The Theory Of Islamic Art

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The Theory of Islamic Art

Idham Mohammed Hanash
The Theory of Islamic Art Book PDF

Author : Idham Mohammed Hanash
Publisher : International Institute of Islamic Thought (IIIT)
Page : 90 pages
File Size : 41,9 Mb
Release : 2017-01-01
Category : Electronic
ISBN : 9781565646964

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The Theory of Islamic Art by Idham Mohammed Hanash Pdf

Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theo-retical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

The Theory of Islamic Art (Ukrainian Language)

Idham Mohammed Hanash
The Theory of Islamic Art Ukrainian Language Book PDF

Author : Idham Mohammed Hanash
Publisher : International Institute of Islamic Thought (IIIT)
Page : 126 pages
File Size : 42,5 Mb
Release : 2021-03-03
Category : Religion
ISBN : 9781642054965

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The Theory of Islamic Art (Ukrainian Language) by Idham Mohammed Hanash Pdf

Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.

Introduction to Islamic Art

Shadieh Mirmobiny
Introduction to Islamic Art Book PDF

Author : Shadieh Mirmobiny
Publisher : Unknown
Page : 0 pages
File Size : 47,9 Mb
Release : 2009-12-26
Category : Electronic
ISBN : 0558422128

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Introduction to Islamic Art by Shadieh Mirmobiny Pdf

This introduction to Islamic art and architecture reveals the essential history, culture, and religious philosophy from pre-Islamic foundations through modernity. The easily approachable text contextualizes all major art forms in the contemporary events, beliefs, and cultural developments. While providing an understanding of religious doctrine, its interpretations, and its influence on the arts, the book encourages critical thinking by introducing analytic issues, for example, defining the problematic term "Islamic." Scholar and artist Shadieh Mirmobiny engages readers with the scientific achievements, cultural exchanges, and religious doctrines that shaped Islamic art. The result of five years of research and teaching, "Introduction to Islamic Art "presents Islam s rich influences in art worked through all materials, art, and architecture, both sacred and secular. Islam s message brought many cultures together, helped enable patrons to sponsor art, and influenced art around the world. Highlights of the text include a study of mysticism, its pre-Islamic history in the Middle East, and understanding it as an alternative perspective in Islam. The important role of women in Islamic art is also explored. Readers see how Islam's wide-ranging interactions with both Western and Far-Eastern civilizations shaped all arts and crafts, from the literary arts to glazed tiles, calligraphy, and painting. The West's reaction to Islamic art is examined with the theory of Orientalism, and the theory's application is demonstrated in the study of nineteenth-century European painting. Later, modernized influences from North Africa, Russia, and America are revealed in twentieth-century Islamic sacred architecture. And similarly, throughout modern history, European and American art has been enriched by Islamic influence. The survey concludes with the present status of Islamic art, including art in Diaspora. Appropriate for art history, history, and various humanities, "Introduction to Islamic""Art "stimulates interest, furthers scholarly research in Islamic art, and encourages critical thinking. The well organized and highly readable chapters provide a complete survey to a broad audience.

Art and Architecture in the Islamic Tradition

Mohammed Hamdouni Alami
Art and Architecture in the Islamic Tradition Book PDF

Author : Mohammed Hamdouni Alami
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 43,5 Mb
Release : 2013-12-20
Category : Architecture
ISBN : 9780857731753

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Art and Architecture in the Islamic Tradition by Mohammed Hamdouni Alami Pdf

What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.

Islamic Art and Beyond

Oleg Grabar
Islamic Art and Beyond Book PDF

Author : Oleg Grabar
Publisher : Ashgate Publishing, Ltd.
Page : 400 pages
File Size : 43,5 Mb
Release : 2006
Category : Art
ISBN : 0860789268

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Islamic Art and Beyond by Oleg Grabar Pdf

The articles selected for Islamic Art and Beyond, the third in the set of four selections of articles by Oleg Grabar, illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world.

Deconstructing the Myths of Islamic Art

Onur Öztürk,Xenia Gazi,Sam Bowker
Deconstructing the Myths of Islamic Art Book PDF

Author : Onur Öztürk,Xenia Gazi,Sam Bowker
Publisher : Routledge
Page : 320 pages
File Size : 49,9 Mb
Release : 2022-03-20
Category : Art
ISBN : 9781000555950

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Deconstructing the Myths of Islamic Art by Onur Öztürk,Xenia Gazi,Sam Bowker Pdf

Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

What is “Islamic” Art?

Wendy M. K. Shaw
What is Islamic Art Book PDF

Author : Wendy M. K. Shaw
Publisher : Cambridge University Press
Page : 387 pages
File Size : 43,6 Mb
Release : 2019-10-10
Category : History
ISBN : 9781108474658

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What is “Islamic” Art? by Wendy M. K. Shaw Pdf

An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.

Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure

Idham Mohammed Hanash
Bosnian The Theory of Islamic Art Aesthetic Concept and Epistemic Structure Book PDF

Author : Idham Mohammed Hanash
Publisher : International Institute of Islamic Thought (IIIT)
Page : 104 pages
File Size : 47,9 Mb
Release : 2018-01-01
Category : Religion
ISBN : 9781642057423

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Bosnian: The Theory of Islamic Art: Aesthetic Concept and Epistemic Structure by Idham Mohammed Hanash Pdf

Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and ‎experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, ‎what is the logic underlying it? What message is the Muslim artist attempting to convey, what ‎emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and ‎treats its evolution as part of the historical study of art in the broader sense. At the same time, it ‎paves the way for an epistemological shift from viewing Islamic art as a material concept having to ‎do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to ‎a theoretical concept associated with a vision, a principle, a theory and a method. This theoretical ‎concept provides the intellectual and cultural foundation for a critical philosophical science of ‎Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic ‎aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In ‎the process the study also explores orientalist misconceptions, challenging some of the premises ‎with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the ‎spiritual perspective of Islam.‎

The Human Figure in Islamic Art

Kjeld von Folsach,Joachim Meyer
The Human Figure in Islamic Art Book PDF

Author : Kjeld von Folsach,Joachim Meyer
Publisher : David Collection/ Strandberg Publishing
Page : 280 pages
File Size : 52,7 Mb
Release : 2018-06-12
Category : Art
ISBN : 8792949967

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The Human Figure in Islamic Art by Kjeld von Folsach,Joachim Meyer Pdf

This richly illustrated book focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Through seventy-five important works of Islamic art from the David Collection in Copenhagen, Denmark, The Human Figure in Islamic Art focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Depictions of man were considered objectionable from an orthodox Muslim point of view since only God can create life, and man should not try to emulate God's work. There was concern that depictions or those who were depicted could be worshipped, something that went against the dogma that only God, Allah, should be the object of worship. The book describes how, despite this reluctance, portraying human figures has nonetheless always played an important role in Islamic art. The human figure is found on many kinds of utility ware, but the motif also has a long and rich tradition especially in miniature painting. The paintings in the book largely feature princes, but also holy men and quite ordinary people in the form of illustrations for works of fiction, depictions of real-life events, and true portraits. This richly illustrated book covers the use of the human figure in many of the forms of Islamic art and describes some of the historical conditions and theological discussions behind it. Light is also shed on the mutual influence of Islamic and European art.

A Companion to Islamic Art and Architecture

Finbarr Barry Flood,Gulru Necipoglu
A Companion to Islamic Art and Architecture Book PDF

Author : Finbarr Barry Flood,Gulru Necipoglu
Publisher : John Wiley & Sons
Page : 1448 pages
File Size : 52,9 Mb
Release : 2017-06-16
Category : Art
ISBN : 9781119068570

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A Companion to Islamic Art and Architecture by Finbarr Barry Flood,Gulru Necipoglu Pdf

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Enfoldment and Infinity

Laura U. Marks
Enfoldment and Infinity Book PDF

Author : Laura U. Marks
Publisher : MIT Press
Page : 423 pages
File Size : 47,9 Mb
Release : 2010-08-13
Category : Art
ISBN : 9780262537360

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Enfoldment and Infinity by Laura U. Marks Pdf

Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.

Art of Islam

Titus Burckhardt
Art of Islam Book PDF

Author : Titus Burckhardt
Publisher : World Wisdom, Inc
Page : 258 pages
File Size : 45,7 Mb
Release : 2009
Category : Art
ISBN : 9781933316659

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Art of Islam by Titus Burckhardt Pdf

Islam.

Islamic Art

Luca Mozzati
Islamic Art Book PDF

Author : Luca Mozzati
Publisher : Prestel Publishing
Page : 0 pages
File Size : 52,6 Mb
Release : 2010
Category : Islamic architecture
ISBN : 3791344552

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Islamic Art by Luca Mozzati Pdf

This Stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world. With its large format, exquisite photographs and extensive research, this is a thorough introduction toan exceptional artistic tradition. --

The Transformation of Islamic Art during the Sunni Revival

Yasser Tabbaa
The Transformation of Islamic Art during the Sunni Revival Book PDF

Author : Yasser Tabbaa
Publisher : University of Washington Press
Page : 224 pages
File Size : 43,6 Mb
Release : 2011-10-01
Category : History
ISBN : 9780295803937

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The Transformation of Islamic Art during the Sunni Revival by Yasser Tabbaa Pdf

The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.

Beauty and Islam

Valerie Gonzalez
Beauty and Islam Book PDF

Author : Valerie Gonzalez
Publisher : Bloomsbury Publishing
Page : 186 pages
File Size : 47,6 Mb
Release : 2001-08-24
Category : Philosophy
ISBN : 9780755699346

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Beauty and Islam by Valerie Gonzalez Pdf

'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.