The Temple The Church Fathers And Early Western Chant

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The Temple, the Church Fathers, and Early Western Chant

Author : James McKinnon
Publisher : Variorum Publishing
Page : 300 pages
File Size : 49,5 Mb
Release : 1998-01
Category : Music
ISBN : 0860786889

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The Temple, the Church Fathers, and Early Western Chant by James McKinnon Pdf

This book is a collection of articles examining liturgical music from classical Greece and ancient Israel to late 15th-century Flanders and Spain. The focus is on two main topics: the negative role of instruments in ancient cult music; and the development of ecclesiastical song in early Christianity. Presented in this book are 16 articles written by the author over a period of 30 years. They span two millenia in their coverage, ranging from classical Greece and ancient Israel to the late 15th-century Flanders and Spain. Liturgical music in some form or another is the theme that binds them together, and two topics in particular are focused on: the negative role that instruments play in ancient cult music; and the development of ecclesiastical song in early Christianity. For the negative role of instruments, a series of articles treats classical Greek ethical notions of instruments, the status of instruments in temple and synagogue and the absence of instruments from early Christian and medieval Church music. The second focus - that of the development of ecclesiastical song - is dealt with in several studies that trace the psalmody and hymnody of the Christian tradition from its roots in Judaism to the origins of Gregorian chant in 7th-century Rome. The articles rely strongly on the writings of the Christian Church Fathers, such as Augustine, Basil and John Crystostom.

Western Plainchant in the First Millennium

Author : Sean Gallagher
Publisher : Routledge
Page : 544 pages
File Size : 47,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351537131

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Western Plainchant in the First Millennium by Sean Gallagher Pdf

Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James McKinnon's The Advent Project: The Later Seventh-Century Creation of the Roman Mass, the last book before his untimely death in February 1999. A distinguished group of chant scholars examine the formation of the liturgy, issues of theory and notation, and Carolingian and post-Carolingian chant. Special studies include the origins of musical notations, nuances of early chant performance (with accompanying CD), musical style and liturgical structure in the early Divine Office, and new sources for Old-Roman chant. Western Plainchant in the First Millenium offers new information and new insights about a period of crucial importance in the growth of the liturgy and music of the Western Church.

Reconstructing Early Christian Worship

Author : Paul F. Bradshaw
Publisher : Liturgical Press
Page : 161 pages
File Size : 46,6 Mb
Release : 2010
Category : Religion
ISBN : 9780814662458

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Reconstructing Early Christian Worship by Paul F. Bradshaw Pdf

"First published in 2009 by the Society for Promoting Christian Knowledge"--T.p. verso.

Daily Prayer in the Early Church

Author : Paul F. Bradshaw
Publisher : Wipf and Stock Publishers
Page : 208 pages
File Size : 44,6 Mb
Release : 2008-10-01
Category : Religion
ISBN : 9781725223035

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Daily Prayer in the Early Church by Paul F. Bradshaw Pdf

'In liturgical study, and especially in English liturgical study, the subject of the daily office has always been something of the poor relation', writes the author in his preface. This volume aims to do something to fill that gap. It begins with a detailed examination of the Jewish background and of the practice of daily prayer in the first three centuries of the Church, and goes on to trace the evolution of the divine office in both its monastic and secular forms in East and West down to the time of St. Benedict. Intended as a replacement for The Influence of the Synagogue upon the Divine Office by C. W. Dugmore (Alcuin Club Collection No. 45), it not only incorporates the results of recent research by continental scholars and others but also challenges traditional assumptions at a number of important points, offering a fresh interpretation of the evidence.

Announcing the Feast

Author : Jason McFarland
Publisher : Liturgical Press
Page : 353 pages
File Size : 44,8 Mb
Release : 2012-02-01
Category : Religion
ISBN : 9780814662625

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Announcing the Feast by Jason McFarland Pdf

How does the entrance song of the Mass function within the Roman Rite? What can it express theologically? What should Roman Catholics sing at the beginning of Mass? In this groundbreaking study, Jason McFarland answers these and other important questions by exploring the history and theology of the entrance song of Mass. After a careful history of the entrance song, he investigates its place in church documents. He proposes several models of the entrance song for liturgical celebration today. Finally, he offers a skillful theological analysis of the entrance song genre, focusing on the song for the Holy Thursday Evening Mass-arguably the most important entrance song of the entire liturgical year. Announcing the Feast provides the most comprehensive treatment of the Roman Rite entrance song to date. It is unique in that it bridges the disciplines of liturgical studies, musicology, and theological method.

In God's Hands

Author : Jaroslav Z. Skira,Michael S. Attridge
Publisher : Peeters Publishers
Page : 350 pages
File Size : 49,5 Mb
Release : 2006
Category : Language Arts & Disciplines
ISBN : 9042918306

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In God's Hands by Jaroslav Z. Skira,Michael S. Attridge Pdf

The articles on the church and ecumenism in this Festschrift celebrate Professor Fahey's contributions, accomplishments and gifts to the academy and the Church. They reflect his sensitivities and spirituality as a friend and pastor, his support for the many voices in the church, his engagement and mentoring of several generations of students and scholars, his demand for honest and critical scholarship, and his deep desire for a spirit of Christian unity among us all.

Chants, Hypertext, and Prosulas

Author : Luisa Nardini
Publisher : Oxford University Press
Page : 329 pages
File Size : 50,6 Mb
Release : 2021
Category : Music
ISBN : 9780197514139

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Chants, Hypertext, and Prosulas by Luisa Nardini Pdf

"The liturgical chant that was sung in the churches of Southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various titles and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond' and because of their interconnectedness with the parent chant, they can be likened to modern hypertexts. The emphasis on universal saints of ancient lineage stressed the perceived links with the cradles of Christianity, Africa and the Levant, and the centre of the Papal power, Rome, while the high number of Christological prosulas in manuscripts used in nunneries might be tied to the devotion to Jesus as 'spiritual spouse' that was typical of female religiosity. Full edition of texts, melodies, and manuscript facsimiles in the companion website enrich the study of the stylistic features and the cultural components of this fascinating genre"--

The Sources of Beneventan Chant

Author : Thomas Forrest Kelly
Publisher : Taylor & Francis
Page : 396 pages
File Size : 47,9 Mb
Release : 2023-05-31
Category : Music
ISBN : 9781000948530

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The Sources of Beneventan Chant by Thomas Forrest Kelly Pdf

The area whose capital was the southern Lombard city of Benevento developed a culture identified with the characteristic form of writing known as the Beneventan script, which was used throughout the area and was brought to perfection at the abbey of Montecassino in the late eleventh century. This repertory, along with other now-vanished or suppressed local varieties of music, give a far richer picture of the variety of musical practice in early medieval Europe than was formerly available. Thomas Forrest Kelly has identified and collected the surviving sources of an important repertory of early medieval music; this is the so-called Beneventan Chant, used in southern Italy in the early middle ages, before the adoption there of the now-universal music known as Gregorian chant. Because it was deliberately suppressed in the course of the eleventh century, this music survives mostly in fragments and palimpsests, and the fascinating process of restoring the repertory piece by piece is told in the studies in this book. A companion volume to this collection also by Professor Kelly details the practice of Medieval music.

The Divine Office in the Latin Middle Ages

Author : Margot E. Fassler,Rebecca A. Baltzer
Publisher : Oxford University Press
Page : 668 pages
File Size : 53,9 Mb
Release : 2000-08-17
Category : Music
ISBN : 0195352386

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The Divine Office in the Latin Middle Ages by Margot E. Fassler,Rebecca A. Baltzer Pdf

The Divine Office--the cycle of daily worship other than the Mass--is the richest source of liturgical texts and music from the Latin Middle Ages. However, its richness, the great diversity of its manuscripts, and its many variations from community to community have made it difficult to study, and it remains largely unexplored terrain. This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies. The book surveys the many questions related to the Office and presents the leading analytical tools and research methods now used in the field. Beginning with the Office in the early Middle Ages, the book covers manuscript sources and their contents; regional developments and variations; the relationship between the Office, the Mass, and other ceremonies and repertories; and the deep links between the Office and medieval hagiography. The book concludes with a discussion of recent technical advances for handling the enormous amounts of evidence on the Office and its performance, in particular CANTUS, the vast electronic database developed by Ruth Steiner of Catholic University for the analysis of chant repertories. The Divine Office in the Latin Middle Ages is an essential resource for anyone studying medieval liturgy. Its accessible style and broad coverage make it an important basic reference for a wide range of students and scholars in art history, religious studies, social history, literature, musicology, and theology.

Les anciens répertoires de plain-chant

Author : Michel Huglo
Publisher : Taylor & Francis
Page : 362 pages
File Size : 45,9 Mb
Release : 2023-07-14
Category : History
ISBN : 9781000938418

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Les anciens répertoires de plain-chant by Michel Huglo Pdf

The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.

Les sources du plain-chant et de la musique médiévale

Author : Michel Huglo
Publisher : Taylor & Francis
Page : 323 pages
File Size : 40,9 Mb
Release : 2023-07-21
Category : History
ISBN : 9781000947861

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Les sources du plain-chant et de la musique médiévale by Michel Huglo Pdf

The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.

