Theatre And Archival Memory

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Theatre and Archival Memory

Author : Barry Houlihan
Publisher : Springer Nature
Page : 279 pages
File Size : 52,6 Mb
Release : 2021-07-28
Category : Performing Arts
ISBN : 9783030745486

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Theatre and Archival Memory by Barry Houlihan Pdf

This book presents new insights into the production and reception of Irish drama, its internationalisation and political influences, within a pivotal period of Irish cultural and social change. From the 1950s onwards, Irish theatre engaged audiences within new theatrical forms at venues from the Pike Theatre, the Project Arts Centre, and the Gate Theatre, as well as at Ireland’s national theatre, the Abbey. Drawing on newly released and digitised archival records, this book argues for an inclusive historiography reflective of the formative impacts upon modern Irish theatre as recorded within marginalised performance histories. This study examines these works' experimental dramaturgical impacts in terms of production, reception, and archival legacies. The book, framed by the device of ‘archival memory’, serves as a means for scholars and theatre-makers to inter-contextualise existing historiography and to challenge canon formation. It also presents a new social history of Irish theatre told from the fringes of history and reanimated through archival memory.

The Archive and the Repertoire

Author : Diana Taylor
Publisher : Duke University Press
Page : 360 pages
File Size : 53,8 Mb
Release : 2003-09-12
Category : Art
ISBN : 0822331233

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The Archive and the Repertoire by Diana Taylor Pdf

DIVAn interdisciplinary study about the centrality of performance in Latin American culture and politics./div

Theatres of Memory

Author : Raphael Samuel
Publisher : Verso Books
Page : 509 pages
File Size : 43,6 Mb
Release : 2012-09-11
Category : History
ISBN : 9781844679355

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Theatres of Memory by Raphael Samuel Pdf

When Theatres of Memory was first published in 1994, it transformed the debate about what is to be considered history and questioned the role of “heritage” that lies at the heart of every Western nation’s obsession with the past. Today, in the age of Downton Abbey and Mad Men, we are once again conjuring historical fictions to make sense of our everyday lives. In this remarkable book, Samuel looks at the many different ways we use the “unofficial knowledge” of the past. Considering such varied areas as the fashion for “retrofitting,” the rise of family history, the joys of collecting old photographs, the allure of reenactment societies and televised adaptations of Dickens, Samuel transforms our understanding of the uses of history. He shows us that history is a living practice, something constantly being reassessed in the world around us.

Ireland, Memory and Performing the Historical Imagination

Author : Mary P. Caulfield
Publisher : Springer
Page : 244 pages
File Size : 54,9 Mb
Release : 2014-12-09
Category : Performing Arts
ISBN : 9781137362186

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Ireland, Memory and Performing the Historical Imagination by Mary P. Caulfield Pdf

This book explores the performance of Irish collective memories and forgotten histories. It proposes an alternative and more comprehensive criterion of Irish theatre practices. These practices can be defined as the 'rejected', contested and undervalued plays and performativities that are integral to Ireland's political and cultural landscapes.

The Memory Marketplace

Author : Emilie Pine
Publisher : Indiana University Press
Page : 245 pages
File Size : 41,6 Mb
Release : 2020-06-30
Category : Literary Criticism
ISBN : 9780253054982

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The Memory Marketplace by Emilie Pine Pdf

What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange—subject and witness, spectator and performer, consumer and commodified—provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history.

Performing Archives/Archives of Performance

Author : Gunhild Borggreen,Rune Gade
Publisher : Museum Tusculanum Press
Page : 498 pages
File Size : 52,9 Mb
Release : 2013-07-12
Category : Art
ISBN : 9788763537506

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Performing Archives/Archives of Performance by Gunhild Borggreen,Rune Gade Pdf

Performing Archives/Archives of Performance contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatized recordings of liveness. The many contributions by excellent scholars and artists from a broad range of interdisciplinary fields as well as from various locations in research geographies demonstrate that despite the extensive discourse on the relationship between performance and the archive, inquiry into the productive tensions between ephemerality and permanence is by no means outdated or exhausted. New ways of understanding archives, history, and memory emerge and address theories of enactment and intervention, while concepts of performance constantly proliferate and enable a critical focus on archival residue. The contributions in Performing Archives/Archives of Performance cover philosophical inquiries as well as discussions of specific art works, performances, and archives.

Contributions by: Heike Roms, Amelia Jones, Julie Louise Bacon, Peter van der Meijden, Emma Willis, Rivka Syd Eisner, Rachel Fensham, Sarah Whatley, Tracy C. Davis, Barnaby King, Laura Luise Schultz, Malene Vest Hansen, Mette Sandbye, Bodil Marie Stavning Thomsen, Margeritha Sprio, Annelis Kuhlmann, Morten Søndergaard, Martha Wilson, Catherine Bagnall, Paul Clarke, Solveig Gade, Gunhild Borggreen, Rune Gade, Louise Wolthers, Mathias Danbolt, Marco Pustianaz.

