Theatre Aurality

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Theatre Aurality

Lynne Kendrick
Theatre Aurality Book PDF

Author : Lynne Kendrick
Publisher : Springer
Page : 164 pages
File Size : 44,6 Mb
Release : 2017-11-11
Category : Performing Arts
ISBN : 9781137452337

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Theatre Aurality by Lynne Kendrick Pdf

This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic performance and our engagement in it, from the creation of sonic subjectivities to noise as a politics of sound. The introductory chapters trace the innate aurality of theatre and the history of sound effects and design, while also interrogating why the art of theatre sound was delayed and underrepresented in philosophy as well as theatre and performance theory. Subsequent chapters explore the emergence of aurally engaged theatre practice and focus on examples of contemporary sound in and as theatre, including theatre in the dark, headphone theatre and immersive theatre, amongst others, through theories of perception and philosophies of listening, vocality, sonority and noise.

Theatre and Aural Attention

George Home-Cook
Theatre and Aural Attention Book PDF

Author : George Home-Cook
Publisher : Springer
Page : 229 pages
File Size : 43,6 Mb
Release : 2015-05-10
Category : Performing Arts
ISBN : 9781137393692

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Theatre and Aural Attention by George Home-Cook Pdf

Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.

Aural/Oral Dramaturgies

Duška Radosavljević
Aural Oral Dramaturgies Book PDF

Author : Duška Radosavljević
Publisher : Taylor & Francis
Page : 252 pages
File Size : 47,9 Mb
Release : 2022-10-26
Category : Performing Arts
ISBN : 9781000755947

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Aural/Oral Dramaturgies by Duška Radosavljević Pdf

Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.

Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre

Mladen Ovadija
Dramaturgy of Sound in the Avant garde and Postdramatic Theatre Book PDF

Author : Mladen Ovadija
Publisher : McGill-Queen's Press - MQUP
Page : 261 pages
File Size : 55,6 Mb
Release : 2013
Category : Avant-garde (Aesthetics)
ISBN : 9780773545885

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Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre by Mladen Ovadija Pdf

New insight into the theatrical use of sound in avant-garde and postdramatic performance.

Theatre in the Dark

Adam Alston,Martin Welton
Theatre in the Dark Book PDF

Author : Adam Alston,Martin Welton
Publisher : Bloomsbury Publishing
Page : 304 pages
File Size : 53,9 Mb
Release : 2017-07-27
Category : Performing Arts
ISBN : 9781474251204

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Theatre in the Dark by Adam Alston,Martin Welton Pdf

Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre responds to a rising tide of experimentation in theatre practice that eliminates or obscures light. It brings together leading and emerging practitioners and researchers in a volume dedicated to exploring the phenomenon and showcasing a range of possible critical and theoretical approaches. This book considers the aesthetics and phenomenology of dark, gloomy and shadow-strewn theatre performances, as well as the historical and cultural significances of darkness, shadow and the night in theatre and performance contexts. It is concerned as much with the experiences elicited by darkness and obscured or diminished lighting as it is with the conditions that define, frame and at times re-shape what each might 'mean' and 'do'. Contributors provide surveys of relevant practice, interviews with practitioners, theoretical reflections and close critical analyses of work by key innovators in the aesthetics of light, shadow and darkness. The book has a particular focus on the work of contemporary theatre makers – including Sound&Fury, David Rosenberg and Glen Neath, Lundahl & Seitl, Extant, and Analogue – and seeks to deepen the engagement of theatre and performance studies with what might be called 'the sensory turn'. Theatre in the Dark explores ground-breaking areas that will appeal to researchers, practitioners and audiences alike.

Sound Effect

Ross Brown
Sound Effect Book PDF

Author : Ross Brown
Publisher : Bloomsbury Publishing
Page : 240 pages
File Size : 50,6 Mb
Release : 2020-02-20
Category : Performing Arts
ISBN : 9781350045927

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Sound Effect by Ross Brown Pdf

Sound Effect tells the story of the effect of theatrical aurality on modern culture. Beginning with the emergence of the modern scenic sound effect in the late 18th century, and ending with headphone theatre which brings theatre's auditorium into an intimate relationship with the audience's internal sonic space, the book relates contemporary questions of theatre sound design to a 250-year Western cultural history of hearing. It argues that while theatron was an instrument for seeing and theorizing, first a collective hearing, or audience is convened. Theatre begins with people entering an acoustemological apparatus that produces a way of hearing and of knowing. Once, this was a giant marble ear on a hillside, turned up to a cosmos whose inaudible music accounted for all. In modern times, theatre's auditorium, or instrument for hearing, has turned inwards on the people and their collective conversance in the sonic memes, tropes, clichés and picturesques that constitute a popular, fictional ontology. This is a study about drama, entertainment, modernity and the theatre of audibility. It addresses the cultural frames of resonance that inform our understanding of SOUND as the rubric of the world we experience through our ears. Ross Brown reveals how mythologies, pop-culture, art, commerce and audio, have shaped the audible world as a form of theatre. Garrick, De Loutherbourg, Brecht, Dracula, Jekyll, Hyde, Spike Milligan, John Lennon, James Bond, Scooby-Do and Edison make cameo appearances as Brown weaves together a history of modern hearing, with an argument that sound is a story, audibility has a dramaturgy, hearing is scenographic, and the auditoria of drama serve modern life as the organon, or definitive frame of reference, on the sonic world.

