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Author : The Editors of Time Publisher : Time Inc. Books Page : 193 pages File Size : 54,9 Mb Release : 2017-02-17 Category : True Crime ISBN : 9781683300397
Sunny Jacobs was only 27 years old when she and her partner, Jesse, were wrongly sentenced to death by the Florida courts for the murder of two state policemen in 1976. This book demonstrates the human capacity for resilience and generosity of spirit. It focuses not on the horrors Sunny endured but on the ways in which she triumphed.
#1 NEW YORK TIMES BESTSELLER • John Grisham’s first work of nonfiction: a true crime story that will terrify anyone who believes in the presumption of innocence. • LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES “Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly In the town of Ada, Oklahoma, Ron Williamson was going to be the next Mickey Mantle. But on his way to the Big Leagues, Ron stumbled, his dreams broken by drinking, drugs, and women. Then, on a winter night in 1982, not far from Ron’s home, a young cocktail waitress named Debra Sue Carter was savagely murdered. The investigation led nowhere. Until, on the flimsiest evidence, it led to Ron Williamson. The washed-up small-town hero was charged, tried, and sentenced to death—in a trial littered with lying witnesses and tainted evidence that would shatter a man’s already broken life, and let a true killer go free. Impeccably researched, grippingly told, filled with eleventh-hour drama, The Innocent Man reads like a page-turning legal thriller. It is a book no American can afford to miss. Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!
Guilty Until Proven Innocent by D. Corbett Everidge Pdf
Innocent until proven guilty or guilty until proven innocent? D. Corbett Everidge cannot vote, own a firearm, or hold public office: he is a convicted felon. But did he actually commit the crime? In this true-life legal drama, former magistrate D. Corbett Everidge chronicles the events of the summer of 2005 and the ensuing criminal trial that led to a felony conviction and the end of his criminal justice career. He then asks you to assess the evidence and make your own reasonable decision about whether he is, indeed, innocent or guilty as charged. Everidge gives personal insight into his career and background to illustrate that guilt in a complex society is not always a matter of black and white. He also challenges many beliefs regarding the modern criminal justice system in the United States, effectively drawing a line between the theoretical and the actual. Ultimately, Guilty Until Proven Innocent is an intriguing literary criminal trial in which you decide the outcome. Ladies and gentlemen of the jury, what is your verdict?
Innocent graphically documents forty-two recent criminal cases to find evidence of shocking miscarriages of justice, especially in murder cases. Based upon interviews with more than 200 people and reviews of hundreds internal case files, court records, smoking-gun memoranda, and other documents, Scott Christianson gets inside the legal cases, revealing the mistakes, abuses, and underlying factors that led to miscarriages of justice, while also describing how determined prisoners, post-conviction attorneys, advocates, and journalists struggle against tremendous odds to try to win their exonerations. The result is a powerful work that recounts the human costs of a criminal justice system gone awry, and shows us how wrongful convictions can—and do—happen everywhere.
Convicted but Innocent by C. Ronald Huff,Arye Rattner,Edward Sagarin Pdf
Addressing the specific issues surrounding wrongful convictions and their implications for society, Convicted but Innocent includes: survey data concerning the possible magnitude of the problem and its causes; fascinating actual case samples; detailed analyses of the major factors associated with wrongful conviction; discussion of public policy implications; and recommendations for reducing the occurrence of such convictions. The authors maintain that while no system of justice can be perfect, a focus on preventable errors can substantially reduce the number of current conviction injustices.
When children of color enter their classrooms each year, many often encounter low expectations, disconnection, and other barriers to their success. In The Innocent Classroom, Alexs Pate traces the roots of these disparities to pervasive negative stereotypes, which children are made aware of before they even walk through the school door. The cumulative weight of these stereotypes eventually takes shape as guilt, which inhibits students' engagement, learning, and relationships and hurts their prospects for the future. If guilt is the primary barrier for children of color in the classroom, then the solution, according to Pate, is to create an Innocent Classroom that neutralizes students' guilt and restores their innocence. To do so, readers will embark on a relationship "construction project" in which they will deepen their understanding of how children of color are burdened with guilt; discover students' "good," or the motivation behind their behaviors, and develop strategic responses to that good; and nurture, protect, and advocate for students' innocence. Ultimately, students will reclaim their innocence and begin to make choices that will lead to their success. Teachers will renew their commitment to their students. And the current ineffective system can give way to one that reflects a more enlightened understanding of who our children are—and what they are capable of.
Out of the Cloister: Scholastic Exegesis of the Song of Songs, 1100-1250 by Suzanne LaVere Pdf
In Out of the Cloister, Suzanne LaVere uncovers a particular strain of interpretation of the biblical Song of Songs in and around 12th and 13th-century Paris that champions an active life of preaching and reform for the secular clergy.
Innocent on the Bounty by Peter Heywood,Nessy Heywood Pdf
This is the first complete publication of a rare collection of letters and poems written from 1790 to 1792--many of which have never appeared in print--telling the true story of Peter Heywood, a young Royal Navy midshipman on H.M.S. Bounty accused of mutiny, and his devoted sister, Nessy, who worked tirelessly to save him from being condemned and executed for this crime. This edition is a faithful transcription of a manuscript held at the Newberry Library in Chicago--one of only five surviving manuscripts.
The Fairy Feller’s Master-Stroke by Harry Eiss Pdf
Richard Dadd is a trickster, a pre-post-modern enigma wrapped in a Shakespearean Midsummer Night’s Dream; an Elizabethan Puck living in a smothering Victorian insane asylum, foreshadowing and, in brilliant, Mad Hatter conundrums, entering the fragmented shards of today’s nightmarish oxymorons long before the artists currently trying to give them the joker’s ephemeral maps of discourse. The author thinks of Bob Dylan’s “Ballad of a Thin Man,” that cryptic refusal to reduce the warped mirrors of reality to prosaic lies, or, perhaps “All Along the Watchtower” or “Mr Tambourine Man.” Even more than Samuel Beckett’s Waiting for Godot, which curiously enough comes off as overly esoteric, too studied, too conscious, Dadd’s entire existence foreshadows the forbidden entrance into the numinous, the realization of the inexplicable labyrinths of contemporary existence, that wonderfully rich Marcel Duchamp landscape of puns and satiric paradigms, that surrealistic parallax of the brilliant gamester Salvador Dali, that smirking irony of the works of Roy Lichtenstein, Robert Rauschenberg, John Cage, and Robert Indiana; that fragmented, meta-fictional struggle of Kurt Vonnegut’s Slaughterhouse Five. John Lennon certainly sensed it and couldn’t help but push into meta-real worlds in his own lyrics. Think of “Strawberry Fields Forever,” “I Am the Walrus,” and the more self-conscious “Revolution Number 9.” In “Yer Blues,” he even refers to Dylan’s main character, Mr Jones from “Ballad of a Thin Man.” If Lennon’s song is taken seriously, literally, then it is a dark crying out by a suicidal man, “Lord, I’m lonely, wanna die”; or, if taken as a metaphor for a lover’s lost feelings about his unfulfilled love, it falls into the romantic rant of a typical blues or teenage rock-and-roll song. However, even on this level, it has an irony about it, a sense of laughing at itself and at Dylan’s Mr Jones, who knows something is going on but just not what it is, and then, by extension, all of us who have awakened to the fact that the studied Western world doesn’t make sense, all of us who struggle to find meaning in the nonsense images, characters, and happenings in the song, and perhaps, coming to a conclusion that the nonsense is the sense.