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“There She Is, Miss America” by E. Watson,Darcy Martin Pdf
While some see the Miss American Pageant as hokey vestige of another era, many remain enthralled by the annual Atlantic City event. And whether you love it or hate it, no one can deny the impact the contest has had on American popular culture-indeed, many reality television shows seem to have taken cues from the pageant. Founded in 1921, the Miss America Pageant has provided a fascinating glimpse into how American standards of femininity have been defined, projected, maintained, and challenged. At various times, it has been praised as a positive role model for young American women, protested as degrading to women by feminists, and shamed by scandals, such as the one caused by the Penthouse photos of Vanessa Williams in 1984. In this first interdisciplinary anthology to examine this uniquely American event, scholars defend, critique, and reflect on the pageant, grappling with themes like beauty, race, the body, identity, kitsch, and consumerism. "There She Is, Miss America" provides a fascinating examination of an enduring American icon.
A Washington Post style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary. The sash. The tears. The glittering crown. And of course, that soaring song. For all its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve. For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution. There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism. For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.
Winner of the Popular Culture Association’s Emily Toth Best Book in Women’s Studies Award From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, now in its one hundredth year, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.
A Washington Post style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary. The sash. The tears. The glittering crown. And of course, that soaring song. For all its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century. From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve. For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution. There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism. For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.
A fresh exploration of American feminist history told through the lens of the beauty pageant world. Many predicted that pageants would disappear by the 21st century. Yet they are thriving. America’s most enduring contest, Miss America, celebrates its 100th anniversary in 2020. Why do they persist? In Here She Is, Hilary Levey Friedman reveals the surprising ways pageants have been an empowering feminist tradition. She traces the role of pageants in many of the feminist movement’s signature achievements, including bringing women into the public sphere, helping them become leaders in business and politics, providing increased educational opportunities, and giving them a voice in the age of #MeToo. Using her unique perspective as a NOW state president, daughter to Miss America 1970, sometimes pageant judge, and scholar, Friedman explores how pageants became so deeply embedded in American life from their origins as a P.T. Barnum spectacle at the birth of the suffrage movement, through Miss Universe’s bathing beauties to the talent- and achievement-based competitions of today. She looks at how pageantry has morphed into culture everywhere from The Bachelor and RuPaul’s Drag Race to cheer and specialized contests like those for children, Indigenous women, and contestants with disabilities. Friedman also acknowledges the damaging and unrealistic expectations pageants place on women in society and discusses the controversies, including Miss America’s ableist and racist history, Trump’s ownership of the Miss Universe Organization, and the death of child pageant-winner JonBenét Ramsey. Presenting a more complex narrative than what’s been previously portrayed, Here She Is shows that as American women continue to evolve, so too will beauty pageants.
Now with more than forty pictures of naked breasts, Howard Stern's Miss America offers remarkable revelations about: Howard's secret meeting with Michael Jackson! The Stern family pact with Adolf Hitler! Howard's never-before-revealed mental illness! With chapters on Howard's ongoing battle with the FCC and his legendary campaign for governor of the state of New York, Miss America covers some of the greatest news stories of recent history—from the Atlantic City penis sandwich to an exclusive with Jackie O's embalming-fluid delivery boy and of course, Philadelphia's own fecal-obsessed Uncle Ed.
Won the prestigious Writer's Digest award. 1,900 books entered the national competition, Miss America by Day won first place in the "Most Inspirational Book" category. In this award winning book, former Miss America, Marilyn Van Derbur, describes, in detail, her healing process after 13 years of incest. "I wrote the book, not because I want someone to learn more about me but so readers can learn more about themselves. And so that loved ones can better understand the brutal recovery process and never again say, "just get over it." The pain ends, I promise . . . IF you do the 'work' of healing. A loving, long-term relationship and grounded well, adjusted children await you. A judge for the Writers Digest book competition wrote: "Seldom as a judge have I wanted to read the entire book but I devoured every word of this riveting story... Told with stark honesty and vivid details that were so important in ridding herself of the pain, torment and shame..." Anyone who knew Marilyn Van Derbur as a child and young adult believed she had it all -- a loving family, a beautiful home, an active social life. But beneath the surface, Van Derbur was a troubled young woman who lived through horrific panic attacks and excruciating physical pain every day of her adult life. Starting when she was just a child of five, she was sexually abused by her father until she turned 18. Van Derbur uses the term "incested," eschewing the more vanilla terms of "molestation" or "abuse." As a student and young adult, Van Derbur was an overachiever with an unconscious need to stay very busy. She realizes now this was a coping mechanism to keep her two worlds separated-the "night child" who suffered at the hands of her father and the "day child" who was happy and outgoing. After being named valedictorian of her high school class, she went on to college. Persuaded to enter a local beauty pageant, she ultimately was crowned Miss America. Ignoring the sheer terror she felt at the prospect of speaking in front of others, Van Derbur went on to become a highly successful motivational speaker. She writes of her endless need to be respected by others, all the while believing that if others really knew who she was, they would hate her and look at her with disdain and disgust. The perfectly poised mask she showed the outside world was a far cry from the tortured, panic-stricken, anxious woman within. The shame she felt within was a constant in her life, reminding her that she was "unworthy." When a newspaper reporter learned of her story, Van Derbur's private shame became front-page news. Then she landed on the cover of People magazine. Soon incest survivors from around the country were reaching out to her, desperate to tell someone what had happened to them. It became instantly clear that her new role in life was to help others who had suffered incest and to help teach everyone how to make sure their children are safe from predators.
