Theatre In A Media Culture

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Theatre in a Media Culture

Author : Amy Petersen Jensen
Publisher : McFarland
Page : 227 pages
File Size : 45,6 Mb
Release : 2014-11-04
Category : Performing Arts
ISBN : 9781476608914

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Theatre in a Media Culture by Amy Petersen Jensen Pdf

As the media have increasingly become the lens through which we see the world, media styles have shaped even the fine arts, and contemporary theatre is particularly indebted to mass media’s dramatic influence. In order to stay culturally and financially viable, theatre producers have associated theatrical productions and their promotion with film, television, and the Internet by adopting new theatrical practices that mirror the form and content of mass communication. This work demonstrates how mediatization, or the adoption of the semantics and the contexts of mass media, has changed the way American theatre is produced, performed, and perceived. Early chapters use works like Robert Wilson’s 3D digital opera Monsters of Grace and Thecla Schophorst’s digitally animated Bodymaps to demonstrate the shifting nature of live performance. Critical analysis of the interaction between the live performer and digital technology demonstrates that the use of media technology has challenged and changed traditional notions of dramatic performance. Subsequent discussion sustains the argument that theatre has reconfigured itself to access the economic and cultural power of the media. Final chapters consider the extent to which mediatization undermines theatrical authorship and creativity.

Theatre and Performance in Digital Culture

Author : Matthew Causey
Publisher : Routledge
Page : 252 pages
File Size : 43,8 Mb
Release : 2007-01-24
Category : Performing Arts
ISBN : 9781134205691

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Theatre and Performance in Digital Culture by Matthew Causey Pdf

Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems. The book examines the two Iraq wars, 9/11 and the War on Terror through the lens of performance studies, and, drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of the Kantor, Foreman, Socíetas Raffaello Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. This wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena.

Theatre, Social Media, and Meaning Making

Author : Bree Hadley
Publisher : Springer
Page : 256 pages
File Size : 53,5 Mb
Release : 2017-09-30
Category : Performing Arts
ISBN : 9783319548821

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Theatre, Social Media, and Meaning Making by Bree Hadley Pdf

This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a ‘game changer’ by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.

Theatre at the Crossroads of Culture

Author : Patrice Pavis
Publisher : Routledge
Page : 219 pages
File Size : 50,9 Mb
Release : 2003-09-02
Category : Art
ISBN : 9781134928101

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Theatre at the Crossroads of Culture by Patrice Pavis Pdf

Pavis analyses the political and aesthetic consequences of cultures meeting at the crossroads of theatre, looking at productions including Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust.

Theatre and the World

Author : Rustom Bharucha
Publisher : Routledge
Page : 469 pages
File Size : 47,6 Mb
Release : 2003-09-02
Category : Performing Arts
ISBN : 9781134873142

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Theatre and the World by Rustom Bharucha Pdf

In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.

Liveness

Author : Philip Auslander
Publisher : Routledge
Page : 223 pages
File Size : 46,7 Mb
Release : 2008-01-02
Category : Art
ISBN : 9781135977788

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Liveness by Philip Auslander Pdf

Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status of live performance in a culture dominated by mass media? Since its first appearance, Philip Auslander's ground-breaking book has helped to reconfigure a new area of study. Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live at all. In this new edition, the author thoroughly updates his provocative argument to take into account new digital and media technologies, and cultural, social and legal developments. In tackling some of the last great shibboleths surrounding the high cultural status of the live event, this book will continue to shape discussion and to provoke lively debate on a crucial artistic dilemma: what is live performance and what can it mean to us now?

