The Sung Home Narrative Morality And The Kurdish Nation
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The Sung Home. Narrative, Morality, and the Kurdish Nation by Wendelmoet Hamelink Pdf
The Sung Home tells the story of Kurdish singer-poets (dengbêjs) in Kurdistan in Turkey, who are specialized in the recital singing of historical songs. After a long period of silence, they returned to public life in the 2000s and are presented as guardians of history and culture. Their lyrics, life stories, and live performances offer fascinating insights into cultural practices, local politics and the contingencies of state borders. Decades of oppression have deeply politicized and moralized cultural and musical production. Through in-depth ethnographic analysis Hamelink highlights the variety of personal and social narratives within a society in turmoil. Set within the larger global stories of modernity, nationalism, and Orientalism, this study reflects on different ideas about what it means to create a Kurdish home.
Folklore has been a phenomenon based on nostalgic and autochthonous nuances conveyed with a story-telling technique with a penchant for over-playing and nationalistic pomp and circumstance, often with significant consequences for societal, poetic, and cultural areas. These papers highlight challenges that have an outreaching relationship to the regional, rhetorical, and trans-rhetorical devices and manners in Kurdish folklore, which subscribes to an ironic sense of hope all the while issuing an appeal for a largely unaccomplished nationhood, simultaneously insisting on a linguistic solidarity. In a folkloric literature that has an overarching theory of poetics – perhaps even trans-figurative cognitive poetics due to the multi-faceted nature of its application and the complexity of its linguistic structure – the relationship of man (and less frequently woman) with others takes center stage in many of the folkloric creations. Arts are not figurative representations of the real in the Kurdish world; they are the real.
Essays on Modern Kurdish Literature by Alireza Korangy,Mahlagha Mortezaee Pdf
Literature, images, and metaphor are often where most of a nation’s history are embedded. A study of modern Kurdish literature highlights a fealty to a rich literary past and a rich source of historiography. The articles in this volume address many facets of the literary in the Kurdish world: proverbs, feminist literature, and resistance in literary works, poetry, prose, etc. In the end, the volume offers a general paradigm of the complex literary framework of the Kurds, their continuous resistance for nationhood in their history, and their modern reinventing of the self. An overview of some of the works in modern Kurdish literature points to both asymmetry and commonality in comparative literary studies. These works highight the thematic reach in Kurdish literary studies.
Kurdish Nationalism on Stage by Mari R. Rostami Pdf
Since its emergence in the 1920s, Iraqi-Kurdish theatre was used as a tool of national identity building and modernisation. It promoted literacy, education and women's rights and became one of the most visible forms of Kurdish cultural nationalism by exploring folklore, myths, legends and local history and by celebrating heroes of the past. As time went on, by staging anti-feudalist and anti-monarchist plays, theatre became engaged in representing and legitimising the wider political movement in Iraq that ultimately led to the overthrow of the monarchy in 1958. Between 1975-1991, even under strict censorship during the Baath rule, Kurdish theatre continued to promote Kurdish nationalism and resistance through the use of Kurdish folk culture and literature. This book is based on dramatic texts from the period, interviews with Kurdish theatre artists, Kurdish theatre histories, historical documents, and journalistic accounts. It illustrates the ways in which theatre participated in the Kurdish national struggle and how it responded to political changes in different historical periods. It is the first book dedicated to Kurdish theatre and complements the latest research that examines theatre in its wider socio-political context.
The Kurdish Question Revisited by Gareth Stansfield,Mohammed Shareef Pdf
The Kurds, once marginal in the study of the Middle East and secondary in its international relations, have moved to centre stage in recent years. The contributors to The Kurdish Question Revisited offer insights into how this once seemingly intractable, immutable phenomenon is being transformed amid the new political realities of the Middle East.
The Politics of Culture in Turkey, Greece & Cyprus by Leonidas Karakatsanis,Nikolaos Papadogiannis Pdf
Performing a political identity usually involves more than just casting a vote. For Left-wingers in Turkey, Greece and Cyprus – countries that emerged as the only non-socialist constituents of South-eastern Europe after WWII – political preference meant immersion to distinct ways of life, to ‘cultures’: in times of dictatorship or persecution, the desire to find alternative ways to express themselves gave content to these cultures. In times of political normality, it was the echoes of such memories of precarity and loss that took the lead. This book explores the intersection between the politics and cultures of the Left since the sixties in Turkey, Greece and Cyprus. With the use of 12 case studies, the contributors expose the moments in which the Left has been claimed and performed, not only through political manifestos and traditional political boundaries, but also through corporeal acts, discursive practices and affective encounters. These are all transformed into distinct modalities of everyday life and conduct, which are commemorated, narrated or sung, versed, painted, or captured in photographic images and on reels of tape. By focusing on culture and performance, this book highlights the complex link between nationalism and internationalism in left-wing cultures, and illuminates the entanglements between the ways in which left-wingers experienced transitions from dictatorship to democracy and vice versa. As the first book to analyse cultures and performances of the Left in the three countries, The Politics of Culture in Turkey, Greece and Cyprus causes a rethinking of the boundaries of political practice and fosters new understandings of the formation of diverse expressions of the Left. As such, it will be a valuable resource for students and scholars of cultural and social anthropology, modern European history and political science.
