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Beginning with Sappho in the seventh century B.C.E and ending with Egeria in the fifth century C.E., Snyder profiles ancient Greek and Roman women writers, including lyric and elegiac poets and philosophers and other prose writers. The writers are allowed to speak for themselves, with as much translation from their extant works provided in text as possible. In addition to giving readers biographical and cultural context for the writers and their works, Snyder refutes arguments representing prejudicial attitudes about women’s writing found in the scholarly literature. Covering writers from a wide historical span, this volume provides an engaging and informative introduction to the origins of the tradition of women’s writing in the West.
A Woman's Version of the Faust Legend by George Sand Pdf
George Sand's The Seven Strings of the Lyre is a philosophical play written in poetic prose and never intended for perfomance on stage. Completed in 1838 during the early stages of Sand's romantic involvement with Frederic Chopin, it is one of the very few treatments of the Faust legend by a woman. George Kennedy offers the first English translation of this work, along with an introduction that places the play in its philosophical and literary context. The Seven Strings of the Lyre is Sand's response to Goethe's Faust and a reflection of her views of music as developed in conversations with Chopin and Franz Liszt. Sand, unlike so many of her contemporaries, saw Goethe as a less-than-ideal poet. She criticized him for lacking "enthusiasm, belief, and passion," and she faulted him for being a proponent of the art-for-art's-sake movement, which Sand deplored for its lack of social conscience. Sand's play describes the efforts of Mephistopheles to win the soul of Albertus, a teacher of philosophy and descendant of Faust. Regarding Goethe's Mephistopheles as insufficiently wicked, Sand conjures up a devil truly worthy of the epithet. For Faust, whom she considered too cold, Sand substitues the more emotional Albertus, whose despair that life and love have passed him by in his devotion to philosophy makes him vulnerable to the machinations of the devil. And in place of Goethe's village girl, Marguerite, or the dangerous Helen of the earlier Faust legend, Sand creates the angelic Helen, who awakens Albertus's love and teaches him the emotional and spiritual truths he had never learned from books. Richly philosophical and deeply romantic, the play is a reaction against eighteenth-century rationalism. It asserts the existence of some higher truth to be foud in music, poetry, and a sympathetic response to nature, but it also, contrary to the doctrine of art for art's sake, demands social responsibility from the artist. Sand believed that the arts should lead society to an awareness of truth, freedom, and the meaning of life, and The Seven Strings of the Lyre is an attempt to dramatize this belief. Originally published in 1989. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets—the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.
Women in the Classical World by Elaine Fantham,Helene Peet Foley,Natalie Boymel Kampen,Sarah B. Pomeroy,H. A. Shapiro Pdf
Information about women is scattered throughout the fragmented mosaic of ancient history: the vivid poetry of Sappho survived antiquity on remnants of damaged papyrus; the inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young; a great number of Roman wives were found guilty of poisoning their husbands, but was it accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written--has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, exploring the lives of slaves and prostitutes, Athenian housewives, and Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand-year period, beginning in the eighth century B.C.E. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters report on the wild behavior of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the "new woman" represented by the love poetry of the late Republic and Augustan Age; and the traces of upper- and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative and surprising, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.
Women and Religion in the First Christian Centuries by Deborah F. Sawyer Pdf
"Too often the religious traditions of antiquity are studied in isolation, without any real consideration of how they interacted. What made someone with a free choice become an adherent of one faith rather than another? Why might a former pagan choose to become a 'God-fearer' and attend synagogue services? Why might a Jew become a Christian? How did the mysteries of Mithras differ from the worship of the Unconquered Sun, or the status of the Virgin Mary from that of Isis, and how many gods could an ancient worshipper have? These questions are hard to answer without a synoptic view of what the different religions offered."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Hailed as a literary masterpiece, Robertson Davies' The Cornish Trilogy comes to a brilliant conclusion in The Lyre of Orpheus. Available as an eBook for the first time. There is an important decision to be made. The Cornish Foundation is thriving under the directorship of Arthur Cornish when Arthur and his beguiling wife, Maria Theotoky, decide to undertake a project worthy of Francis Cornish– connoisseur, collector, and notable eccentric–whose vast fortune endows the Foundation. The grumpy, grimy, extraordinarily talented music student Hulda Schnakenburg is commissioned to complete E.T.A. Hoffmann’s unfinished opera Arthur of Britain, or The Magnanimous Cuckold; and the scholarly priest Simon Darcourt finds himself charged with writing the libretto. Complications both practical and emotional arise: the gypsy in Maria’s blood rises with a vengeance; Darcourt stoops to petty crime; and various others indulge in perjury, blackmail, and other unsavory pursuits. Hoffmann’s dictum, “the lyre of Orpheus opens the door of the underworld,” seems to be all too true—especially when the long-hidden secrets of Francis Cornish himself are finally revealed. Baroque and deliciously funny, this third book in The Cornish Trilogy shows Robertson Davies at his very considerable best.
"The translations are excellent--at once literal, graceful, and idiomatic--and the poems have been selected in a way that is unparalleled in any comparable collection and is responsive to contemporary concerns."--Sheila Murnaghan, author of Disguise and Recognition in the Odyssey "As English poems in their own right, and as honest and sensitive transpositions of the Greek songs, these works surpass any translations of the archaic lyrists that I have seen."--John Herington, author of Poetry into Drama
The Oxford Handbook of Childhood and Education in the Classical World by Judith Evans Grubbs,Tim Parkin Pdf
The past thirty years have seen an explosion of interest in Greek and Roman social history, particularly studies of women and the family. Until recently these studies did not focus especially on children and childhood, but considered children in the larger context of family continuity and inter-family relationships, or legal issues like legitimacy, adoption and inheritance. Recent publications have examined a variety of aspects related to childhood in ancient Greece and Rome, but until now nothing has attempted to comprehensively survey the state of ancient childhood studies. This handbook does just that, showcasing the work of both established and rising scholars and demonstrating the variety of approaches to the study of childhood in the classical world. In thirty chapters, with a detailed introduction and envoi, The Oxford Handbook of Childhood and Education in the Classical World presents current research in a wide range of topics on ancient childhood, including sub-disciplines of Classics that rarely appear in collections on the family or childhood such as archaeology and ancient medicine. Contributors include some of the foremost experts in the field as well as younger, up-and-coming scholars. Unlike most edited volumes on childhood or the family in antiquity, this collection also gives attention to the late antique period and whether (or how) conceptions of childhood and the life of children changed with Christianity. The chronological spread runs from archaic Greece to the later Roman Empire (fifth century C.E.). Geographical areas covered include not only classical Greece and Roman Italy, but also the eastern Mediterranean. The Oxford Handbook of Childhood and Education in the Classical World engages with perennially valuable questions about family and education in the ancient world while providing a much-needed touchstone for research in the field.
A feast of family can be a plate load of problems! It’s the Sixties. Modernity and tradition clash as two newlywed couples set up house together. Dee and her daughter Valerie move with their husbands into a modern glass house Valerie built in a proudly rural Los Altos, California, neighborhood. When their young relatives start showing up and moving in, the neighbors get suspicious. Then a body is found in the backyard and the life they are trying to build comes undone. Father Mike is back to guide Dee through a difficult time with humor and grace, even as his own life is unraveling. Now he’s going to have to take some of his own advice about love. The sequel to The Sheep Walker s Daughter, The Lyre and the Lambs explores the passions that draw people together and the faith it takes overcome trauma.