The Show and the Gaze of Theatre

Author : Erika Fischer-Lichte,Jo Riley
Publisher : University of Iowa Press
Page : 428 pages
File Size : 47,8 Mb
Release : 1997
Category : Language Arts & Disciplines
ISBN : 1587290634

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The Show and the Gaze of Theatre by Erika Fischer-Lichte,Jo Riley Pdf

Theatre, in some respects, resembles a market. Stories, rituals, ideas, perceptive modes, conversations, rules, techniques, behavior patterns, actions, language, and objects constantly circulate back and forth between theatre and the other cultural institutions that make up everyday life in the twentieth century. These exchanges, which challenge the established concept of theatre in a way that demands to be understood, form the core of Erika Fischer-Lichte's dynamic book. Each eclectic essay investigates the boundaries that separate theatre from other cultural domains. Every encounter between theatre and other art forms and institutions renegotiates and redefines these boundaries as part of an ongoing process. Drawing on a wealth of fascinating examples, both historical and contemporary, Fischer-Lichte reveals new perspectives in theatre research from quite a number of different approaches. Energetically and excitingly, she theorizes history, theorizes and historicizes performance analysis, and historicizes theory.

Theatre, Communication, Critical Realism

Author : T. Nellhaus
Publisher : Springer
Page : 237 pages
File Size : 48,6 Mb
Release : 2010-06-21
Category : Performing Arts
ISBN : 9780230107953

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Theatre, Communication, Critical Realism by T. Nellhaus Pdf

From oral culture, through the advent of literacy, to the introduction of printing, to the development of electronic media, communication structures have radically altered culture in profound ways. As the first book to take a critical realist approach to culture, Theatre, Communication, Critical Realism examines theatre and its history through the interaction of society s structures, agents, and discourses. Tobin Nellhaus shows that communication structure - a culture s use and development of speech, handwriting, printing, and electronics - explains much about why, when, and how theatre has transformed.

Performing Television

Author : Elizabeth Klaver
Publisher : Popular Press
Page : 168 pages
File Size : 50,8 Mb
Release : 2000
Category : Drama
ISBN : UOM:39015050728339

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Performing Television by Elizabeth Klaver Pdf

"Klaver applies post-structuralist theories of subjectivity to drama while ranging through Beckett's plays, National Hockey League games, The Tonight Show, gay and lesbian drama, minority drama, avant-garde performance, and the topics of theatrical paranoia, the mediatized Imaginary, and the spectatorial gaze. By navigating the political minefield of television sex and violence, Klaver shows how drama can subvert those ideologies that would discipline the performance arts."--BOOK JACKET.

Popular Theatre in Political Culture

Author : Tim Prentki,Jan Selman
Publisher : Intellect Books
Page : 0 pages
File Size : 45,6 Mb
Release : 2003
Category : Popular culture
ISBN : 1841508470

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Popular Theatre in Political Culture by Tim Prentki,Jan Selman Pdf

The fragmentation of social groups in the face of the global mass media has begun to threaten the survival of popular theatre companies. This study traces the development of various types of community theatre in Britain and Canada, from the '70s to the present day. Attention is drawn to several key issues including: distinctions between popular and mainstream theatre; the Theatre in Education movement; influence of Theatre for Development from Africa and Asia; popular theatre as an art form, a process of self-empowerment and an instrument of cultural intervention. The book follows an innovative structure, integrating a comparative history of popular theatre with the contributions of current, active popular theatre makers. The co-authors, one British, one Canadian, shape their discourses around these contributions so that the the authentic voices are neither mediated nor distorted. The book is thus designed to appeal both to the theatrical practitioner and to the academic.

Upstaged

Author : Anne Nicholson Weber
Publisher : Routledge
Page : 189 pages
File Size : 53,7 Mb
Release : 2005-10-27
Category : Performing Arts
ISBN : 9781135470074

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Upstaged by Anne Nicholson Weber Pdf

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Media, Culture & Society

Author : Richard Collins
Publisher : SAGE Publications Limited
Page : 366 pages
File Size : 43,9 Mb
Release : 1986-09
Category : Language Arts & Disciplines
ISBN : UOM:39015066744338

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Media, Culture & Society by Richard Collins Pdf

Media, Culture & Society has pioneered a unique approach to media analysis. Since 1979, it has published some of the finest theoretical and historical work in communication and cultural studies from Britain and Europe. The articles in this reader are grouped in three parts, representing a selection of the best work. Each part is preceded by an introductory essay which helps students understand the issues presented, and places the theoretical contributions in context.

