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There's a Train Out for Dreamland by Frederich H. Heider,Carl Kress Pdf
All aboard! Next stop: Dreamland Take a ride on a magical train that puffs around a candy mountain, travels on a peppermint rail, and is run by a chocolate brown bear. Along the way see a big white snowman, a house made of licorice, and even a giraffe with jelly bean spots. But did you know there's only one way to get to dreamland? Just close your eyes and climb aboard. The whimsical lyrics of "There's a Train Out for Dreamland," originally sung by Nat King Cole, combined with magical illustrations from mother-daughter duo Jane Dyer and Brooke Dyer, make a Christmas fantasy that captures every child's wildest dreams.
One of the most popular and memorable American musicians of the 20th century, Nat King Cole (1919-65) is remembered today as both a pianist and a singer, a feat rarely accomplished in the world of popular music. Now, in this complete life and times biography, author Will Friedwald offers a new take on this fascinating musician, framing him first as a bandleader and then as a star. In Cole's early phase, Friedwald explains, his primary task of keeping his trio going was just as much of a focus for him as his own playing and singing, always a collective or group performance. In the second act, Cole's collaborators were more likely to be arranger-conductors like Nelson Riddle and Gordon Jenkins, rather than his sidemen on bass and guitar. In the first act, his sidemen were equals, in the second phase, his collaborators were tasked exclusively with putting the focus on him, making him sound good, while being largely invisible themselves. Friedwald brings his full musical knowledge to bear in putting the man in the work, demonstrating how this duality appears over and over again in Cole's life and career: jazz vs. pop, solo vs. trio, piano vs. voice, wife number one (Nadine) vs. wife number two (Maria), the good songs vs. the less-than-good songs, the rhythm numbers vs. the ballads, the funny songs and novelties vs. the "serious" songs of love and loss, Cole as an advocate for the Great American Songbook vs. Cole the intrepid explorer of other options: world music, rhythm & blues, country & western. Cole was different from his contemporaries in other ways; for roughly ten years after the war, the majority of hitmakers on the pop charts were veterans of the big band experience, from Sinatra on down.
Thirty years of collecting and 15 years of research have resulted in this discography that features all known recordings, transcriptions, and films made by Cole until 1950, when his jazz style faded away, and a selection of his later jazz-related trio sides. It includes for the first time Cole's unknown 16 transcriptions of his Wild Root broadcasts. This volume documents the development of a gifted pianist into a ballad-singing star and leader of the most famous jazz trio of the 1940s. All routes and recording activities by Cole and his fellow musicians from 1936 to the 1950s are chronicled here. Nat King Cole is widely known as a singer of unforgettable fame, but that he was a true King of Jazz Piano in its heyday and the inventor of today's piano trios is almost forgotten. This discography gives all details of the King Cole Trio's activities, listing recording sessions, available broadcasts on discs, film soundtracks, and guest appearances by the trio or by Cole alone, on such shows as Jubilee, Command Performance, Supper Club, Mail Call, and Kraft Music Hall. A special listing is included of those occasions when Cole participated as unknown or unnamed pianist on radio transcriptions for singers like Anita Boyer, Anita O'Day, The Dreamers, The Barrie Sisters, Bonnie Lake, Rose Murphy, Maxine Johnson, and Juanelda Carter. In addition, the book includes the Cole Trio's engagement routes with exact dates if known, names of promoters, and much more. The biographical portion is a fascinating period piece of Jazz-age memorabilia.
Designed to promote literacy in young children and to empower parents, educators, and librarians, this guide is filled with simple strategies, creative activities, and detailed instructions that help make reading fun. Encouraging a love of reading in young children can be a source of both great frustration and immense joy. This handy resource provides essential tips, techniques, and strategies for making early literacy development fun and inspiring a lifelong love of reading. Read, Rhyme, and Romp: Early Literacy Skills and Activities for Librarians, Teachers, and Parents explores the six basic pre-literacy skills that experts agree are necessary for a young child to be ready to learn to read. Special sections within each chapter are dedicated to the specific needs of preschool teachers, parents, and librarians, making the content relevant to different settings. Recommended book lists, personal anecdotes, and literacy-rich activities combine to create an effective and accessible plan for implementing an early literacy program.