The Mother, the Politician, and the Guerrilla by Nazan Üstündağ Pdf
The Mother, the Politician, and the Guerrilla intervenes in discussions on decolonialism and feminism by introducing the example of the Kurdish Women’s Freedom Movement. Üstündağ shows how the practices and the concepts of the movement contribute to debates on how the past, present, and future can be critically rethought in revolutionary ways. In the movement’s images, figures, voices, bodies, and their reverberations Üstündağ elaborates a new political imagination that has emerged in Kurdistan through women’s acts and speech. This political imagination unfolds between flesh, body, voice, language. It is the result of Kurdish women’s desire to find new ways of being and becoming, between the necessary and the possible. Focusing on the figures of the mother, the woman politician and woman guerilla, Üstündağ argues that the Kurdish Women’s Freedom Movement changes what politics consists of, including its matter, relationality, temporality, and spatiality. Although anchored in the specific Kurdish experiences, the book puts the movement into conversation with feminist political theory, psychoanalysis, Black Studies, Queer Studies, and Decolonial Studies. In solidarity with the Kurdish Movement’s tradition of resistance to History with a capital H that Kurds have built through reiterated performance, the book seeks to establish what new entanglements with wide-ranging thought the movement offers as a provocation for contemporary politics.
Rediscovering Kurdistan’s Cultures and Identities by Joanna Bocheńska Pdf
Rediscovering Kurdistan’s Cultures and Identities: The Call of the Cricket offers insight into little-known aspects of the social and cultural activity and changes taking place in different parts of Kurdistan (Turkey, Iraq, Syria and Iran), linking different theoretical approaches within a postcolonial perspective. The first chapter presents the book’s approach to postcolonial theory and gives a brief introduction to the historical context of Kurdistan. The second, third and fourth chapters focus on the Kurdish context, examining ethical changes as revealed in Kurdish literary and cinema narratives, the socio-political role of the Kurdish cultural institutions and the practices of countering othering of Kurdish migrants living in Istanbul. The fifth chapter offers an analysis of the nineteenth-century missionary translations of the Bible into the Kurdish language. The sixth chapter examines the formation of Chaldo-Assyrian identity in the context of relations with the Kurds after the overthrow of the Ba’ath regime in 2003. The last chapter investigates the question of the Yezidis’ identity, based on Yezidi oral works and statements about their self-identification.
A fine-grained ethnography exploring the sociopolitical power of Kurdish women’s voices in contemporary Turkey. “Raise your voice!” and “Speak up!” are familiar refrains that assume, all too easily, that gaining voice will lead to empowerment, healing, and inclusion for marginalized subjects. Marlene Schäfers’s Voices That Matter reveals where such assumptions fall short, demonstrating that “raising one’s voice” is no straightforward path to emancipation but fraught with anxieties, dilemmas, and contradictions. In its attention to the voice as form, this book examines not only what voices say but also how they do so, focusing on Kurdish contexts where oral genres have a long, rich legacy. Examining the social labor that voices carry out as they sound, speak, and resonate, Schäfers shows that where new vocal practices arise, they produce new selves and practices of social relations. In Turkey, recent decades have seen Kurdish voices gain increasing moral and political value as metaphors of representation and resistance. Women’s voices, in particular, are understood as potent means to withstand patriarchal restrictions and political oppression. By ethnographically tracing the transformations in how Kurdish women relate to and employ their voices as a result of these shifts, Schäfers illustrates how contemporary politics foster not only new hopes and desires but also create novel vulnerabilities as they valorize, elicit, and discipline voice in the name of empowerment and liberation.
Javanmardi is one of those Persian terms that is frequently mentions in discussions of Persian identity, and yet its precise meaning is difficult to comprehend. A number of equivalents have been offered, including chivalry and manliness, and while these terms are not incorrect, javanmardi transcends them. The concept encompasses character traits of generosity, selflessness, hospitality, bravery, courage, honesty, truthfulness and justice--and yet there are occasions when the exact opposite of these is required for one to be a javanmard. At times it would seem that being a javanmard is about knowing and doing the right thing, although this definition, too, falls short of the term's full meaning. The present collection is the product of a three-year project financed by the British Institute of Persian Studies on the theme of "Javanmardi in the Persianate world." The articles in this volume represent the sheer range, influence, and importance that the concept has had in creating and contributing to Persianate identities over the past one hundred and fifty years. The contributions are intentionally broad in scope. Rather than focus, for example, on medieval Sufi manifestations of javanmardi, both medieval and modern studies were encouraged, as were literary, artistic, archaeological, and sociological studies among others. The opening essays examine the concept’s origin in medieval history and legends throughout a geographical background that spans from modern Iran to Turkey, Armenia, and Bosnia, among both Muslim and Christian communities. Subsequent articles explore modern implications of javanmardi within such contexts as sportsmanship, political heroism, gender fluidity, cinematic representations, and the advent of digitalization.