Authenticity and Legitimacy in Minority Theatre

Author : Patrice Brasseur,Madelena Gonzalez
Publisher : Cambridge Scholars Publishing
Page : 380 pages
File Size : 44,7 Mb
Release : 2010-04-16
Category : Performing Arts
ISBN : 9781443821841

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Authenticity and Legitimacy in Minority Theatre by Patrice Brasseur,Madelena Gonzalez Pdf

Contemporary theatre is one of the best ways for ethno-cultural minorities to express themselves, whether they be of indigenous origin or immigrants. It is often used to denounce social injustice and discrimination and, more generally, it helps to air questions debated in the wider community. It may also express itself thanks to the staging of collective memory, for it constitutes a privileged space for the exploration of the trauma of the past (colonial, for example), as well as providing a means of effecting the reconfiguration of a new identity, or of articulating an uneasiness about that identity. Should minority theatre increase its visibility in relation to the mainstream, or, on the contrary, remain on the margins and assert its specificity? This question is at the centre of French-Canadian experience, for example, but also applies to other postcolonial societies, in Europe and elsewhere. In order to maintain its cultural authenticity, should this type of theatre distinguish itself from a multiculturalism that runs the risk of political and social recuperation? If it is unable to resist the model proposed by globalization and widespread cultural dissemination, will it lose its legitimacy? Can, and should there be, a form of popular art at the service of the community? The term “minority” raises questions that will be examined by the articles collected in this volume. What is the definition of a minority? Does this term refer to experimental and avant-garde art forms as well as to ethno-cultural drama? Contemporary theatre is characterized by an aesthetics of hybridity—in what measure is this the case for theatre outside the mainstream? The exploration of this kind of theatre necessitates an examination of the very concept of theatre per se. Since the development of the electronic media as the privileged vector of culture, has not the theatrical genre itself become a minority art form? These are some of the pressing questions that this volume will try to address, thanks to a cross-cultural, multidisciplinary approach that aims to reveal the rich diversity of the field under study.

Cultural Protest in Journalism, Documentary Films and the Arts

Author : Daniel H. Mutibwa
Publisher : Routledge
Page : 216 pages
File Size : 40,5 Mb
Release : 2019-02-13
Category : Political Science
ISBN : 9781351374880

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Cultural Protest in Journalism, Documentary Films and the Arts by Daniel H. Mutibwa Pdf

Cultural Protest in Journalism, Documentary Films and the Arts: Between Protest and Professionalisation entails a comprehensive account of the history and trajectory of contemporary journalistic, (documentary) film, and arts and cultural actors rooted (partially or wholly) in radical, alternative, community, voluntary, participatory and independent movements primarily in Britain and Germany. It focuses particularly on the examination of production and organisational contexts of selected case studies, some of which date from the countercultural era. The book takes a transnational and interdisciplinary approach encompassing a range of theoretical perspectives – drawn from the political economy of communication tradition; alternative media scholarship; journalism studies; critical sociological and cultural studies of media industries; cultural industries research; and critical and social theory – in conjunction with extensive ethnographic fieldwork. It does so to reveal the obscure nature of media and cultural production and organisation at seventeen media and cultural actors based in Britain and Germany, including South Africa and Nigeria. A particular focus is placed on how such actors balance competing imperatives of a civic/socio-political, professional, artistic and commercial nature as well as various systemic pressures, and on how they navigate the resultant ambivalences, paradoxes and tensions in their day-to-day work. In essence, the book highlights key insights into a changing nature and quality of engagement with social and political realities in protest cultures.

Performing Asian Transnationalisms

Author : Amanda Rogers
Publisher : Routledge
Page : 389 pages
File Size : 53,9 Mb
Release : 2014-09-19
Category : Performing Arts
ISBN : 9781135010324

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Performing Asian Transnationalisms by Amanda Rogers Pdf

This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global — rather than simply national — cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways.