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"In this highly ambitious, wide ranging, immensely impressive and ground-breaking work Fabian Dorsch surveys just about every account of the imagination that has ever been proposed. He identifies five central types of imagining that any unifying theory must accommodate and sets himself the task of determining whether any theory of what imagining consists in covers these five paradigms. Focussing on what he takes to be the three main theories, and giving them each equal consideration, he faults the first two and embraces the third. The scholarship is immaculate, the writing crystal clear and the argumentation always powerful." -- Malcolm Budd, FBA, Emeritus Grote Professor of the Philosophy of Mind and Logic, University College London
In this highly ambitious, wide ranging, immensely impressive and ground-breaking work Fabian Dorsch surveys just about every account of the imagination that has ever been proposed. He identifies five central types of imagining that any unifying theory must accommodate and sets himself the task of determining whether any theory of what imagining consists in covers these five paradigms. Focussing on what he takes to be the three main theories, and giving them each equal consideration, he faults the first two and embraces the third. The scholarship is immaculate, the writing crystal clear and the argumentation always powerful. Malcolm Budd, FBA, Emeritus Grote Professor of the Philosophy of Mind and Logic, University College London Excerpt Open publication
Aesthetics, Imagination and the Unity of Experience by R.K. Elliott,edited by Paul Crowther Pdf
This is the first book to gather together R. K. Elliott's important essays on aesthetics. These essays put forward a number of common themes that together constitute a unified approach to aesthetics. A theory of imagination is developed and ideas concerning the practice of art criticism are explored before the relevance of aesthetics for ethics is discussed. Throughout his writing Elliott combines analytic rigour with sympathy for ideas in continental philosophy. He values subjectivity but his analytic stance prevents this from falling into mere personal opinion; he is also able to show how art and aesthetic theory is of complex relevance to broader areas of experience such as education, freedom, and moral action. In the course of his discussion Elliott offers an in-depth analysis of Kant's Critique of Judgement, Clive Bell's aesthetic theory, and the relevance of Wittgenstein for aesthetics. Study of Elliott's essays presented in this book powerfully illuminates the unifying role of imagination and the aesthetic in human experience.
Imagining European Unity since 1000 AD by Patrick Pasture Pdf
European unity is a dream that has appealed to the imagination since the Middle Ages. Its motives have varied from a longing for peace to a deep-rooted abhorrence of diversity, as well as a yearning to maintain Europe's colonial dominance. This book offers a multifaceted history that takes in account the European imagination in a global context.
Imagining Decolonisation by Rebecca Kiddle,Moana Jackson,Bianca Elkington,Ocean Ripeka Mercier,Michael Ross,Jennie Smeaton,Amanda Thomas Pdf
Decolonisation is a term that alarms some, and gives hope to others. It is an uncomfortable and often bewildering concept for many New Zealanders. This book seeks to demystify decolonisation using illuminating, real-life examples. By exploring the impact of colonisation on Māori and non-Māori alike, Imagining Decolonisation presents a transformative vision of a country that is fairer for all.
Division and Imagined Unity in the American Renaissance by Shawn Thomson Pdf
In examining the era’s multivalent tropes of seams and seamlessness, Thomson provides an innovative understanding of the interplay between division and unity in the thought, culture, and literature of the American Renaissance. New insights are offered on works by major authors such as Nathaniel Hawthorne, Frederick Douglass, Walt Whitman, Herman Melville, Emily Dickinson, Henry David Thoreau, Solomon Northup, Harriet Jacobs, and Elizabeth Stoddard, along with marginal figures. Thomson expands the canon by recovering the unknown authors Charles Edward Anthon and John S. Sauzade and recognizing their works as vital to the American Renaissance. Taking the 1844 display of the Holy Tunic at the Cathedral of Treves as its point of departure, Thomson sheds light on the controversy of the seamless garment in the New England press and explores its transmutation in Anthon’s Pilgrimage to Treves, Hawthorne’s The Scarlet Letter, Dickinson’s poetry, and Melville’s major novels. In excavating seamlessness as a cultural artifact of the American Renaissance, Thomson pursues a cultural studies approach to the fabric of antebellum life. Thomson reads the seams of material culture to reveal the meaning of the dressing gown and the keepsake in Dickinson’s and Stoddard’s lives and letters. Thomson positions Sauzade’s Dickensian novel The Spuytenduyvel Chronicle as one of the first great works of the American metropolis and explores the spiritual-material dichotomy of the slave narratives of Douglass, Jacobs, and Northup. This book further reassesses the bitter literary rivalry between Melville and George Washington Peck, re-conceptualizes Melville the author through his relationship to the divided nation, and illuminates his failed idealism as a literary artist in Pierre. Thomson’s approach to the interrelationship of material culture, technology, and the modes of literary production creates a new sense of the American Renaissance as a paradoxical seamless whole wherein its seams are exposed for all to see.
