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Author : Nicholas Udall
Publisher : D. S. Brewer
Page : 258 pages
File Size : 41,7 Mb
Release : 1982
Category : Drama
ISBN : STANFORD:36105039360149
Author : Edward Burns
Publisher : Springer
Page : 247 pages
File Size : 51,5 Mb
Release : 1989-06-18
Category : Performing Arts
ISBN : 9781349095940
An analysis of acting and characterization on stage, covering theories of character from Aristotle to Brecht and approaches from formalism to post structuralism. The Early Theatre Group have, over the last 5 years, used an experimental approach to performing some of the plays written about here.
Author : Tison Pugh
Publisher : University of Toronto Press
Page : 252 pages
File Size : 47,6 Mb
Release : 2021-02-01
Category : Drama
ISBN : 9781487538873
Often viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge. Early plays faced vexing challenges in depicting sexuality, but modes of queerness, including queer scopophilia, queer dialogue, queer characters, and queer performances, fractured prevailing restraints. Many of these plays were produced within male homosocial environments, and thus homosociality served as a narrative precondition of their storylines. Building from these foundations, On the Queerness of Early English Drama investigates occluded depictions of sexuality in late medieval and early Tudor dramas. Tison Pugh explores a range of topics, including the unstable genders of the York Corpus Christi Plays, the morally instructive humour of excremental allegory in Mankind, the confused relationship of sodomy and chastity in John Bale’s historical interludes, and the camp artifice and queer carnival of Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh concludes with Terrence McNally’s Corpus Christi, pondering the afterlife of medieval drama and its continued utility in probing cultural constructions of gender and sexuality
Author : Darryll Grantley
Publisher : Cambridge University Press
Page : 445 pages
File Size : 45,9 Mb
Release : 2004-04-05
Category : Literary Criticism
ISBN : 9781139451703
Darryll Grantley has created a comprehensive guide to the interlude: the extant non-cycle drama in English from the late fourteenth century up to the period in which the London commercial theatre began. As precursors of seventeenth-century drama, not only do these interludes shed important light on the technical and literary development of Shakespearean theatre, but many are also works of considerable theatrical or cultural interest in themselves. This accessible reference guide provides an entry for each of the extant interludes and fragments (c.100) typically containing an account of early editions or manuscripts; authorship and sources; modern editions; plot summary and dramatis personae; list of social issues present in the plays; verbal and dramaturgical features; songs and music; allusions and place names; stage directions and comments on staging; and modern productions, among other valuable and informative details. There are full bibliographies, indexes of characters and songs, and appendices.
Author : John Heywood,Richard Axton
Publisher : Boydell & Brewer Ltd
Page : 368 pages
File Size : 53,8 Mb
Release : 1991
Category : Drama
ISBN : 0859913198
The series is performing an important service by providing fully annotated editions of Tudor humanists and playwrights in the original Tudor English, with glossaries and listing of textual variants and doubtful readings. COMPARATIVE DRAMA `A first-rate edition that substantially advances the cause of scholarship.' COMPARATIVE DRAMA First complete and fully annotated collection of John Heywood's plays in the original language. It makes possible a reevaluation ofhis remarkable achievement as actor-playwright and an appreciation of his lively contribution to the English language. In all their experimental variety the comedies are seen to have the stamp of an idiosyncratic, theatricalintelligence coupled with a surprising seriousness and Heywood emerges as a resourceful apologist for traditional Catholic doctrine in a time of Reformation. In arguing for a new chronology, the editors suggest that Henry VIII'sservant and entertainer was capable of refreshing irreverence and political daring. Contents: Witty and Witles, Johan Johan, The Pardoner and theFrere, The Foure PP, A Play of Love, The Play of the Wether. Notes.Appendices: Verses from a lost Play of Reason, Translation of . RICHARD AXTON is a Fellow of Christ's College, Cambridge, and University lecturer in English. PETER HAPPÉis the former Principal of Barton PeverilSixth-Form College.
Author : T.F. Earle
Publisher : Routledge
Page : 341 pages
File Size : 41,6 Mb
Release : 2017-07-05
Category : Foreign Language Study
ISBN : 9781351541152
The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.