From a double-wide trailer on a farm in Georgia to the 2016 Miss America pageant, Betty Cantrell was not a likely contender for the crown. She won by being herself—mistakes and all. Miss Unlikely takes you through Betty’s unconventional childhood, the surprising pageant journey, an incredible year as Miss America, a fairytale wedding, and everything in between. She offers wisdom on school, boys, self-esteem, choices, disappointments, insecurities, mentors, cyberbullies, and more. Behind-the-scenes moments and previously untold stories show how her faith and family ultimately carried her through difficult times. Betty’s personal and sincere account will remind you the only way to get where you want to go is through God’s unique plan. Find confidence in being you, and turn your dreams into reality.
You Can't Make This Up by Al Michaels,L. Jon Wertheim Pdf
In this highly entertaining and insightful memoir, one of television’s most respected broadcasters interweaves the story of his life and career with lively firsthand tales of some of the most thrilling events and fascinating figures in modern sports. No sportscaster has covered more major sporting events than Al Michaels. Over the course of his forty-plus year career, he has logged more hours on live network television than any other broadcaster in history, and is the only play-by-play commentator to have covered all four major sports championships: the Super Bowl, World Series, NBA Finals, and the Stanley Cup Final. He has also witnessed first-hand some of the most memorable events in modern sports, and in this highly personal and revealing account, brings them vividly to life. Michaels shares never-before-told stories from his early years and his rise to the top, covering some of the greatest moments of the past half century—from the “Miracle on Ice”—the historic 1980 Olympic hockey finals—to the earthquake that rocked the 1989 World Series. Some of the greatest names on and off the field are here—Michael Jordan, Bill Walton, Pete Rose, Bill Walsh, Peyton and Eli Manning, Brett Favre, John Madden, Howard Cosell, Cris Collinsworth, and many, many more. Forthright and down-to-earth, Michaels tells the truth as he sees it, giving readers unique insight into the high drama, the colorful players, and the heroes and occasional villains of an industry that has become a vital part of modern culture.
INSTANT NEW YORK TIMES BESTSELLER The View cohost and three-time Emmy Award winner Sunny Hostin spirits readers away to the warm beaches of Sag Harbor in this instant New York Times bestseller, the second novel in her acclaimed Summer series. In a hidden enclave in Sag Harbor, affectionately known as SANS—Sag Harbor Hills, Azurest, and Nineveh—there’s a close-knit community of African American elites who escape the city and enjoy the beautiful warm weather and beaches at their vacation homes. Since the 1930s, very few have known about this Historically Black Beachfront Community in this part of the Hamptons on Long Island, and the residents like it that way. That is, until real estate developers discover the hidden gem. And now, the residents must fight for the soul of this HBBC. Against the odds, Olivia Jones has blazed her own enviable career path and built her name in the finance world. But hidden behind the veneer of her success, there is a gaping hole. Mourning both the loss and the betrayal of Omar, a surrogate father to her and her two godsisters, Olivia is driven to solve the mystery of what happened to her biological father, a police officer unjustly killed when she was a little girl. Untethered from her life in New York City, Olivia moves to a summer home in Sag Harbor and begins forging a new community out in this HBBC. Friendships blossom with Kara, an ambitious art curator; and Whitney, the wife of an ex-basketball player and current president of the Sag Harbor Homeowners Association; and a sexy new neighbor and single father, Garrett, who makes her reconsider her engagement with Anderson. She also takes to a kind, older gentleman named Mr. Whittingham, but soon discovers he too is not without his own troubles. As the summer stretches on, each relationship teaches her more about who she really is. Though not without cost, Olivia’s search for her authentic identity in the secret history of her family of origin and her fight to preserve her new Black utopia, will lead her to redefine the meaning of love, friendship, community, and family—and restore her faith in herself, her relationships, and her chosen path.
First time in paperback, this unique biography and cultural history is based on History extensive research and interviews with more than one hundred witnesses from the period. Acclaimed novelist and playwright Susan Dworkin skillfully interweaves the absorbing first-person account of how Bess Myerson became the country’s first, and still only, Jewish Miss America in the same year that World War II ended, with a fresh portrait of what life was like for women and Jews in America in the 1930s and ’40s. Her tale of one girl’s coming of age in prefeminist America is “poignant and appealing . . . as much a cameo of an era as a work of biography.” —ALA Booklist
"Walking a magic tightrope that never topples him into either derision or credulousness, Frank Deford traces the Miss America contest from its beginnings a half-century ago to the present-from Margaret Gorman in 1921, just turned sixteen and measuring 30-25-32, to Phyllis George, Miss America 1971, 36-24-36." -- dust jacket.