Author : Warren G. Frisina Publisher : State University of New York Press Page : 279 pages File Size : 50,6 Mb Release : 2012-02-01 Category : Philosophy ISBN : 9780791488669
The Unity of Knowledge and Action by Warren G. Frisina Pdf
Building upon insights from the sixteenth century Neo-Confucian Wang Yang-ming, the American pragmatist John Dewey, and the process philosopher Alfred North Whitehead, this book argues that knowledge is best understood as a form of action. Many of the most puzzling philosophic problems in the modern era can be traced to our tendency to assume that knowledge is separate from action. Letting go of the sharp knowledge-action distinction, however, makes possible a more coherent theory of knowledge that is more adaptive to the way we experience one another, the world, and ourselves. By responding directly to problems raised by contemporary thinkers like Charles Taylor, Donald Davidson, Richard Rorty, Daniel Dennett, Mark Johnson, George Lakoff, and Robert Neville, this book maps out a strategy for making progress in the contemporary quest for a "nonrepresentational theory of knowledge."
In The Unity of Consciousness Tim Bayne draws on philosophy, psychology, and neuroscience in defence of the claim that consciousness is unified. In the first part of the book Bayne develops an account of what it means to say that consciousness is unified. Part II applies this account to a variety of cases - drawn from both normal and pathological forms of experience - in which the unity of consciousness is said to break down. Bayne argues that the unity of consciousness remains intact in each of these cases. Part III explores the implications of the unity of consciousness for theories of consciousness, for the sense of embodiment, and for accounts of the self. In one of the most comprehensive examinations of the topic available, The Unity of Consciousness draws on a wide range of findings within philosophy and the sciences of the mind to construct an account of the unity of consciousness that is both conceptually sophisticated and scientifically informed.
The Critique of Judgment and the Unity of Kant's Critical System by Lara Ostaric Pdf
In this book, Lara Ostaric argues that Kant's seminal Critique of Judgment is properly understood as completing his Critical system. The two seemingly disparate halves of the text are unified under this larger project insofar as both aesthetic and teleological judgment indirectly exhibit the final end of reason, the Ideas of the highest good and the postulates, as if obtaining in nature. She relates Kant's discussion of aesthetic and teleological judgment to important yet under-explored concepts in his philosophy, and helps the reader to recognize the relevance of his aesthetics and teleology for our understanding of fine arts and genius, the possibility of pure judgments of ugliness, Kant's philosophy of history, his philosophy of religion, and his conception of autonomy. Ostaric's novel and thoroughly integrative presentation of Kant's system will be of interest not only to Kant scholars but also to those working in religious studies, art history, political theory, and intellectual history.
This book explores the status of religion in the Post-Prophetic Age, especially as seen through the eyes of the French Islamic scholar Henry Corbin. In lucid and simple prose, Cheetham explores the creative role of the imagination in the formative ground of the three great Abrahamic religions: Judaism, Christianity, and Islam. For Corbin, engaging the soul of the world through the mediating power of the Imaginal is an act of love, a theme Cheetham expands through his analysis of such concepts as mystical poverty, contemplative knowledge, the luminosity of the earth, the theophanic vision, the Christ Angel, Incarnation, the divine sensorium, alchemical transformation, the spiritual humanism of Ivan Illich, Western iconoclasm, and the centrality of gnosis. This book offers a visionary alternative to the confusions of contemporary life. It speaks to believers and non-believers alike.
The Shakespearean image of a tempest and its aftermath forms the beginning as well as a major guiding thread of Logic of Imagination. Moving beyond the horizons of his earlier work, Force of Imagination, John Sallis sets out to unsettle the traditional conception of logic, to mark its limits, and, beyond these limits, to launch another, exorbitant logic—a logic of imagination. Drawing on a vast range of sources, including Plato, Aristotle, Kant, Hegel, Nietzsche, and Freud, as well as developments in modern logic and modern mathematics, Sallis shows how a logic of imagination can disclose the most elemental dimensions of nature and of human existence and how, through dialogue with contemporary astrophysics, it can reopen the project of a philosophical cosmology.
Use your imagination! The demand is as important as it is confusing. What is the imagination? What is its value? Where does it come from? And where is it going in a time when even the obscene mseems overdone and passé? This book takes up these questions and argues for the centrality of imagination in humanmcognition. It traces the development of the imagination in Kant’s critical philosophy (particularly the Critique of Aesthetic Judgment) and claims that the insights of Kantian aesthetic theory, especially concerning the nature of creativity, common sense, and genius, influenced the development of nineteenth-century American philosophy. The book identifies the central role of the imagination in the philosophy of Peirce, a role often overlooked in analytic treatments of his thought. The final chapters pursue the observation made by Kant and Peirce that imaginative genius is a type of natural gift (ingenium) and must in some way be continuous with the creative force of nature. It makes this final turn by way of contemporary studies of metaphor, embodied cognition, and cognitive neuroscience.
Explorations in Art, Theology and Imagination by Michael Ridgwell Austin Pdf
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.