Music in Ancient Judaism and Early Christianity

Author : Mr John Arthur Smith
Publisher : Ashgate Publishing, Ltd.
Page : 302 pages
File Size : 48,5 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409494232

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Music in Ancient Judaism and Early Christianity by Mr John Arthur Smith Pdf

In Music in Ancient Judaism and Early Christianity, John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The extent to which early Christian music may have retained elements of the musical tradition of Judaism is also considered. After reviewing the subject's historical setting, and describing the main sources, the author discusses music at the Jerusalem Temple and in a variety of spheres of Jewish life away from it. His subsequent discussion of early Christian music covers music in private devotion, monasticism, the Eucharist, and gnostic literature. He concludes with an examination of the question of the relationship between Jewish and early Christian music, and a consideration of the musical environments that are likely to have influenced the formation of the earliest Christian chant. The scant remains of notated music from the period are discussed and placed in their respective contexts. The numerous sources that are the foundation of the book are evaluated objectively and critically in the light of modern scholarship. Due attention is given to where their limitations lie, and to what they cannot tell us as well as to what they can. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.

Music in Ancient Judaism and Early Christianity

Author : John Arthur Smith
Publisher : Routledge
Page : 294 pages
File Size : 47,9 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317091936

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Music in Ancient Judaism and Early Christianity by John Arthur Smith Pdf

In Music in Ancient Judaism and Early Christianity, John Arthur Smith presents the first full-length study of music among the ancient Israelites, the ancient Jews and the early Christians in the Mediterranean lands during the period from 1000 BCE to 400 CE. He considers the physical, religious and social setting of the music, and how the music was performed. The extent to which early Christian music may have retained elements of the musical tradition of Judaism is also considered. After reviewing the subject's historical setting, and describing the main sources, the author discusses music at the Jerusalem Temple and in a variety of spheres of Jewish life away from it. His subsequent discussion of early Christian music covers music in private devotion, monasticism, the Eucharist, and gnostic literature. He concludes with an examination of the question of the relationship between Jewish and early Christian music, and a consideration of the musical environments that are likely to have influenced the formation of the earliest Christian chant. The scant remains of notated music from the period are discussed and placed in their respective contexts. The numerous sources that are the foundation of the book are evaluated objectively and critically in the light of modern scholarship. Due attention is given to where their limitations lie, and to what they cannot tell us as well as to what they can. The book serves as a reliable introduction as well as being an invaluable guide through one of the most complex periods of music history.

Hymn Introits for the Liturgical Year

Author : Christoph Tietze
Publisher : LiturgyTrainingPublications
Page : 332 pages
File Size : 42,6 Mb
Release : 2005
Category : Music
ISBN : 1595250115

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Hymn Introits for the Liturgical Year by Christoph Tietze Pdf

The introit is the entrance song to the eucharistic celebration of the Catholic Church, sung to a prescribed text that is thematically linked to the season or the particular celebration and belongs to the category of antiphonal Mass chants. The introit chant is the last of the Mass propers to be researched in detail. In this groundbreaking study, Christoph Tietze presents the history and development of the introit through the ages. He has also composed congregational settings of the proper parts of the Mass for the liturgical year. This book shows how to make these texts practical for parish use. It will help pastors, music directors, and seminarians better understand the texts for use in today's liturgies. Book jacket.

Byzantine Orthodoxies

Author : Augustine Casiday,Andrew Louth
Publisher : Routledge
Page : 257 pages
File Size : 48,9 Mb
Release : 2017-09-29
Category : History
ISBN : 9781351953801

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Byzantine Orthodoxies by Augustine Casiday,Andrew Louth Pdf

The Byzantine Empire - the Christianized Roman Empire - very soon defined itself in terms of correct theological belief, 'orthodoxy'. The terms of this belief were hammered out, for the most part, by bishops, but doctrinal decisions were made in councils called by the Emperors, many of whom involved themselves directly in the definition of 'orthodoxy'. Iconoclasm was an example of such imperial involvement, as was the final overthrow of iconoclasm. That controversy ensured that questions of Christian art were also seen by Byzantines as implicated in the question of orthodoxy. The papers gathered in this volume derive from those presented at the 36th Spring Symposium of Byzantine Studies, Durham, March 2002. They discuss how orthodoxy was defined, and the different interests that it represented; how orthodoxy was expressed in art and the music of the liturgy; and how orthodoxy helped shape the Byzantine Empire's sense of its own identity, an identity defined against the 'other' - Jews, heretics and, especially from the turn of the first millennium, the Latin West. These considerations raise wider questions about the way in which societies and groups use world-views and issues of belief to express and articulate identity. At a time when, with the enlargement of the European Union, questions of identity within Europe are once again becoming pressing, there is much in these essays of topical relevance.