A chronicle of confectionaries throughout the centuries—from honeycombs to Haribo. “There is much to get your teeth into within these pages.” —Best of British Magazine We all remember sweets—objects of pure delight and the endless cause of squabbles, fights even, hoarding and swapping; a chance to gorge, suck, crunch, and chew. But they’re by no means just a nostalgic thing of days past, and it’s not only children who love and devour sweets—gobstoppers, bulls eyes, licorice, seaside rock, bubble gum, and the like; grown-ups of all ages are partial to a good humbug, or a lemon sherbet or two—in the car, (annoyingly) at the cinema or while out walking—wherever and whenever, the sweet is there, the sweet delivers and the sweet rarely disappoints. Sweets then are ubiquitous and enduring; they cross age, culture, and gender boundaries and they have been around, it seems, forever. This book tells the story of sweets from their primitive beginnings to their place today as a billion-pound commodity with its sophisticated, seductive packaging and sales, advertising and marketing. It explores the people’s favorites, past and present; but there is also a dark side to sweets—and this book does not shy away from the deleterious effect on health as manifested in obesity, tooth decay, and diabetes. It delves into sweet and candy shops in supermarkets and markets, retro sweet shops, fudge makers, vintage sweets online, sweet manufacturing, chocolate, the grey line between sweets and “medicines” ancient and modern. It goes round the world unwrapping sweets from different countries and cultures and it examines how immigrants from all nations have changed our own sweet world.
Ada-Emilia Valmori was my daughter who died through negligence on the eleventh of June 2011. I stood in the shadow of her life; watched my daughter as she faded away within three weeks. They who controlled the winds, are the ghost makers! He who threw tissue at the deceased, row the boats; They captained the planes of death! Ada-Emilia's blood is a stain all over their palms! they can try and wash their hands thousands of times daily, their hands would never be cleaned! my voice may not be as loud as thunder's storms; nor as oceans waves; but no matter how much, they will try to thwart; the voice of my silenced through me would be heard
NATIONAL BESTSELLER • A haunting fable about identity and the illusory innocence of childhood that moves from small-town America deep into the forest of humankind's most basic desires and fears. • "Utterly absorbing ... a luminous and thrilling novel about our humanity." —The Washington Post “I am a changeling—a word that describes within its own name what we are bound and intended to do. We kidnap a human child and replace him or her with one of our own....” The double story of Henry Day begins in 1949, when he is kidnapped at age seven by a band of wild childlike beings who live in an ancient, secret community in the forest. The changelings rename their captive Aniday and he becomes, like them, unaging and stuck in time. They leave one of their own to take his place, an imposter who must try–with varying success–to hide his true identity from the Day family. As the changeling Henry grows up, he is haunted by glimpses of his lost double and by vague memories of his own childhood a century earlier. Narrated in turns by Henry and Aniday, The Stolen Child follows them as their lives converge, driven by their obsessive search for who they were before they changed places in the world.
Thirty years of collecting and 15 years of research have resulted in this discography that features all known recordings, transcriptions, and films made by Cole until 1950, when his jazz style faded away, and a selection of his later jazz-related trio sides. It includes for the first time Cole's unknown 16 transcriptions of his Wild Root broadcasts. This volume documents the development of a gifted pianist into a ballad-singing star and leader of the most famous jazz trio of the 1940s. All routes and recording activities by Cole and his fellow musicians from 1936 to the 1950s are chronicled here. Nat King Cole is widely known as a singer of unforgettable fame, but that he was a true King of Jazz Piano in its heyday and the inventor of today's piano trios is almost forgotten. This discography gives all details of the King Cole Trio's activities, listing recording sessions, available broadcasts on discs, film soundtracks, and guest appearances by the trio or by Cole alone, on such shows as Jubilee, Command Performance, Supper Club, Mail Call, and Kraft Music Hall. A special listing is included of those occasions when Cole participated as unknown or unnamed pianist on radio transcriptions for singers like Anita Boyer, Anita O'Day, The Dreamers, The Barrie Sisters, Bonnie Lake, Rose Murphy, Maxine Johnson, and Juanelda Carter. In addition, the book includes the Cole Trio's engagement routes with exact dates if known, names of promoters, and much more. The biographical portion is a fascinating period piece of Jazz-age memorabilia.