Theory for Theatre Studies: Sound

Susan Bennett
Theory for Theatre Studies Sound Book PDF

Author : Susan Bennett
Publisher : Bloomsbury Publishing
Page : 169 pages
File Size : 44,8 Mb
Release : 2019-05-16
Category : Literary Criticism
ISBN : 9781474246484

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Theory for Theatre Studies: Sound by Susan Bennett Pdf

Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies. Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Sound provides a balance of essential background information and new scholarship, and is grounded in detailed examples that illuminate and equip readers for their own sonic explorations. Volumes follow a consistent three-part structure: a historical overview of how the term has been understood within the discipline; more recent developments illustrated by substantive case studies; and emergent trends and interdisciplinary connections. Volumes are supported by further online resources including chapter overviews, illustrative material and guiding questions. Online resources to accompany this book are available at: https://bloomsbury.com/uk/theory-for-theatre-studies-sound-9781474246460/

Avatars, Activism and Postdigital Performance

Liam Jarvis,Karen Savage
Avatars Activism and Postdigital Performance Book PDF

Author : Liam Jarvis,Karen Savage
Publisher : Bloomsbury Publishing
Page : 201 pages
File Size : 42,8 Mb
Release : 2021-11-18
Category : Performing Arts
ISBN : 9781350159334

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Avatars, Activism and Postdigital Performance by Liam Jarvis,Karen Savage Pdf

In the context of the postdigital age, where technology is increasingly part of our social and political world, Avatars, Activism and Postdigital Performance traces how identity can be created, developed, hijacked, manipulated, sabotaged and explored through performance in postdigital cultures. Considering how technology is reshaping performance, this timely collection reveals how we engage in performance practices through expanded notions of intermediality, knotted networks and layering. This book examines the artist as activist and producer of avatars, and how digital doubles, artificial intelligence and semi-automated politics are problematizing and expanding our discussions of identity. Using a range of examples in theatre, film and internet-based performance practices, chapters examine the uncertain boundaries of networked 'informational selves' in mediatized cultures, the impacts of machine algorithms, apps and the consequences of digital legacies. Case studies include James Cameron's Avatar, Blast Theory's Karen, Ontroerend Goed's A Game of You, Randy Rainbow's online videos, Sisters Grimm's Calpurnia Descending, Dead Centre's Lippy and Chekhov's First Play and Jo Scott's practice-as-research in 'place-mixing'. This is an incisive study for scholars, students and practitioners interested in the wider conversations around identity-formation in postdigital cultures.

Theatre and Aural Attention

George Home-Cook
Theatre and Aural Attention Book PDF

Author : George Home-Cook
Publisher : Palgrave Macmillan
Page : 0 pages
File Size : 50,8 Mb
Release : 2015-05-08
Category : Performing Arts
ISBN : 1137393688

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Theatre and Aural Attention by George Home-Cook Pdf

Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.

The Methuen Drama Handbook of Theatre History and Historiography

Claire Cochrane,Jo Robinson
The Methuen Drama Handbook of Theatre History and Historiography Book PDF

Author : Claire Cochrane,Jo Robinson
Publisher : Bloomsbury Publishing
Page : 392 pages
File Size : 53,8 Mb
Release : 2019-10-31
Category : Performing Arts
ISBN : 9781350034310

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The Methuen Drama Handbook of Theatre History and Historiography by Claire Cochrane,Jo Robinson Pdf

The Methuen Drama Handbook of Theatre History and Historiography is an authoritative guide to contemporary debates and practices in this field. The book covers the key themes and methods that are current in theatre history research, with a particular focus on expanding the object of study to include engagement with theatre and performance practices and the development of theatre histories around the world. Central to the book are eighteen specially commissioned essays by established and emerging scholars from a wide range of international contexts, whose discussion of individual case studies is predicated on their understanding and experience of their 'local' landscape of theatre history. These essays reveal where important work continues to be done in the field and, most valuably, draws on academic contexts beyond the Western academy to expand our knowledge of the exciting directions that such an approach opens up. Prefaced by an introduction tracing the development of the discipline of theatre history and changing historiographical approaches, the Handbook explores current issues pertaining to theatre and performance history research, as well as providing up to date and robust introductions to the methods and historiographic questions being explored by researchers in the field. Featuring a series of essential research tools, including a detailed list of resources and an annotated bibliography of key texts, this is an indispensable scholarly handbook for anyone working in theatre and performance history and historiography.

