The Tide Singer Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Tide Singer book. This book definitely worth reading, it is an incredibly well-written.
Strangers, storms and whispers of legendary sea people... Eloise Williams skilfully interweaves nature and myth in her stunning Barrington Stoke debut. In the wake of a tempest hitting her town, Morwenna is left to take care of a stranger washed ashore. The storm is just another of many that have plagued the town for years - people blame the tide singers, legendary sea people who are said to charm storms with their singing. Morwenna has never believed the tales, but when she is left alone with the stranger, she realises this is no ordinary girl. Can the stories be true? Can the girl control the tides with nothing more than her voice? Her arrival brings danger of a different kind, and Morwenna must draw on all the courage she has in order to stop a conflict that could destroy her home...
The Singer's Repertoire, Part I by Berton Coffin Pdf
A timeless classic. Includes 8,200 songs in 818 lists for nine voice classifications; indexed by composer, title, vocal range, and publisher. The complete work represents the living song repertoire of today drawn from recital programs, recordings, broadcasts, telecasts, and other sources, and is comprised of Part I: Coloratura, Lyric and Dramatic Soprano, Part II: Mezzo Soprano and Contralto, Part III: Lyric and Dramatic Tenor, and Part IV: Baritone and Bass.
The Singer's Repertoire, Part V by Berton Coffin,Werner Singer Pdf
NOW IN PAPERBACK! Designed for use by professional singers, amateurs, teachers, coaches, and students; contains annotations for more than 1,000 songs in the basic vocal repertoire. Invaluable for those who must prepare program notes.
Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song by Judith Tick Pdf
An NPR 2023 "Books We Love" Pick • A Kirkus Best Nonfiction Book of 2023 A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator. Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre. From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form. Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records. A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.
A Singer from the Sea by Amelia E. Barr is a reflection on human spirituality as well as an exploration of the lives of Cornish fishermen. Excerpt: "FROM Padstow Point to Lundy Race is one of the wildest and grandest portions of the Cornish coast, and on it there is always somewhere a tossing sea, a stiff breeze above, and a sucking tide below. Great cliffs hundreds of feet high guard it, and from the top of them the land rolls 2away in long ridges, brown and bare. These wild and rocky moors, full of pagan altars, stone crosses, and memorials of the Jew, the Phœnician, and the Cornu-British, are the land of our childhood's fairy-folk––the home of Blunderbore and of Jack the Giant Killer, and the far grander "Fable of Bellerus old, And the great vision of the Guarded Mount."
Woman has been the weaker sex and being used, raped, traded, manipulated and sometimes abused throughout the early ages. Millions and millions of untold stories must have happened to them being a commodity of commerce, a chip to settle scores among men, or simply a tool to use. The value of a female can be zilch; there is no need to elaborate on this. However, all this are slowly changing, mainly through education and the fight for rights as human beings, not chattels. The change is not complete and never will be, because of the evolving societal values placed on woman. The story of early migrants, mainly from southern China, to escape famine and start a new life in a yet undeveloped South east Asia, form the threads of the fabric that weave into the new society made up the large diaspora of immigrants.
The Old Songs are Always New by Genevieve Campbell Pdf
It’s really great. It’s like they’re all here. I hear all of these voices and I sing with them, you know? — Yikliya Eustace Tipiloura, senior songman and Elder Perhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing. In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers. For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.
A Singer's Guide to the American Art Song, 1870-1980 by Victoria Etnier Villamil Pdf
New in Paperback 2004. Considers the lives and contributions of 144 significant composers in the field. Includes a general discography, bibliography, and indexes for both titles and poets. ...writing style is clear and enjoyable, the information she supplies about the songs pertinent and helpful...extremely useful to singers, voice teachers, coaches and musicologists in planning programs and in obtaining information about American art song repertoire.--Lori N. White, Taylor University
