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Those Crazy Memphis Blues by Charles Robert Thomas Pdf
Those Crazy Memphis Blues is a coming of age story overflowing with humor. Searching for excitement while armed with little more than false hope, poor judgment, eternal optimism and a bicycle, Matt Dwyer gets more than he bargained for when he moves to Memphis, Tennessee. Immersed in the theatre world of 1980’s Memphis, our hero finds himself the victim of an endless series of hysterically bizarre situations triggered by whacky neighbors, psychotic girlfriends, a profanity spewing boss, and an alcoholic roommate. Attempting to maintain his sanity amidst an unrelenting onslaught of implausible circumstances and eccentric characters is more than enough to give Matt Dwyer a severe case of Those Crazy Memphis Blues.
The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
Author : Peter C. Muir Publisher : University of Illinois Press Page : 282 pages File Size : 43,6 Mb Release : 2024-03-18 Category : Music ISBN : 9780252056048
Mamie Smith's 1920 recording of ""Crazy Blues"" is commonly thought to signify the beginning of commercial attention to blues music and culture, but by that year more than 450 other blues titles had already appeared in sheet music and on recordings. In this examination of early popular blues, Peter C. Muir traces the genre's early history and the highly creative interplay between folk and popular forms, focusing especially on the roles W. C. Handy played in both blues music and the music business. Long Lost Blues exposes for the first time the full scope and importance of early popular blues to mainstream American culture in the early twentieth century. Closely analyzing sheet music and other print sources that have previously gone unexamined, Muir revises our understanding of the evolution and sociology of blues at its inception.
Music around the World [3 volumes] by Andrew R. Martin,Matthew Mihalka Ph.D. Pdf
With entries on topics ranging from non-Western instruments to distinctive rhythms of music from various countries, this one-stop resource on global music also promotes appreciation of other countries and cultural groups. A perfect resource for students and music enthusiasts alike, this expansive three-volume set provides readers with multidisciplinary perspectives on the music of countries and ethnic groups from around the globe. Students will find Music around the World: A Global Encyclopedia accessible and useful in their research, not only for music history and music appreciation classes but also for geography, social studies, language studies, and anthropology. Additionally, general readers will find the books appealing and an invaluable general reference on world music. The volumes cover all world regions, including the Americas, Europe, Africa and the Middle East, and Asia and the Pacific, promoting a geographic understanding and appreciation of global music. Entries are arranged alphabetically. A preface explains the scope of the set as well as how to use the encyclopedia, followed by a brief history of traditional music and important current influences of music in each particular world region.
Encyclopedia of Great Popular Song Recordings by Steve Sullivan Pdf
The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the full range of popular music recordings with virtually unprecedented breadth and depth. In this 2-volume encyclopedia, Sullivan explores approximately 1,000 song recordings from 1889 to the present, telling the stories behind the songs, recordings, performers, and songwriters. From the Victorian parlor ballad and ragtime hit at the end of the 19th century to today’s rock classics, the Encyclopedia progresses through a parade popular music styles, from jazz to blues to country Western, as well as the important but too often neglected genres of ethnic and world music, gospel, and traditional folk. This book is the ideal research tool for lovers of popular music in all its glorious variety.
All That I Am with Thoughts and Dreams by Tanya Lynn Walker Pdf
In understanding who I am and the journey it took to get me from one point in my life to another, I have written this book of poetry as the link to a creative process of true and honest emotions. I am the force behind my own energy and fate. Through purpose and passion it is with joy and happiness I share my unshakeable truths. My world revolves around interpretations of rhythm and rhyme. While some may view these poems as thought-provoking, they are merely words of beauty and power that surround me in my space and time. The passion and light reflected in this book are responses to inspirations, tragedies, love, and faith, a way that helps me to connect with the modern reader. They are words that I have spoken and thought of in my mind and heart. Poetry is love in any language and because I am in love with life, I have written these love songs to those that have achieved something greater than the power of words. Poetry is wisdom and the humility that comes from wisdom. All the knowledge that I have gained from wisdom comes from heaven. I am but a lonely dreamer.
The Invention and Reinvention of Big Bill Broonzy by Kevin D. Greene Pdf
Over the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century. Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.
The blues was born in the Mississippi Delta, and since that fateful night in 1903 when W. C. Handy heard the mournful sound of a pocketknife sliding over the strings of an acoustic guitar and the plaintive song of a long-forgotten musician in the hot night of Tutwiler, Mississippi, the blues has been on a journey around the world. From the cotton fields and juke joints of the Delta, up Highway 61 to Memphis's Beale Street, St. Louis, the Southside of Chicago, England, and points beyond, the blues is America's unique form of music. Blues is incisive in its honesty, elemental in its rhythm, and powerful in its almost visceral sensation. Nearly every style of popular music has its roots in the blues. Muddy Waters said it best: "The blues had a baby, and they called it rock and roll." Memphis has become the heart of the blues world, with a re-born Beale Street acting as its spiritual center. People come from the world over to experience its beat, savor its emotion, and feel its power. In the end . . . "it ain't nothin' but the blues."
"Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher.
A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars.
This collection of over fifty years of writing about the South and its music by Stanley Booth, one of the undisputedly great chroniclers of the subject, is a classic, essential read. Booth's close contacts with many of the musicians he writes about provide a gateway to truly understanding the music and culture of Memphis and other blues strongholds in the South. Subjects include Elvis Presley, Otis Redding, William Eggleston, Ma Rainey, Blind Willie McTell, Graceland, Beale Street and much more.
Soul Trains shows how the interaction of social classes and ethnic communities, and the growth of a music industry, created new music in the United States and Britain. A central question addressed is how popular perceptions of " authentic" musical expression are influenced by attempts to control or modify musical taste. The dynamic of musical innovation in capitalist society emerges from a process conditioned by historical events, language, and cultural traditions acting variously as forces for rebellion, resistance or reaction. This book avoids abstract language or jargon. It shows how popular musical culture cannot be understood apart from economic change and the evolution of social relationships. An excellent initiation to the history of popular music, it is especially recommended to the general reader and for use as an introductory text in the study of cultural and social change. A " people's history, " Soul Trains combines major contributions to scholarship in a singleparnorama of musical evolution related to the struggles of ordinary people.
Author : John E. Kleber Publisher : University Press of Kentucky Page : 1024 pages File Size : 53,7 Mb Release : 2014-07-11 Category : History ISBN : 9780813149745
The Encyclopedia of Louisville by John E. Kleber Pdf
With more than 1,800 entries, The Encyclopedia of Louisville is the ultimate reference for Kentucky's largest city. For more than 125 years, the world's attention has turned to Louisville for the annual running of the Kentucky Derby on the first Saturday in May. Louisville Slugger bats still reign supreme in major league baseball. The city was also the birthplace of the famed Hot Brown and Benedictine spread, and the cheeseburger made its debut at Kaelin's Restaurant on Newburg Road in 1934. The "Happy Birthday" had its origins in the Louisville kindergarten class of sisters Mildred Jane Hill and Patty Smith Hill. Named for King Louis XVI of France in appreciation for his assistance during the Revolutionary War, Louisville was founded by George Rogers Clark in 1778. The city has been home to a number of men and women who changed the face of American history. President Zachary Taylor was reared in surrounding Jefferson County, and two U.S. Supreme Court Justices were from the city proper. Second Lt. F. Scott Fitzgerald, stationed at Camp Zachary Taylor during World War I, frequented the bar in the famous Seelbach Hotel, immortalized in The Great Gatsby. Muhammad Ali was born in Louisville and won six Golden Gloves tournaments in Kentucky.