Author : Allyna E. Ward
Publisher : Fairleigh Dickinson
Page : 207 pages
File Size : 52,9 Mb
Release : 2013-03-22
Category : Literary Criticism
ISBN : 9781611476026
The role of women as writers, literary and dramatic characters, and real queens in early modern Europe was central to the development of Tudor ideas about gender and women’s place in society. Women and Tudor Tragedy investigates the link between gender and genre, identifying the relation between cultural history and mid-Tudor drama. This book establishes a way for reading women in early modern history, drama, and poetry by fusing discussions of gender in literature with historical analysis of tyranny and martyrdom in mid-Tudor culture. It considers the disparities between the representation of women in historical, political, and religious treatises by examining the complex portrayal of women, female speeches, and the rhetoric of good counsel. The author provides a discussion of the role of women in early English tragedies and in a variety of texts by women. Throughout the book, Allyna E. Ward asks in what ways these different ways of writing the Tudor women can help scholars better understand the place of women in English culture at the end of the sixteenth century. Furthermore, Ward traces the feminization of the rhetoric of counsel that takes place with the last Tudor monarchs as a way of accommodating female rule.
Author : Robert Hornback
Publisher : DS Brewer
Page : 260 pages
File Size : 40,6 Mb
Release : 2013
Category : Drama
ISBN : 9781843843566
From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in King Lear, drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University.
Author : Peter Kanelos,Matt Kozusko
Publisher : Susquehanna University Press
Page : 271 pages
File Size : 40,6 Mb
Release : 2010
Category : Literary Criticism
ISBN : 9781575911267
critical issues of early modern performance in fresh and vital ways. --
Author : Helen Cooper
Publisher : Bloomsbury Publishing
Page : 287 pages
File Size : 43,9 Mb
Release : 2014-09-26
Category : Literary Criticism
ISBN : 9781408138984
Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance.
Author : Denise L. Montgomery
Publisher : Scarecrow Press
Page : 834 pages
File Size : 49,5 Mb
Release : 2011-08-11
Category : Performing Arts
ISBN : 9780810877214
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Author : Jan Bloemendal,Howard Norland
Publisher : BRILL
Page : 808 pages
File Size : 43,8 Mb
Release : 2013-09-19
Category : History
ISBN : 9789004257467
From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
Author : Kent Cartwright
Publisher : Cambridge University Press
Page : 333 pages
File Size : 50,9 Mb
Release : 1999-09-09
Category : Literary Criticism
ISBN : 9781139425995
English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century.
Author : Richard C. McCoy
Publisher : Oxford University Press
Page : 213 pages
File Size : 49,9 Mb
Release : 2015
Category : Drama
ISBN : 9780190218652
Speculation about Shakespeare's own religious beliefs and responses to the Reformation have dominated discussions of faith in the playwright's work for decades. As a result, we often lose sight of what's truly important-the plays themselves. By focusing on those plays in several succinct, fluently written chapters, Richard McCoy reminds us of the spell-binding power inherent in works like Othello, As You Like It, and The Winter's Tale and shows why they continue to cause audiences to gladly exercise what Samuel Taylor Coleridge called the "willing suspension of disbelief." Faith in Shakespeare ruminates on what it means to believe in the Bard's plays, exploring how their plots can be both preposterous and gripping, and how their characters seem more substantial and enduring than the people surrounding us in the theater. Informed by Coleridge's "poetic faith," the book discusses what this concept shares with religious faith and how it departs from recent historicist approaches to the dramatist's work. Faith in Shakespeare concentrates more on text than context, finding the afterlife of Shakespeare's language more vivid and engaging than theological controversies. The book confirms its convictions in literature's intrinsic powers by exploring the causes for our paradoxical belief in theater's potent but manifest illusions. Plays that ask their audience to "awake your faith" or "believe then, if you please" ultimately enable us to "mind true things by what their mockeries be." Rather than faith in God or the supernatural, McCoy argues that faith in Shakespeare is sustained and explained only by the complex, subtle, and entirely human power of poetic eloquence and dramatic performance.
Author : Diarmaid MacCulloch
Publisher : Palgrave Macmillan
Page : 328 pages
File Size : 42,7 Mb
Release : 1995-10-15
Category : History
ISBN : 0312128924
This collection of essays by leading scholars and researchers in early Tudor studies provides an up-to-date discussion of the politics, policy and piety of Henry VIII's reign. It explores such areas as the reform of central and local government, foreign policy, relations between leading politicians, life at Court, Henry's first divorce and the break with Rome, literature and the government's exploitation of it, and the growth of evangelical religion in Henry's England. Particular consideration is given to the controversies which have arisen about the reign among modern historians, and there is an effort to assess the personality of Henry himself.