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Wessex did not spring full-born from Hardy's imagination when he began to write. The first part of the book reveals in detail how Wessex became what it is, geographically, socially and culturally, beginning with his fist poem in the 1860s and ending with Winter Words, his last collection of verse. The second (briefer) part is an account of the impact of Hardy's vision of Wessex on twentieth-century English culture, offering an explanation for Hardy's endurance as a popular novelist.
Wessex Tales includes the stories An Imaginative Woman, The Three Strangers, The Withered Arm, Fellow-Townsmen, Interlopers at the Knap, and The Distracted Preacher. Based on fact, the narratives describe the life, culture, and ways of the inhabitants of Wessex....
CHAPTER I The person who, next to the actors themselves, chanced to know most of their story, lived just below ‘Top o’ Town’ (as the spot was called) in an old substantially-built house, distinguished among its neighbours by having an oriel window on the first floor, whence could be obtained a raking view of the High Street, west and east, the former including Laura’s dwelling, the end of the Town Avenue hard by (in which were played the odd pranks hereafter to be mentioned), the Port-Bredy road rising westwards, and the turning that led to the cavalry barracks where the Captain was quartered. Looking eastward down the town from the same favoured gazebo, the long perspective of houses declined and dwindled till they merged in the highway across the moor. The white riband of road disappeared over Grey’s Bridge a quarter of a mile off, to plunge into innumerable rustic windings, shy shades, and solitary undulations up hill and down dale for one hundred and twenty miles till it exhibited itself at Hyde Park Corner as a smooth bland surface in touch with a busy and fashionable world. To the barracks aforesaid had recently arrived the ---th Hussars, a regiment new to the locality. Almost before any acquaintance with its members had been made by the townspeople, a report spread that they were a ‘crack’ body of men, and had brought a splendid band. For some reason or other the town had not been used as the headquarters of cavalry for many years, the various troops stationed there having consisted of casual detachments only; so that it was with a sense of honour that everybody—even the small furniture-broker from whom the married troopers hired tables and chairs—received the news of their crack quality.
The Cambridge Companion to Thomas Hardy by Dale Kramer Pdf
Thomas Hardy's fiction has had a remarkably strong appeal for general readers for decades, and his poetry has been acclaimed as among the most influential of the twentieth century. His work still creates passionate advocacy and opposition. The Cambridge Companion to Thomas Hardy is an essential introduction to this most enigmatic of writers. These commissioned essays from an international team of contributors comprises a general overview of all Hardy' s work and specific demonstrations of Hardy's ideas and literary skills. Individual essays explore Hardy's biography, aesthetics, his famous attachment to Wessex, and the impact on his work of developments in science, religion and philosophy in the late nineteenth century. Hardy's writing is also analysed against developments in contemporary critical theory and issues such as sexuality and gender. The volume also contains a detailed chronology of Hardy's life and publications, and a guide to further reading.
Because Thomas Hardy’s poetry and fiction are so closely associated with Wessex, it is easy to forget that he was, in his own words, half a Londoner, moving between country and capital throughout his life. This self-division, Mark Ford says, can be traced not only in works explicitly set in London but in his most regionally circumscribed novels.
Thomas Hardy's architectural career is not considered a success. Seen usually as a mere prelude to his literary output, it is most often summed up by reference to the 'shockingly' suburban home he built himself at Max Gate. But in this new work, Professor Kester Rattenbury argues the opposite: that far from being incidental, Hardy's architectural thinking is integral to a full understanding of his life's work. This is the first time Hardy's life and legacy have been studied by a fellow architectural writer and critic. Reconstructed from the wealth of little-known drawings, photographs, experimental illustrations and modest built work he produced or oversaw, and an architecturally-biased re-reading of his novels, this book sets out a startling new vision of Thomas Hardy's work, and how it has shaped England in fact and fiction. The Wessex Project exposes the architectural thinking and invention underlying Hardy's novels. It shows how his famous imaginary realm Wessex can be seen as a forerunner of the experimental architectural projects of our own times - in which architects weave together design, description, polemic, and images of both real and imagined spaces, to form highly developed and challenging unbuilt projects, published in books designed to change the way we see the world. The book makes a compelling case for listing Hardy among the greatest of all conceptual architects, as well as recognising him as one of the most influential and active conservationists and architectural critics of all time. This radical new perspective gives Hardy's many readers a chance, at last, to see Wessex as the author himself constructed it: through architectural eyes.
Wessex Poems and Other Verses By Thomas Hardy, 1898 ted at that time that they might see the light. Whenever an ancient and legitimate word of the district, for which there was no equivalent in received English, suggested itself as the most natural, nearest, and often only expression of a thought, it has been made use of, on what seemed good grounds. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The person who, next to the actors themselves, chanced to know most of their story, lived just below 'Top o' Town' (as the spot was called) in an old substantially-built house, distinguished among its neighbours by having an oriel window on the first floor, whence could be obtained a raking view of the High Street, west and east, the former including Laura's dwelling, the end of the Town Avenue hard by (in which were played the odd pranks hereafter to be mentioned), the Port-Bredy road rising westwards, and the turning that led to the cavalry barracks where the Captain was quartered. Looking eastward down the town from the same favoured gazebo, the long perspective of houses declined and dwindled till they merged in the highway across the moor. The white riband of road disappeared over Grey's Bridge a quarter of a mile off, to plunge into innumerable rustic windings, shy shades, and solitary undulations up hill and down dale for one hundred and twenty miles till it exhibited itself at Hyde Park Corner as a smooth bland surface in touch with a busy and fashionable world.
