efforts are sometimes dismissed in recent studies as a compilation of known principles. The aim of this present book is to reveal the truly innovative nature of Barbaro's experiments and results and restore him to his rightful place as an original scholar of Renaissance.

Visual Culture and Mathematics in the Early Modern Period

Ingrid Alexander-Skipnes
Visual Culture and Mathematics in the Early Modern Period Book PDF

Author : Ingrid Alexander-Skipnes
Publisher : Taylor & Francis
Page : 204 pages
File Size : 53,6 Mb
Release : 2017-01-06
Category : Art
ISBN : 9781317192060

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Visual Culture and Mathematics in the Early Modern Period by Ingrid Alexander-Skipnes Pdf

During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective but also examine how mathematics enriched aesthetic theory and the human mind. The contributors explore the portrayal of mathematical activity and mathematicians as well as their ideas and instruments, how artists displayed their mathematical skills and the choices visual artists made between geometry and arithmetic, as well as Euclid’s impact on drawing, artistic practice and theory. These chapters cover a broad geographical area that includes Italy, Switzerland, Germany, the Netherlands, France and England. The artists, philosophers and mathematicians whose work is discussed include Leon Battista Alberti, Nicholas Cusanus, Marsilio Ficino, Francesco di Giorgio, Leonardo da Vinci and Andrea del Verrocchio, as well as Michelangelo, Galileo, Piero della Francesca, Girard Desargues, William Hogarth, Albrecht Dürer, Luca Pacioli and Raphael.

Boccaccio the Philosopher

Filippo Andrei
Boccaccio the Philosopher Book PDF

Author : Filippo Andrei
Publisher : Springer
Page : 259 pages
File Size : 42,7 Mb
Release : 2017-10-07
Category : Literary Criticism
ISBN : 9783319651156

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Boccaccio the Philosopher by Filippo Andrei Pdf

This book explores the tangled relationship between literary production and epistemological foundation as exemplified in one of the masterpieces of Italian literature. Filippo Andrei argues that Giovanni Boccaccio's Decameron has a significant though concealed engagement with philosophy, and that the philosophical implications of its narratives can be understood through an epistemological approach to the text. He analyzes the influence of Dante, Petrarch, Thomas Aquinas, Aristotle, and other classical and medieval thinkers on Boccaccio's attitudes towards ethics and knowledge-seeking. Beyond providing an epistemological reading of the Decameron, this book also evaluates how a theoretical reflection on the nature of rhetoric and poetic imagination can ultimately elicit a theory of knowledge.

Ad vivum?

Thomas Balfe,Joanna Woodall,Claus Zittel
Ad vivum Book PDF

Author : Thomas Balfe,Joanna Woodall,Claus Zittel
Publisher : BRILL
Page : 377 pages
File Size : 49,6 Mb
Release : 2019-06-07
Category : Art
ISBN : 9789004393998

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Ad vivum? by Thomas Balfe,Joanna Woodall,Claus Zittel Pdf

Ad Vivum? explores the issues raised by this Latin term and its vernacular cognates al vivo, au vif, nach dem Leben and naer het leven with reference to a variety of visual materials produced and used in Europe before 1800.

Visual Experiences in Cinquecento Theatrical Spaces

Jimena Berzal de Dios
Visual Experiences in Cinquecento Theatrical Spaces Book PDF

Author : Jimena Berzal de Dios
Publisher : University of Toronto Press
Page : 216 pages
File Size : 46,5 Mb
Release : 2019-01-02
Category : Architecture
ISBN : 9781487518998

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Visual Experiences in Cinquecento Theatrical Spaces by Jimena Berzal de Dios Pdf

Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.