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Author : Robert Kavanagh
Publisher : Unknown
Page : 237 pages
File Size : 41,7 Mb
Release : 2024-06-01
Category : Electronic books
ISBN : 1350223611
A pioneering study of South African theatre under Apartheid, exploring the ways in which the stage became an arena for the battle against oppression.
Author : Robert Mshengu Kavanagh
Publisher : Zed Books Ltd.
Page : 424 pages
File Size : 45,8 Mb
Release : 2017-06-15
Category : Performing Arts
ISBN : 9781783609772
In this book, South African performer and activist Robert Mshengu Kavanagh reveals the complex and conflicting interplay of class, nation and race in South African theatre under Apartheid. Evoking an era when theatre itself became a political battleground, Kavanagh displays how the struggle against Apartheid was played out on the stage as well as on the streets. Kavanagh's account spans three very different areas of South African theatre, with the author considering the merits and limitations of the multi-racial theatre projects created by white liberals; the popular commercial musicals staged for black audiences by emergent black entrepreneurs; and the efforts of the Black Consciousness Movement to forge a distinctly African form of revolutionary theatre in the 1970s. The result is a highly readable, pioneering study of the theatre at a time of unprecedented upheaval, diversity and innovation, with Kavanagh's cogent analysis demonstrating the subtle ways in which culture and the arts can become an effective means of challenging oppression.
Author : Robert Kavanagh
Publisher : London : Zed Books ; Totowa, N.J. : US distributor, Biblio Distribution Center
Page : 237 pages
File Size : 51,9 Mb
Release : 1985
Category : Theater
ISBN : 0862322839
A pioneering study of South African theatre under Apartheid, exploring the ways in which the stage became an arena for the battle against oppression.
Author : Belinda Bozzoli
Publisher : Edinburgh University Press
Page : 336 pages
File Size : 44,6 Mb
Release : 2019-06-01
Category : Alexandra (Johannesburg, South Africa)
ISBN : 9781474464673
This is a compelling study of the origins and trajectory of a legendary black uprising against apartheid - the Alexandra Rebellion of 1986. Using insights from the literature on collective action and social movements, it delves deep into the rebellion's inner workings. It examines how the residents of Alexandra - a poverty-stricken, segregated township in Johannesburg - manipulated and overturned the meanings of space, time and power in their sequestered world; how they used political theatre to convey, stage and dramatise their struggle; and how young and old residents generated differing ideologies and tactics, giving rise to a distinct form of generational politics. Theatres of Struggle asks the reader to enter into the world of the rebels, and to confront the moral complexity and social duress they experienced as they invented new social forms and violently attacked old ones.
Author : Robert Mshengu Kavanagh
Publisher : Bloomsbury Publishing
Page : 265 pages
File Size : 48,7 Mb
Release : 2017-06-15
Category : Performing Arts
ISBN : 9781783609796
In this book, South African performer and activist Robert Mshengu Kavanagh reveals the complex and conflicting interplay of class, nation and race in South African theatre under Apartheid. Evoking an era when theatre itself became a political battleground, Kavanagh displays how the struggle against Apartheid was played out on the stage as well as on the streets. Kavanagh's account spans three very different areas of South African theatre, with the author considering the merits and limitations of the multi-racial theatre projects created by white liberals; the popular commercial musicals staged for black audiences by emergent black entrepreneurs; and the efforts of the Black Consciousness Movement to forge a distinctly African form of revolutionary theatre in the 1970s. The result is a highly readable, pioneering study of the theatre at a time of unprecedented upheaval, diversity and innovation, with Kavanagh's cogent analysis demonstrating the subtle ways in which culture and the arts can become an effective means of challenging oppression.
Author : Robert Mshengu Kavanagh
Publisher : Unknown
Page : 237 pages
File Size : 44,7 Mb
Release : 1987
Category : Electronic
ISBN : OCLC:610382780
Author : Martin Orkin
Publisher : Manchester University Press
Page : 276 pages
File Size : 45,9 Mb
Release : 1991
Category : Literature and state
ISBN : 071902577X
Drawing on recent post-structuralist and cultural materialist concepts, Orkin (English, Witwatersrand U., South Africa) examines how South African drama over the past several decades has constructed the subject and the landscape, presented the body, and sometimes sought to define a national culture. He considers both individual playwrights and theatre companies. Distributed in Anglo-America by St. Martin's. Paper edition (unseen), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Loren Kruger
Publisher : Bloomsbury Publishing
Page : 288 pages
File Size : 51,8 Mb
Release : 2019-11-28
Category : Performing Arts
ISBN : 9781350008038
“Theatre is not part of our vocabulary”: Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little. Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.
Author : Elizabeth Gunner
Publisher : Indiana University Press
Page : 308 pages
File Size : 42,9 Mb
Release : 1994
Category : Drama
ISBN : 1868142140
This volume is a collection of essays that explore aspects of popular culture in South Africa, Zimbabwe and Zambia. These writings examine such topics as the degree of state control over theatre, the interaction - or lack of it - between high and popular culture, the struggle to define meaningful cultural forms in the wake of a dominating and exclusive colonial culture and the contribution of women. What emerges is a strong sense of regional concerns shared by the Southern African cultures under discussion, the contributors also give voice to crucial differences and debates on the nature of contemporary theatre and performance and the links with popular culture, politics and nation.
