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Welcome to Stonewood. A large and wealthy city where thieves, thugs, and assassins lurk behind every shadow. The powerful Thieves Guild controls the underworld and only members are permitted to commit crimes within their city. This is the tale of Harcourt, a down-on-his-luck thief who desperately needs to gain a membership into the Guild. Jalanna, the love of his life has been scarred in a terrible fire and a priest claims he can heal her scars, but for a hefty price in gold. A near-impossible amount to acquire for a homeless thief without a Guild membership. Luck is not on the rogue's side as his goal slips further and further out of reach. Forces conspire against him. Then a chance encounter on a fateful night, could change Harcourt's life forever.
The Thieves Guild becomes embroiled in a bloody street war with the Cult of Demon-Worshippers. The new leader of the Guild is determined to rid the city of their filth, once and for all. Only a few hand-selected hearts are required to release their Demon Lord Lucivenus from his extra-planar prison and summon him back to Stonewood. Chief Magistrate Krommel utilizes city resources to fund his war against the meddlesome Thieves Guild, hiring bounty hunters to track down and capture known members.
The Short Takes of Dal the Thief by Robert L. Collins Pdf
Dal the Thief is known not just for his bold robberies, but for committing crimes in the service of what’s right and good. Not all of his adventures were grand, though. Some were small acts that had a wide impact. Several of these “short takes” are in this collection, showing how Dal enhanced his reputation and made powerful friends.
Reverie is an angsty, enemies-to-lovers office standalone romance.VickRude. Harsh. Severe. Jett Stonewood.The billionaire businessman refused to even crack a smile while vacationing in paradise. But I broke him down, introduced some fun into his life.If we had a bit too much by sleeping together, so be it.The overly practical man revealed that he could also be caring, thoughtful-and before long he was the one wrecking me.He pulled me into a complex dream I needed to forget when we returned home.The problem: Jett acquired my company.He's everywhere now, a constant reminder of the unattainable.JettBubbly. Airy. Wildly optimistic. Vick Blakely.She needed a lesson in safety precautions. Not that she would have followed it if our recent tumble in the sheets was any indication.She was too peppy ... so naive it was dangerous. Someone needed to break down her fortress of positivity, teach her that warnings weren't meant to be invitations.The solution: I took on the job. I infiltrated her life and began disassembling it.The little pixie flutters around in reverie.Let's see how well she flies when I reduce her fairy-tale bubble to dust.
England, 1716. The only certainty in a thief’s life... is death. Christopher Templeton is a lawyer whose conscience troubles him. He knows many of the secrets of The Fellowship, the shadowy group profiting from the civil unrest in the nation, and has intimated to the Company of Rogues that he is willing to share them. The problem is, he has vanished. Jonas Flynt – thief, gambler, killer – still recovering from a duel with death upon the frozen Thames, is tasked with finding him. The trail takes him from the dark slums of London to a quiet village in the north of England, where all is not as it seems. But while he hunts for the missing man, someone else may be stalking him... someone with murder in their heart. The new gripping historical mystery from the author of An Honourable Thief, longlisted for the McIlvanney Prize 2023. Perfect for fans of Abir Mukherjee, Craig Russell and S.G. MacLean.
When ten-year-old Anna Sparrow has to leave home during the London Air Raids to live with her grandfather at his remote farmhouse, she has no idea it will be the beginning of an adventure of a lifetime. Anna wakes up one morning to find her mother and grandfather have somehow become blank-faced, dead-eyed, and unfeeling. Someone has stolen every story they've ever read or heard, including the story of their own lives. So Anna sets out to find a way to save them. Along the way, she meets a cat who isn't just a cat, finds a house that shouldn't exist, and ends up in another world that's ruled by an evil tyrant known as the Emerald Witch. Will Anna be able to stop The Fairytale Thief?