Gunhild Borggreen is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.

Rune Gade is Associate Professor at the Department of Arts and Cultural Studies at the University of Copenhagen.

Embodied Memory

Author : Anat Feinberg
Publisher : University of Iowa Press
Page : 368 pages
File Size : 50,9 Mb
Release : 1999
Category : Biography & Autobiography
ISBN : 1587292777

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Embodied Memory by Anat Feinberg Pdf

In Embodied Memory, Anat Feinberg offers the first English-language study of the controversial dramatist George Tabori. A Jewish-Hungarian playwright and novelist, Tabori is a unique figure in postwar German theatre -- one of the few theatre people since Bertolt Brecht to embody "the ideal union" of playwright, director, theatre manager, and actor. Revered as a "theatre guru, " Tabori's career, first in the United States and later in Germany, is fraught with controversy.

Memory, Transitional Justice, and Theatre in Postdictatorship Argentina

Author : Noe Montez
Publisher : SIU Press
Page : 263 pages
File Size : 50,6 Mb
Release : 2018
Category : History
ISBN : 9780809336296

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Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez Pdf

In this work examining Argentine theatre over the past four decades and drawing on contemporary research, Noe Montez considers how theatre can serve as activism and alter public reception to a government addressing human rights violations by its predecessor.

Negotiating Copyright in the American Theatre: 1856–1951

Author : Brent Salter
Publisher : Cambridge University Press
Page : 279 pages
File Size : 45,7 Mb
Release : 2022-01-06
Category : Law
ISBN : 9781108484756

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Negotiating Copyright in the American Theatre: 1856–1951 by Brent Salter Pdf

The book illuminates the legal and business history of the American theatre through new archival discoveries.

Performing the Past

Author : Karin Tilmans,Frank van Vree,J. M. Winter
Publisher : Amsterdam University Press
Page : 369 pages
File Size : 52,7 Mb
Release : 2010
Category : History
ISBN : 9789089642059

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Performing the Past by Karin Tilmans,Frank van Vree,J. M. Winter Pdf

Karin Tilmans is an historian, and academic coordinator of the Max Weber Programme at the European University Institute, Florence. Frank van Vree is an historian and professor of journalism at the University of Amsterdam. Jay M. Winter is the Charles J. Stille Professor of History at Yale. --

Women, Performance and the Material of Memory

Author : Laura Engel
Publisher : Springer
Page : 169 pages
File Size : 43,8 Mb
Release : 2018-12-12
Category : Literary Criticism
ISBN : 9781137589323

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Women, Performance and the Material of Memory by Laura Engel Pdf

This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.

The Global and Local Appeal of Kneehigh Theatre Company

Author : Catherine Trenchfield
Publisher : Cambridge Scholars Publishing
Page : 255 pages
File Size : 45,7 Mb
Release : 2022-07-25
Category : Performing Arts
ISBN : 9781527586611

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The Global and Local Appeal of Kneehigh Theatre Company by Catherine Trenchfield Pdf

This book explores Kneehigh Theatre Company’s notions of “Brand Kneehigh”, discussing how their theatrical style enjoyed local and global appeal, in relation to theories of globalisation, localisation and cultural exchange. It defines Kneehigh’s theatrical brand, indicating Cornish cultural identity as a core component in conjunction with international influences. By looking at the history of this company, the book’s analysis of key productions reflects on qualities attributed to “Brand Kneehigh” and considers the ‘local’ and ‘global’ nature of their work. The selection and review of productions examined here reveals the changes and reinventions Kneehigh have undergone to incorporate shifting interests and socioeconomic engagements. This book explores Kneehigh’s ambitions to establish themselves as a company delivering material that is ‘popular’ in appeal, meeting the needs of a Cornish (local) community and an international (global) audience. However, tensions working between local and global interests are also exposed, with an investigation into Kneehigh’s own cited solution: their self-created performance space, the Asylum.

Memory in Play

Author : A. Favorini
Publisher : Palgrave Macmillan
Page : 323 pages
File Size : 48,6 Mb
Release : 2015-11-09
Category : Performing Arts
ISBN : 1349372412

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Memory in Play by A. Favorini Pdf

This innovative study examines the role of memory in the history of theatre and drama. Favorini analyzes issues of memory in self-construction, collective memory, the clash of memory and history and even explores what the work of cognitive scientists can teach us about brain function and our response to drama.

A Cultural History of Theatre in Antiquity

Author : Martin Revermann
Publisher : Bloomsbury Publishing
Page : 273 pages
File Size : 44,6 Mb
Release : 2019-08-08
Category : History
ISBN : 9781350135291

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A Cultural History of Theatre in Antiquity by Martin Revermann Pdf

Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Colonial-Era Caribbean Theatre

Author : Julia Prest
Publisher : Liverpool University Press
Page : 280 pages
File Size : 45,9 Mb
Release : 2023-10-15
Category : Performing Arts
ISBN : 9781837644810

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Colonial-Era Caribbean Theatre by Julia Prest Pdf

Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.