Women in Conflict and Post-Conflict Situations by S. Behnaz Hosseini Pdf
This collected volume focuses on women's suffering and the conditions of their societies during conflict and post-conflict situations in Iraq, Iran, Syria and other countries. The contributions examine and explore not only general narratives but also various specific aspects of the conflict and post-conflict situations in relation to the roles and statuses of these women, with a number of scholars reflecting on topics from various disciplines and key areas such as the Middle East. This collection also includes some articles on the suffering of women outside of the Middle East, thus illustrating the similarity of some general issues women have to face throughout the world.
Women’s Voices from Kurdistan – A Selection of Kurdish Poetry by Clémence Scalbert Yücel,Farangis Ghaderi,Yaser Hassan Ali Pdf
Against the backdrop of war and violence, social-political as well as lingual repressions, and the challenges presented by a patriarchal society, Kurdish poetesses have been creating meaningful work throughout the centuries. This collection of translated poems brings to light some of these underrepresented female writers, whose work has been essential to the development of Kurdish poetry. Representing various Kurdish regions and dialects, this volume of selected poems touches upon themes such as sexuality, violence, gender domination, intimacy, fantasy, and romantic love. While this collection offers illuminating insights into the work of Kurdish poetesses, it is the hope of its creators, the Exeter Kurdish Translation Initiative, that it inspires further translations and publication of Kurdish literature. This beautiful and groundbreaking collection of English translations from Gorani, Sorani, Kurmanji, and Arabic was achieved through an innovative collaborative translation project in the Centre for Kurdish Studies, University of Exeter. From the nineteenth to the twenty-first century, it expresses women’s voices on politics, nationalism, gender, love, science, education, and everyday Kurdishness in memory, elegy, dream, and discourse. See such haunting lines from Gulîzer as “May those who have stayed not say the leaving is easy./ May those who have left not say the staying is simple.” Or “When two rivers separate/ How do they part their water?” Anyone interested in women’s poetry, diaspora, translation, and transnation will want to hear these poems. – Regenia Gagnier FBA, author of Literatures of Liberalization: Global Circulation and the Long Nineteenth Century and editor, The Global Circulation Project The vivid image of love, lost, hope, beauty, desire, violence, pain, and suffering that are sketched in this book enchant and attract readers to enter into a more intimate lives of Kurdish women. In this exquisite collection of poems written by Kurdish women and translated into English for the first time, we are exposed to a more imaginative way of hearing Kurdish women’s voices. It is in the interstices of lived words and the lifeworld that Kurdish women poets candidly dream freedom and suggest ways to move beyond all forms of oppression and violence. – Shahrzad Mojab, Professor, University of Toronto and the editor of Women of Non-State Nation: The Kurds. CONTENTS Translating Kurdish Poetry as a Collective Endeavour – Farangis Ghaderi and Clémence Scalbert Yücel Unsung Poets of Kurdistan: A Reflection on Women’s Voices in Kurdish Poetry – Farangis Ghaderi and Clémence Scalbert-Yücel Mestûre Erdelan Hêmin Fayeq Bêkes Jîla Huseynî Diya Ciwan Tîroj Trîfa Doskî Viyan M. Tahir Gulîzer
How are issues related to identity representation negotiated in Middle Eastern and North African museums? Can museums provide a suitable canvas for minorities to express their voice? Can narratives change and stereotypes be broken and, if so, what kind of identities are being deployed? Against the backdrop of the revolutionary upheavals that have shaken the region in recent years, the contributors to this volume interrogate a range of case studies from across the region - examining how museums engage inclusion, diversity and the politics of minority identities. They bring to the fore the region's diversity and sketches a 'museology of disaster' in which minoritised political subjects regain visibility.
Conflict, Insecurity and Mobility by Ibrahim Sirkeci,Jeffrey H. Cohen,Pınar Yazgan Pdf
Theories and models of contemporary migration often revolves around neofunctional models. They define migrants as rational actors who are focused on improving their well-being which is enabled by access to opportunities that are not available in their origin communities and/or countries. Nevertheless, initiation of migration is largely driven by difficulties, discomfort, disagreements, tensions, and conflicts at the origin, while migration decision and destination choices are moderated by individual characteristics, cultural and social capital as well as by the local, national, and international context. In other words, people do not move when they are satisfied and comfortable with what they have and where they are. The book's scope covers marginalisation and gangs, Kurds in Istanbul, Border perception, Development, security and Frontex, Kurdish Diaspora, Perspectives on conflicts, return of Kurdish villagers, young migrants in Istanbul, communal violence, Military service-migration nexus
