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The powerful work and dramatic life of Italian-born photographer and Marxist revolutionary Tina Modotti (1896-1942). These superb illustrations--many rarely or never before published--include "Roses", which in 1991 commanded the highest price ever paid to date for a photograph at auction. 148 duotone photos.
Tina Modotti by Pino Cacucci,Mariana Figarella,Gianni Pignat Pdf
"Actress, photographer, muse of artists like Edward Weston and Diego Rivera, political activist and author of pamphlets, Tina Modotti (Udine, 1896 - Mexico City, 1942) played an active role in major events of the first half of the 20th century: the cultural ferment of the Mexican renaissance, the Cuban revolution and the heroic period of the Communist International, during which her political commitment was expressed through bold, daring actions. The book paints a vivid multifaceted portrait of this extraordinary woman and includes around a hundred photographs in which her quest for formal perfection is combined with her talent for resolutely and passionately capturing the pulse of life."--Back cover.
An engaging biography of a dedicated artist and political activist who followed her heart and her ideals and burned out early, leaving a legacy of unforgettable photographs.
This fictionalized account of the life of Tina Modotti is a fascinating story of the complex woman caught up in the social and political turbulence of the pre-World War II era.
Here is the definitive portrayal of the brilliant, iconoclastic woman who throughout her life (1896–1942) oscillated between her passion for her art and her fervor for radical politics. Tracing Modotti from her early years in Italy to 1920s Hollywood, then to vibrant Mexico City and on to Berlin and Moscow, and eventually to war-torn Spain, Hooks magnificently portrays Modotti's tempestuous life—her romantic, artistic, and political liaisons with Edward Weston, Diego Rivera, and Pablo Neruda. Incorporating interviews with Modotti's contemporaries and new archival material, Tina Modotti dramatically revives a fascinating life and secures Modotti's rightful place alongside Frida Kahlo and Georgia O'Keeffe as one of the most accomplished women artists of our era.
Tina Modotti & Edward Weston by Sarah M. Lowe,Barbican Art Gallery Pdf
Tina Modotti and Edward Weston arrived in Mexico in 1923 at the start of an extraordinary period of artistic creativity that became known as the Mexican Renaissance. The book traces the interwoven lives and work of Modotti and Weston from the early 1920's in Los Angeles, where they met, until the 1930's, focusing in detail on their time together in Mexico, where virtually all of Modotti's photographs were taken. In bringing together for the first time close to 150 photographs by Modotti and Weston, it reveals the distinctive responses to Mexico of two photographers from widely different backgrounds. At the same time, like other Modernists in Mexico, these two artists self-consciously created work that broke wholly with the immediate past, and fashioned an idiom in defiance of traditional ideas. A selection of images by two Mexican photographers, Manuel Alvarez Bravo and Mariana Yampolsky, reveals how indigenous photography was influenced by these two foreigners.
Tina Modotti by Mildred Constantine,Tina Modotti Pdf
A passionate nature, a sensitive perception, and a fiery commitment to social causes - these are the elements of Tina Modotti's life and her photographs, presented in this comprehensive illustrated biography. Now widely recognised as one of the early 20th-century's most extraordinary photographers, Tina Modotti was remembered until recently more as the lover and muse of Edward Weston than for her own work.
Tina Modotti, known to a few as the beautiful Italian actress in Erich von Stroheim’s silent film Greed, was also a dedicated political activist and photographer whose best work has a powerful dignity and integrity. She lived with Edward Weston in post-revolutionary Mexico in the 1920s. During the Spanish Civil war in the 1930s she was a nurse in Madrid and on various fronts. In Spain she knew Antonio Machado and Pablo Neruda, who wrote a poem about her after her death in Mexico in 1942. Margaret Gibson’s Memories of the Future is based on Modotti’s vivid but enigmatic life. Drawn from daybooks that Gibson imagines Modotti to have kept at the end of her life in Mexico City, these poems give us the reflections of a woman whose intensity and vision, evident in her own photographs, are matched by the depth and breadth of her experience and personal transformation in times of deep social and political upheaval. If we could look into the future, would we go there? In the spiral of hunger’s discontent, would we go? Somehow we go. New societies are born much wider than our minds. And if for a moment we doubt, our bodies remember. They believe. We make our bodies available to death, and therefore live. It is the hero’s way— every woman knows it. In their attention to beauty and sensuality, light and detail, these poems capture the life of the photographer. In their unhesitating confrontation with pain and loss, they reveal the harsh realities of revolutionary life. Memories of the Future skillfully unfolds the political and artistic consciousness of a woman of sensibility and strong beliefs. It is a major new effort from one of America’s best young poets.
An engaging biography of a dedicated artist and political activist who followed her heart and her ideals and burned out early, leaving a legacy of unforgettable photographs.
This is the first monograph-length study that charts the coercive diplomacy of the administrations of Richard Nixon and Gerald Ford as practised against their British ally in order to persuade Edward Heath's government to follow a more amenable course throughout the 'Year of Europe' and to convince Harold Wilson's governments to lessen the severity of proposed defence cuts. Such diplomacy proved effective against Heath but rather less so against Wilson. It is argued that relations between the two sides were often strained, indeed, to the extent that the most 'special' elements of the relationship, that of intelligence and nuclear co-operation, were suspended. Yet, the relationship also witnessed considerable co-operation. This book offers new perspectives on US and UK policy towards British membership of the European Economic Community; demonstrates how US détente policies created strain in the 'special relationship'; reveals the temporary shutdown of US-UK intelligence and nuclear co-operation; provides new insights in US-UK defence co-operation, and re-evaluates the US-UK relationship throughout the IMF Crisis.