The Scenography of Howard Barker

Lara Maleen Kipp
The Scenography of Howard Barker Book PDF

Author : Lara Maleen Kipp
Publisher : Routledge
Page : 320 pages
File Size : 42,5 Mb
Release : 2020-10-18
Category : Art
ISBN : 9780429668234

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The Scenography of Howard Barker by Lara Maleen Kipp Pdf

Influential contemporary British playwright and director Howard Barker has been engaging with the scenography of the Wrestling School’s productions since 1998. Despite this active involvement in the design of set, costume, lighting, and sound, no in-depth published study on this aspect of his work exists to date. This monograph therefore offers the first comprehensive and detailed analysis of Barker’s scenographic practice. Combining aesthetic analysis of play texts and production records with original interview materials, this book presents the first full-length foray into Barker’s scenography. It features extracts from conversations with designers working with Barker, and with Barker himself. In addition, it presents the first printed versions of select set and costume designs by Barker. With the first fully detailed analysis of Barker’s scenographic work, this book will be a vital read for scholars and postgraduates of Barker Studies, contemporary British and European drama, theatre, and scenography.

Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre

Mladen Ovadija
Dramaturgy of Sound in the Avant garde and Postdramatic Theatre Book PDF

Author : Mladen Ovadija
Publisher : McGill-Queen's Press - MQUP
Page : 261 pages
File Size : 48,5 Mb
Release : 2013-07
Category : Drama
ISBN : 9780773588660

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Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre by Mladen Ovadija Pdf

Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.

Theatre Noise

Lynne Kendrick,David Roesner
Theatre Noise Book PDF

Author : Lynne Kendrick,David Roesner
Publisher : Cambridge Scholars Publishing
Page : 265 pages
File Size : 51,7 Mb
Release : 2012-01-24
Category : Performing Arts
ISBN : 9781443837200

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Theatre Noise by Lynne Kendrick,David Roesner Pdf

This book is a timely contribution to the emerging field of the aurality of theatre and looks in particular at the interrogation and problematisation of theatre sound(s). Both approaches are represented in the idea of ‘noise’ which we understand both as a concrete sonic entity and a metaphor or theoretical (sometimes even ideological) thrust. Theatre provides a unique habitat for noise. It is a place where friction can be thematised, explored playfully, even indulged in: friction between signal and receiver, between sound and meaning, between eye and ear, between silence and utterance, between hearing and listening. In an aesthetic world dominated by aesthetic redundancy and ‘aerodynamic’ signs, theatre noise recalls the aesthetic and political power of the grain of performance. ‘Theatre noise’ is a new term which captures a contemporary, agitatory acoustic aesthetic. It expresses the innate theatricality of sound design and performance, articulates the reach of auditory spaces, the art of vocality, the complexity of acts of audience, the political in produced noises. Indeed, one of the key contentions of this book is that noise, in most cases, is to be understood as a plural, as a composite of different noises, as layers or waves of noises. Facing a plethora of possible noises in performance and theatre we sought to collocate a wide range of notions of and approaches to ‘noise’ in this book – by no means an exhaustive list of possible readings and understandings, but a starting point from which scholarship, like sound, could travel in many directions.

The Voice as Something More

Martha Feldman,Judith T. Zeitlin
The Voice as Something More Book PDF

Author : Martha Feldman,Judith T. Zeitlin
Publisher : University of Chicago Press
Page : 404 pages
File Size : 45,5 Mb
Release : 2019-09-30
Category : Music
ISBN : 9780226656427

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The Voice as Something More by Martha Feldman,Judith T. Zeitlin Pdf

In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.

Experiments in Immersive, One-to-One Performance

Natalia Esling
Experiments in Immersive One to One Performance Book PDF

Author : Natalia Esling
Publisher : Taylor & Francis
Page : 170 pages
File Size : 53,5 Mb
Release : 2024-08-02
Category : Performing Arts
ISBN : 9781040097137

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Experiments in Immersive, One-to-One Performance by Natalia Esling Pdf

This book investigates audience experience through the lens of sensory engagement in immersive, one-to-one performance. It presents a distinct, practice-based research (PBR) framework – a performance research ‘laboratory’ – designed to evaluate the effects on diverse audience experiences of two ‘sense-specific manipulations’: eye masks and touch. Through a qualitative analysis of responses from seventy-four individual audience participants, this book offers insight into how these popular ‘immersing’ strategies might be experienced. What do these strategies achieve? How do audience participants make sense of them? Do audience responses align with artistic intentions? And how does the PBR framework designed to address these questions influence the outcomes? Through an analysis of three sets of one-to-one performance experiments generating comparative data about the experience of sense-specific manipulation, this book proposes the utility of merging methodologies in artistic research with empirical audience research in theatre and performance studies. This study offers a new perspective on the value of sensory-focused, immersive, one-to-one experience as a means of resensitizing audience participants through performance.