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Icelanders in the Viking Age by William R. Short Pdf
The Sagas of Icelanders are enduring stories from Viking-age Iceland filled with love and romance, battles and feuds, tragedy and comedy. Yet these tales are little read today, even by lovers of literature. The culture and history of the people depicted in the Sagas are often unfamiliar to the modern reader, though the audience for whom the tales were intended would have had an intimate understanding of the material. This text introduces the modern reader to the daily lives and material culture of the Vikings. Topics covered include religion, housing, social customs, the settlement of disputes, and the early history of Iceland. Issues of dispute among scholars, such as the nature of settlement and the division of land, are addressed in the text.
The Vikings in Iceland by Charles River Charles River Editors Pdf
*Includes pictures *Includes medieval accounts *Includes online resources and a bibliography for further reading Like many civilizations of past millennia, the Vikings are remembered in popular culture more for the fantastical accounts of their history than for reality. The written records of the history of the Viking period, consisting mostly of Norse sagas, metaphoric poems called skalds and monastic chronicles, were written down well after the events they described and tended to be lurid accounts rife with hyperbole. Furthermore, the most scathing tales of Viking raids are contained in the histories of monastic communities which were targets of Norse rapacity. These chronicles speak of the heathen Viking depredations of monastic treasuries and the ferocious torture and killing of Christian monks. The colorful bloody tales were certainly based on more than grains of truth, but they were also purposefully augmented to inject drama into history. Similarly Norse sagas written down in the post-Viking Age fixed what had hitherto been flexible oral tradition. They were often slanted to legitimize a clan or leader's authority by emphasizing an ancestor's bravery and skill in pillaging opponent's communities. As a result, the almost ubiquitous depiction of the Vikings as horn-helmeted, brutish, hairy giants who mercilessly marauded among the settlements of Northern Europe is based on an abundance of prejudicial historical writing by those who were on the receiving end of Viking depredations, and much of the popular picture of the Vikings is a result of the romantic imagination of novelists and artists. For example, there is neither historical nor archaeological evidence that the typically red haired, freckled Norsemen entered battle wearing a metal helmet decorated with horns. This headgear was an invention of the Swedish painter and illustrator Johan August Malmström (1829-1901), and his work was so widely disseminated in popular books that the image stuck. Today the imaginary Viking helmet is an almost mandatory costume accessory in productions of Wagner's opera Der Ring des Nibelungen, which is not about the Vikings at all. It seems the horned helmet evolved from an imaginary reinterpretation of genuine Viking images of a winged helmet that may have been worn by priests in Viking religious ceremonies. The Norsemen were also medieval Europe's greatest explorers, moving across the North Atlantic to settle in Iceland, Greenland, and even North America. The first step in this epic journey was Iceland, a rugged island in the North Atlantic about 400 miles from the Faroe Islands and about 700 miles from the north coast of Scotland. Iceland has been called "the land of ice and fire," and the name is an apt one. Rugged fjords lead to towering glaciers. In spots, hot springs and geysers give a little warmth to green meadows and patches of bare, exposed bedrock. Active volcanoes loom over the landscape, sending plumes of smoke into the air and sometimes streams of lava far and wide. It's a land guaranteed to capture the imagination of an adventurous and pagan people who saw spirits in every hill and stream. Iceland was settled by the Norse in the late 9th century, and they started a thriving and unique culture at the edge of the known world. Until it was taken over by the Kingdom of Norway in 1262, it had no central government, instead consisting of a patchwork of large and small chiefdoms mediating disputes via an early form of the parliamentary system. The Vikings in Iceland: The History of the Norse Expeditions and Settlements across Iceland looks at the history of the Vikings' activities in Iceland, and how they affected subsequent exploration and colonization. Along with pictures depicting important people, places, and events, you will learn about the Vikings in Iceland like never before.
Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.
Author : Laurie K Bertram Publisher : University of Toronto Press Page : 265 pages File Size : 49,6 Mb Release : 2020-02-24 Category : History ISBN : 9781442663015
A Viking statue, a coffee pot, a ghost story, and a controversial cake: What can the things that immigrants treasured tell us about their history? Between 1870 and 1914 almost one-quarter of Iceland’s population migrated to North America, forming enclaves in both the United States and Canada. This book examines the multi-sensory side of the immigrant past through rare photographs, interviews, artefacts, and early recipes. By revealing the hidden histories behind everyday traditions, The Viking Immigrants maps the transformation of Icelandic North American culture over a century and a half.
Viking Archaeology in Iceland by Davide Zori,Jesse L. Byock Pdf
The Viking North Atlantic differs significantly from the popular image of violent raids and destruction characterizing the Viking Age in Northern Europe. In Iceland, Scandinavian seafarers discovered and settled a large uninhabited island. In order to survive and succeed, they adapted lifestyles and social strategies to a new environment. The result was a new society, the Icelandic Free State. This volume examines the Viking Age in Iceland through the discoveries and excavations of the Mosfell Archaeological Project (MAP) in Iceland's Mosfell Valley. Directed by Professor Jesse Byock, with Field Director Davide Zori, MAP brings together scholars and researchers from Iceland, Britain, Canada, Denmark, Norway, Sweden, Germany, and the United States. The Project incorporates the disciplines of archaeology, history, saga studies, osteology, zoology, paleobotany, genetics, isotope studies, place names studies, environmental science, and historical architecture. The decade-long research of MAP has led to the discovery of an exceptionally well-preserved Viking chieftain's farmstead, including a longhouse, pagan cremation site, a conversion-era stave church, and a Christian graveyard. The research results presented here tell the story of how the Mosfell Valley developed from a ninth-century settlement of Norse seafarers into a powerful Icelandic chieftaincy of the Viking Age.
Iceland was the last country in Europe to become inhabited, and we know more about the beginnings and early history of Icelandic society than we do of any other in the Old World. This world was vividly recounted in The Book of Settlements, first compiled by the first Icelandic historians in the thirteenth century. It describes in detail individuals and daily life during the Icelandic Age of Settlement.
Wasteland with Words by Sigurður Gylfi Magnússon Pdf
Iceland is an enigmatic island country marked by contradiction: it’s a part of Europe, yet separated from it by the Atlantic Ocean; it’s seemingly inhospitable, yet home to more than 300,000. Wasteland with Words explores these paradoxes to uncover the mystery of Iceland. In Wasteland with Words Sigurdur Gylfi Magnússon presents a wide-ranging and detailed analysis of the island’s history that examines the evolution and transformation of Icelandic culture while investigating the literary and historical factors that created the rich cultural heritage enjoyed by Icelanders today. Magnússon explains how a nineteenth-century economy based on the industries of fishing and agriculture—one of the poorest in Europe—grew to become a disproportionately large economic power in the late twentieth century, while retaining its strong sense of cultural identity. Bringing the story up to the present, he assesses the recent economic and political collapse of the country and how Iceland has coped. Throughout Magnússon seeks to chart the vast changes in this country’s history through the impact and effect on the Icelandic people themselves. Up-to-date and fascinating, Wasteland with Words is a comprehensive study of the island’s cultural and historical development, from tiny fishing settlements to a global economic power.
Laxdaela Saga by Magnus Magnusson,Hermann Pálsson Pdf
Written around 1245 by an unknown author, the Laxdaela Saga is an extraordinary tale of conflicting kinships and passionate love, and one of the most compelling works of Icelandic literature. Covering 150 years in the lives of the inhabitants of the community of Laxriverdale, the saga focuses primarily upon the story of Gudrun Osvif's-daughter: a proud, beautiful, vain and desirable figure, who is forced into an unhappy marriage and destroys the only man she has truly loved – her husband's best friend. A moving tale of murder and sacrifice, romance and regret, the Laxdaela Saga is also a fascinating insight into an era of radical change – a time when the Age of Chivalry was at its fullest flower in continental Europe, and the Christian faith was making its impact felt upon the Viking world.
Iceland is unique among European societies in having been founded as late as the Viking Age and in having copious written and archaeological sources about its origin. Gunnar Karlsson, that country's premier historian, chronicles the age of the Sagas, consulting them to describe an era without a monarch or central authority. Equating this prosperous time with the golden age of antiquity in world history, Karlsson then marks a correspondence between the Dark Ages of Europe and Iceland's "dreary period", which started with the loss of political independence in the late thirteenth century and culminated with an epoch of poverty and humility, especially during the early Modern Age. Iceland's renaissance came about with the successful struggle for independence in the nineteenth and early twentieth centuries, and with the industrial and technical modernization of the first half of the twentieth century. Karlsson describes the rise of nationalism as Iceland's mostly poor peasants set about breaking with Denmark, and he shows how Iceland in the twentieth century slowly caught up economically with its European neighbors.
The Vikings in Iceland by Charles River Charles River Editors Pdf
*Includes pictures *Includes medieval accounts *Includes online resources and a bibliography for further reading Like many civilizations of past millennia, the Vikings are remembered in popular culture more for the fantastical accounts of their history than for reality. The written records of the history of the Viking period, consisting mostly of Norse sagas, metaphoric poems called skalds and monastic chronicles, were written down well after the events they described and tended to be lurid accounts rife with hyperbole. Furthermore, the most scathing tales of Viking raids are contained in the histories of monastic communities which were targets of Norse rapacity. These chronicles speak of the heathen Viking depredations of monastic treasuries and the ferocious torture and killing of Christian monks. The colorful bloody tales were certainly based on more than grains of truth, but they were also purposefully augmented to inject drama into history. Similarly Norse sagas written down in the post-Viking Age fixed what had hitherto been flexible oral tradition. They were often slanted to legitimize a clan or leader's authority by emphasizing an ancestor's bravery and skill in pillaging opponent's communities. As a result, the almost ubiquitous depiction of the Vikings as horn-helmeted, brutish, hairy giants who mercilessly marauded among the settlements of Northern Europe is based on an abundance of prejudicial historical writing by those who were on the receiving end of Viking depredations, and much of the popular picture of the Vikings is a result of the romantic imagination of novelists and artists. For example, there is neither historical nor archaeological evidence that the typically red haired, freckled Norsemen entered battle wearing a metal helmet decorated with horns. This headgear was an invention of the Swedish painter and illustrator Johan August Malmström (1829-1901), and his work was so widely disseminated in popular books that the image stuck. Today the imaginary Viking helmet is an almost mandatory costume accessory in productions of Wagner's opera Der Ring des Nibelungen, which is not about the Vikings at all. It seems the horned helmet evolved from an imaginary reinterpretation of genuine Viking images of a winged helmet that may have been worn by priests in Viking religious ceremonies. The Norsemen were also medieval Europe's greatest explorers, moving across the North Atlantic to settle in Iceland, Greenland, and even North America. The first step in this epic journey was Iceland, a rugged island in the North Atlantic about 400 miles from the Faroe Islands and about 700 miles from the north coast of Scotland. Iceland has been called "the land of ice and fire," and the name is an apt one. Rugged fjords lead to towering glaciers. In spots, hot springs and geysers give a little warmth to green meadows and patches of bare, exposed bedrock. Active volcanoes loom over the landscape, sending plumes of smoke into the air and sometimes streams of lava far and wide. It's a land guaranteed to capture the imagination of an adventurous and pagan people who saw spirits in every hill and stream. Iceland was settled by the Norse in the late 9th century, and they started a thriving and unique culture at the edge of the known world. Until it was taken over by the Kingdom of Norway in 1262, it had no central government, instead consisting of a patchwork of large and small chiefdoms mediating disputes via an early form of the parliamentary system. The Vikings in Iceland: The History of the Norse Expeditions and Settlements across Iceland looks at the history of the Vikings' activities in Iceland, and how they affected subsequent exploration and colonization. Along with pictures depicting important people, places, and events, you will learn about the Vikings in Iceland like never before.
Viking Iceland. The year 1000. Civil war looms as pagans and Christians struggle for mastery in the all-island legislature. Zealous King Olaf of Norway embargoes trade and threatens forcible conversion if Icelanders will not convert themselves. In his adventurous youth Kári Sigurdsson won fame, wealth and the nickname Kári the Warrior fighting for King Olaf in two invasions of England. Now a prosperous farmer in his native Iceland, he thinks he has killed enough. But he is embroiled in a vicious feud over an inheritance. With the aid of a young lawyer - his foster-brother - his chieftain's crippled daughter and a half-Irish slave-girl, both of whom love him, and a mysterious Welsh trader who is interested in more than trade, he tries to resolve his problems through Iceland's elaborate court system, but is thwarted at every turn by the treachery of his ambitious wife, the jealousy of his chieftain and the unremitting enmity of his adversary, all pagans. Inclining towards the Christians but bound by pagan ideas of honor, Kári is forced into a revenge killing that can only lead to outlawry and death - unless his allies can find a way out.
Icelanders in the Viking Age by William R. Short Pdf
The Sagas of Icelanders are enduring stories from Viking-age Iceland filled with love and romance, battles and feuds, tragedy and comedy. Yet these tales are little read today, even by lovers of literature. The culture and history of the people depicted in the Sagas are often unfamiliar to the modern reader, though the audience for whom the tales were intended would have had an intimate understanding of the material. This text introduces the modern reader to the daily lives and material culture of the Vikings. Topics covered include religion, housing, social customs, the settlement of disputes, and the early history of Iceland. Issues of dispute among scholars, such as the nature of settlement and the division of land, are addressed in the text.
Ivory Vikings: The Mystery of the Most Famous Chessmen in the World and the Woman Who Made Them by Nancy Marie Brown Pdf
In the early 1800's, on a Hebridean beach in Scotland, the sea exposed an ancient treasure cache: 93 chessmen carved from walrus ivory. Norse netsuke, each face individual, each full of quirks, the Lewis Chessmen are probably the most famous chess pieces in the world. Harry played Wizard's Chess with them in Harry Potter and the Sorcerer's Stone. Housed at the British Museum, they are among its most visited and beloved objects. Questions abounded: Who carved them? Where? Nancy Marie Brown's Ivory Vikings explores these mysteries by connecting medieval Icelandic sagas with modern archaeology, art history, forensics, and the history of board games. In the process, Ivory Vikings presents a vivid history of the 400 years when the Vikings ruled the North Atlantic, and the sea-road connected countries and islands we think of as far apart and culturally distinct: Norway and Scotland, Ireland and Iceland, and Greenland and North America. The story of the Lewis chessmen explains the economic lure behind the Viking voyages to the west in the 800s and 900s. And finally, it brings from the shadows an extraordinarily talented woman artist of the twelfth century: Margret the Adroit of Iceland.