Author : Geoffrey Davis,Anne Fuchs
Publisher : Routledge
Page : 358 pages
File Size : 41,6 Mb
Release : 2020-04-27
Category : Performing Arts
ISBN : 9781134362974
First Published in 1997. Can South African theatre continue to maintain its autonomy and exercise its critical role? Can one rethink form and find new content? Can a concept of post-protest theatre be developed? How might theatre contribute to post-apartheid soceity? These are just of the questions addressed in this book. The real and present difficulties South Africian theatre is facing, as well as possible future orientations, are clearly shown, at one of the most complex moments of political transition in the history of the South African society. The authors include contributions from playwrights, actors, visual artists, poets, directors, administrators, critics and theatre academics. Their comments and thoughts portray the active process of reflection and reappraisal, redefining their artistic and political aims, searching for new and vital theatrical forms.
Author : Anonim
Publisher : BRILL
Page : 318 pages
File Size : 42,6 Mb
Release : 2021-11-22
Category : Literary Criticism
ISBN : 9789004484207
One of the most striking features of cultural life in South Africa has been the extent to which one area of cultural practice - theatre - has more than any other testified to the present condition of the country, now in transition between its colonial past and a decolonized future. But in what sense and how far does the critical force of theatre in South Africa as a mode of intervention continue? In the immediate post-election moment, theatre seemed to be pursuing an escapist, nostalgic route, relieved of its historical burden of protest and opposition. But, as the contributors to this volume show, new voices have been emerging, and a more complex politics of the theatre, involving feminist and gay initiatives, physical theatre, festival theatre and theatre-for-education, has become apparent. Both new and familiar players in South African theatre studies from around the world here respond to or anticipate the altered conditions of the country, while exploring the notion that theatre continues to 'intervene.' This broad focus enables a wide and stimulating range of approaches: contributors examine strategies of intervention among audiences, theatres, established and fledgling writers, canonical and new texts, traditional and innovative critical perspectives. The book concludes with four recent interviews with influential practitioners about the meaning and future of theatre in South Africa: Athol Fugard, Fatima Dike, Reza de Wet, and Janet Suzman.
Author : Wolfgang Schneider,Lebogang L. Nawa
Publisher : transcript Verlag
Page : 259 pages
File Size : 53,9 Mb
Release : 2019-02-28
Category : Performing Arts
ISBN : 9783839446829
Are artists seismographs during processes of transformation? Is theatre a mirror of society? And how does it influence society offstage? To address these questions, this collection brings together analyses of cultural policy in post-apartheid South Africa and actors of the performing arts discussing political theatre and cultural activism. Case studies grant inside views of the State Theatre in Pretoria, the Market Theatre in Johannesburg and the Baxter Theatre in Cape Town, followed by a documentation of panel discussions on the Soweto Theatre. The texts collected here bring to the surface new faces and voices who advance the performing arts with their images and lexicons revolving around topics such as patriarchy, femicide and xenophobia.
Author : Mzo Sirayi
Publisher : Xlibris Corporation
Page : 211 pages
File Size : 47,8 Mb
Release : 2012
Category : Drama
ISBN : 9781477120828
Mzo Sirayi has embarked on a highly impressive and daring enterprise with the unfl inching boldness of a scholar who is driven by a passionate pursuit to set the record straight. He manages to pull no punches and make no apologies by being true to his convictions, especially within the context of a new South Africa. The book adopts a largely historicized, critical and analytical perspective, which strikingly approximates that of postcolonial theory. — Owen Seda This new and authoritative book is an excellent addition to the few existing books on black South African drama and theatre. South African Drama and Th eatre from Pre-colonial Times to 1990s: An Alternative Reading takes the reader on a tour of the indigenous as well as the modern South African theatre zones. The chapters reverberate with echoes of Africanisation and rock on renaissance waves. This exciting and stimulating book is transparently readable, accessible and is of inestimable value to academics and general readers. — Patrick Ebewo
Author : Lindsay Michie
Publisher : Rowman & Littlefield
Page : 299 pages
File Size : 50,7 Mb
Release : 2021-09-20
Category : History
ISBN : 9781498576215
From an array of prominent activists including Nelson Mandela and Steve Biko to renowned performers and oral poets such as Johnny Dyani and Samuel Mqhayi, the Eastern Cape region plays a unique role in the history of South African protest politics and creativity. The Spirit of Resistance in Music and Spoken Word of South Africa's Eastern Cape concentrates on the Eastern Cape's contribution to the larger narrative of the connection between creativity, mass movements, and the forging of a modern African identity and focuses largely on the amaXhosa population. Lindsay Michie explores Eastern Cape performance artists, activists, organizations, and movements that used inventive and historical means to raise awareness of their plight and brought pressure to bear on the authorities and systems that caused it, all the while exhibiting the depth, originality, and inspiration of their culture.
Author : Patrick J. Ebewo
Publisher : Cambridge Scholars Publishing
Page : 267 pages
File Size : 52,8 Mb
Release : 2017-05-11
Category : Performing Arts
ISBN : 9781443891776
In spite of the rich repertoire of artistic traditions in Southern Africa, particularly in the areas of drama, theatre and performance, there seems to be a lack of a corresponding robust academic engagement with these subjects. While it can be said that some of the racial groups in the region have received substantial attention in terms of scholarly discussions of their drama and theatre performances, the same cannot be said of the black African racial group. As such, this collection of thirteen chapters represents a compendium of critical and intellectual discourses on black African drama, theatre and performance in Botswana, Lesotho, South Africa, and Swaziland. The topics covered in the book include, amongst others, ritual practices, interventionist approaches to drama, textual analyses, and the funeral rites (viewed as performance) of the South African liberation icon Nelson Mandela. The discussions are rooted mainly using African paradigms that are relevant to the context of African cultural production. The contributions here add to the aggregate knowledge economy of Southern Africa, promote research and publication, and provide reading materials for university students specialising in the performing arts. As such, the book will appeal to academics, theatre scholars, cultural workers and arts administrators, arts practitioners and entrepreneurs, the tourism industry, arts educators, and development communication experts.