Tom And Jerry Or Life In London An Operatic Extravaganza In Three Acts

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Tom and Jerry [or, Life in London, an Operatic Extravaganza in Three Acts]

Author : Pierce Egan,William Thomas Moncrieff
Publisher : Legare Street Press
Page : 0 pages
File Size : 40,6 Mb
Release : 2022-10-27
Category : History
ISBN : 1015918271

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Tom and Jerry [or, Life in London, an Operatic Extravaganza in Three Acts] by Pierce Egan,William Thomas Moncrieff Pdf

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tom and Jerry [or, Life in London, an Operatic Extravaganza in Three Acts]

Author : William Thomas Moncrieff
Publisher : Hardpress Publishing
Page : 44 pages
File Size : 40,8 Mb
Release : 2012-01
Category : Electronic
ISBN : 1290165548

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Tom and Jerry [or, Life in London, an Operatic Extravaganza in Three Acts] by William Thomas Moncrieff Pdf

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Tom and Jerry; Or Life in London. An Operatic Extravaganza in Three Acts

Author : William Thomas Moncrieff (pseud. [i.e. William Thomas Thomas.])
Publisher : Unknown
Page : 36 pages
File Size : 41,9 Mb
Release : 1874
Category : Electronic
ISBN : NLS:V000638228

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Tom and Jerry; Or Life in London. An Operatic Extravaganza in Three Acts by William Thomas Moncrieff (pseud. [i.e. William Thomas Thomas.]) Pdf

Operatic Geographies

Author : Suzanne Aspden
Publisher : University of Chicago Press
Page : 328 pages
File Size : 51,9 Mb
Release : 2019-04-22
Category : Music
ISBN : 9780226596150

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Operatic Geographies by Suzanne Aspden Pdf

Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.

Rogue Performances

Author : P. Reed
Publisher : Springer
Page : 249 pages
File Size : 47,7 Mb
Release : 2009-06-22
Category : Performing Arts
ISBN : 9780230622715

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Rogue Performances by P. Reed Pdf

Rogue Performances recovers eighteenth and nineteenth-century American culture s fascination with outcast and rebellious characters. Highwaymen, thieves, beggars, rioting mobs, rebellious slaves, and mutineers dominated the stage in the period s most popular plays. Peter Reed also explores ways these characters helped to popularize theatrical forms such as ballad opera, patriotic spectacle, blackface minstrelsy, and melodrama. Reed shows how both on and offstage, these paradoxically powerful, persistent, and troubling figures reveal the contradictions of class and the force of the disempowered in the American theatrical imagination. Through analysis of both well known and lesser known plays and extensive archival research, this book challenges scholars to re-think their assumptions about the role of class in antebellum American drama.

Romantic Drama

Author : Frederick Burwick
Publisher : Cambridge University Press
Page : 355 pages
File Size : 41,7 Mb
Release : 2009-02-19
Category : Drama
ISBN : 9781139476997

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Romantic Drama by Frederick Burwick Pdf

Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.

A History of the American Musical Theatre

Author : Nathan Hurwitz
Publisher : Routledge
Page : 269 pages
File Size : 45,5 Mb
Release : 2014-06-27
Category : History
ISBN : 9781317912057

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A History of the American Musical Theatre by Nathan Hurwitz Pdf

From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.

The Ballad-Singer in Georgian and Victorian London

Author : Oskar Cox Jensen
Publisher : Cambridge University Press
Page : 299 pages
File Size : 40,9 Mb
Release : 2021-02-18
Category : History
ISBN : 9781108830560

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The Ballad-Singer in Georgian and Victorian London by Oskar Cox Jensen Pdf

An in-depth study of the nineteenth-century London ballad-singer, a central figure in British cultural, social and political life.

Playing to the Crowd

Author : F. Burwick
Publisher : Springer
Page : 319 pages
File Size : 41,9 Mb
Release : 2011-11-03
Category : Performing Arts
ISBN : 9780230370654

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Playing to the Crowd by F. Burwick Pdf

The first study of the productions of the minor theatres, how they were adapted to appeal to the local patrons and the audiences who worked and lived in these communities.

Time in Romantic Theatre

Author : Frederick Burwick
Publisher : Springer Nature
Page : 305 pages
File Size : 52,6 Mb
Release : 2022-06-01
Category : Performing Arts
ISBN : 9783030960797

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Time in Romantic Theatre by Frederick Burwick Pdf

The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of “Unity of Time” and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.

Bodies in Dissent

Author : Daphne Brooks
Publisher : Duke University Press
Page : 492 pages
File Size : 49,5 Mb
Release : 2006
Category : Biography & Autobiography
ISBN : 0822337223

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Bodies in Dissent by Daphne Brooks Pdf

Performance and identity in nineteenth and early twentieth-century Arican-American creative work.

Harlequin Empire

Author : David Worrall
Publisher : Routledge
Page : 272 pages
File Size : 52,7 Mb
Release : 2015-09-30
Category : History
ISBN : 9781317315490

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Harlequin Empire by David Worrall Pdf

Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.