Stolen sports cars, brilliant casino heists, and the brazen kidnapping of a prince: only shadowy spy for hire Simon Riske can stop the mastermind behind it all. Monte Carlo's lavish casinos have become the target of a sophisticated and brutal team of professional gamblers; a casino dealer has been beaten to death; a German heiress's son has been kidnapped. Who better to connect the crimes and foil a daringly brilliant plot than Simon Riske, freelance industrial spy? Riske -- part Bond, part Reacher -- knows Monte Carlo well: it's where he was once a thrill-seeking thief himself, robbing armored trucks and leading police on dangerous car chases across the Côte d'Azur, until he was double-crossed, served his time, and graduated as an investment genius from the Sorbonne. Now Riske is a man who solves problems, the bigger and "riskier" the better. From the baccarat tables of Europe's finest casinos to the superyachts moored in Monaco's Port Hercule to a secluded chalet deep in the Swiss Alps, Riske will do what he does best: get in over his head, throw himself into danger, and find a way to outthink and outmaneuver villains of every stripe. In one of the most clever, enjoyable, and entertaining series to come along in years, this sequel to The Take gives readers what they want most: a hero we can root for, locales we wish we were in, and a plot that never lets up.
Georgia Fenchurch appears to be an unassuming antiquarian bookseller in Victorian London, but the life she leads is as exciting as any adventure novel. For Georgia is a member of the Archivist Society, a secret association of private investigators led by the mysterious Sir Broderick. When a frantic woman comes to Georgia claiming that her neighbor, Nicholas Drake, has been abducted by the notorious Duke of Blackford, Georgia and the Archivist Society agree to take the case. But Drake is no innocent—he is a thief who has been blackmailing many of the leading members of London society. To find Drake and discover who is behind his abduction, Georgia and her beautiful assistant, Emma, will have to leave the cozy confines of their bookshop and infiltrate the inner circles of the upper crust—with the help of the dashing but dubious Duke of Blackford himself. But the missing thief and his abductor are not the only ones to elude Georgia Fenchurch. When she spies the man who killed her parents years ago, she vows to bring him to justice once and for all…at any cost.
Return to the "vivid and unusual" (Kirkus Reviews) world of Larry Niven and Jerry Pournelle's The Burning City, where the fire god has retreated into myth, leaving the residents of Tep's Town unprotected for the first time in their history. Unfortunately, a fiery fate isn't the only danger the town is facing. From out of the desert come monsters -- great birds with blades instead of wings, driven by some unknown force. Although they can be killed, the threat these terror birds pose is worse than death. Danger on the roads means no trade. No trade means that Tep's Town will be no more. Sent by the Lords of Lordshills to discover the source of the terror birds, Lord Sandry and his beloved, Burning Tower, must travel into a world where magic is still strong -- and where someone or something waits to destroy them! Filled with the sweeping adventure, memorable characters, and imaginative world-building that have defined the novels of Larry Niven and Jerry Pournelle, Burning Tower is another triumph.
Early Modern Corpse and Shakespeare's Theatre by Susan Zimmerman Pdf
Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency. Features*Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England.*The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre.*Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. *Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama.
Tara Duncan and the Forbidden Book by Princess Sophie Audouin-Mamikonian Pdf
On the planet OtherWorld, Tara’s friend Cal is convicted of a crime he didn’t commit, and she and her friends set out to prove him innocent. It’s an unlikely crew: Tara, the riddle-loving Fabrice, Robin the half-elf, Sparrow the shape-shifting princess, and Tara’s cultured grandfather—and black Lab—Manitou. Blue gnomes help Cal break out of prison, but at a terrible price. To force him to help liberate their people from an evil wizard, they infect Cal with a time-release poison that Tara and her friends must race to neutralize. Helped by Fafnir the dwarf, they defeat the wizard and travel to Demonic Limbo for evidence of Cal’s innocence. There, Tara has a wrenching encounter with the ghost of her dead father. Back on OtherWorld, the situation is grim. Fafnir accidentally releases the terrible Devourer of Souls, who nearly conquers the planet. In desperation, Tara changes into a dragon and allies herself with her nemesis, Magister. They defeat the Devourer, and Tara hurls Magister into Limbo, hopefully forever. Meanwhile, the Empress of Omois has discovered that Tara is her niece and heir. She insists that Tara come live on OtherWorld for good. If Tara refuses, it will mean war. This is the exciting sequel to Tara Duncan and the Spellbinders and is sure to captivate young readers for hours of excitement and adventure!
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker. Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.”—Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.”—Publishers Weekly (starred review) “Masterful and utterly unique.”—The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.”—Historical Novels Review “An epic novel . . . an unforgettable portrait.”—The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.”—Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.”—The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.”—San Francisco Chronicle, on Panorama
