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Toronto Graffiti is a 500+ page book comprising 21 precedent-setting artist interviews, 1,000+ full-color photos, maps, timelines, definitions, and opinion pieces.
Toronto Street Art Strolls by Nathalie Prézeau Pdf
Toronto Street Art Strolls is a unique walking guide with self-guided maps to discover Toronto's best graffiti, murals and public art, with caf's and decadent places on the side.
After a childhood cut short by war and the harsh strictures of Nazi Germany, sixteen-year-old Wilm is finally tasting freedom. In spite of the scars World War II has left on his hometown, Leipzig, and in spite of the oppressive new Soviet regime, Wilm is finding his own voice. It's dangerous, of course, to be sneaking out at night to leave messages on police buildings. But it's exciting, too, and Wilm feels justified, considering his family's suffering. Until one mission goes too far, and Wilm finds he's endangered the very people he most wants to protect. Award-winning author Karen Bass brings readers a fast-paced story about a boy fighting for self-expression in an era of censorship and struggle.
Animal-friendly street art is popping up all over the city, but who is creating these masterpieces? There is no explanation, only a name: Anonymouse. For fans of Sidewalk Flowers and Art & Max. Art for the birds. Art for the ants. Art for the dogs, cats and raccoons. Art to make them laugh, make them think, make them feel at home. But who is creating it? Only Anonymouse knows for sure . . . This clever tale mixes street art, animals and gorgeous illustrations to create a meditation on how art can uplift any creature's spirit -- human or animal -- when it speaks directly to them. Every page of Anna Pirolli's stunning artwork is its own masterpiece with its bold pops of colour and sly humor, elevating Vikki VanSickle's subtle but evocative text.
Understanding Graffiti by Troy R Lovata,Elizabeth Olton Pdf
This collection of original articles brings together for the first time the research on graffiti from a wide range of geographical and chronological contexts and shows how they are interpreted in various fields. Examples range as widely as medieval European cliff carvings to tags on New York subway cars to messages left in library bathrooms. In total, the authors legitimize the study of graffiti as a multidisciplinary pursuit that can produce useful knowledge of individuals, cultures, and nations. The chapters-represent 20 authors from six countries; -offer perspectives of disciplines as diverse as archaeology, history, art history, museum studies, and sociology;-elicit common themes of authority and its subversion, the identity work of subcultures and countercultures, and presentation of privilege and status.
When Yarn Bombing was first published in 2009, the idea that knitted and crocheted objects could be used as a political act of resistance was brand new. Ten years and thousands of pink “pussy” hats later, the art of knit and crochet graffiti has entered the public zeitgeist – a cultural phenomenon that shows no sign of slowing down. Yarn bombing is an international guerrilla movement that started underground and is now embraced by crochet and knitting artists of all ages, nationalities, and genders. Its practitioners create stunning works of art out of yarn, then "donate" them to public spaces as part of a covert plan for world yarn domination, or fashion them into personal political statements. Yarn Bombing the book is a wildly colorful guide to covert textile street art around the world; it also includes over 20 amazing patterns, provides tips on how to be as stealthy as a ninja, demonstrates how to orchestrate a large-scale textile project, and offers revealing information necessary to design your own yarn graffiti tags. This tenth anniversary edition includes a new foreword by the authors and a new chapter that includes many infamous examples of yarn bombing over the past ten years. Subversive and beguiling, this new edition of Yarn Bombing demonstrates that the phenomenon of knit and crochet graffiti is more relevant than ever, especially in these troubled times.
Extending a hundred miles across south-central Ontario, Toronto is the fifth largest metropolitan area in North America, with the highest population density and the busiest expressway. At its core old Toronto consists of walkable neighborhoods and a financial district deeply connected to the global economy. Newer parts of the region have downtown centers linked by networks of arterial roads and expressways, employment districts with most of the region's jobs, and ethnically diverse suburbs where English is a minority language. About half the population is foreign-born—the highest proportion in the developed world. Population growth because of immigration—almost three million in thirty years—shows few signs of abating, but recently implemented regional strategies aim to contain future urban expansion within a greenbelt and to accommodate growth by increasing densities in designated urban centers served by public transit. Toronto: Transformations in a City and Its Region traces the city's development from a British colonial outpost established in 1793 to the multicultural, polycentric metropolitan region of today. Though the original grid survey and much of the streetcar city created a century ago have endured, they have been supplemented by remarkable changes over the past fifty years in the context of economic and social globalization. Geographer Edward Relph's broad-stroke portrait of the urban region draws on the ideas of two renowned Torontonians—Jane Jacobs and Marshall McLuhan—to provide an interpretation of how its current forms and landscapes came to be as they are, the values they embody, and how they may change once again.
Author : Alison L. Bain Publisher : University of Toronto Press Page : 304 pages File Size : 53,6 Mb Release : 2013-12-11 Category : Social Science ISBN : 9781442666832
Suburbs can be incubators of creativity: innovative and complex, but all too often underappreciated. In Creative Margins, Alison L. Bain documents the unique role of Canadian artists and cultural workers in suburban place-formation and dismantles mischaracterizations of suburbs as cultural wastelands. Creative Margins interweaves stories of the challenges and opportunities presented by the creation of culture in suburbs, focusing on Etobicoke and Mississauga outside Toronto, and Surrey and North Vancouver outside Vancouver. The book investigates whether the creative process unfolds differently for suburban and urban cultural workers, as well as how this process is affected by the presence or absence of cultural infrastructure and planning initiatives. Bain shows how suburban culture can enhance a city-region’s vitality and sustainability. This book firmly debunks the myth of culture as a solely urban phenomenon and demonstrates the social and economic merits of investing in suburban art and culture.
The Cambridge Handbook of Copyright in Street Art and Graffiti by Enrico Bonadio Pdf
Bonadio brings together experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. This book sheds light on the legal tools available for artists and offers policy and sociological insights to spur further debate. It will appeal to legal scholars and law practitioners around the world.
67 of Scandinavia's best graffiti writers have provided the outlines - now it's up to the reader to chose the colours. As fun for children as it is for adults, the Graffiti Coloring Book features drawings by legends such as Skil, Nug, Egs and Bates.
A Different Kind of Ethnography by Denielle Elliott,Dara Culhane Pdf
"Produced by members of the Centre for Imaginative Ethnography, this collection introduces the idea of an imaginative and creative approach to anthropological inquiry, one that is collaborative, open-ended, embodied, affective, and experimental. Rather than structuring the book around traditional methods like interviewing, participant observation, and documentary research, the authors organize their thoughts around different methodologies--sensing, walking, writing, performing, and recording. As well, innovative, practical exercises are included that allow ethnographers to not just 'talk the talk', but also 'walk the walk' so they can deepen, complicate, and extend ethnographic inquiry. A list of additional resources at the end of each chapter provide rich support for those who want to pursue more imaginative and creative methodologies."--