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Toronto in Colour: The 1980s by Avard Woolaver Pdf
Toronto In Colour: the 1980s features street scenes from the 1980s when I was new to the city, and saw it with fresh eyes. I had no way to anticipate how significant these Toronto photos would seem to me 30 years later. They show things that no longer exist, even though it hasn't been that long. Without necessarily trying to, I caught images of buildings, cars, fashions, gadgets that are no longer part of our world. Toronto's entire skyline is utterly changed, part of the inevitable growth and evolution.
Toronto Hi-Fi is Avard Woolaver's fifth Toronto book, capturing street scenes in the 1980s. Woolaver moved to Toronto from rural Nova Scotia in 1980 to study photography, and he viewed the urban scenes from his raised-in-the-country perspective. The photos in this book share themes tied to the music he was listening to as he documented the city streets.
Toronto Flashback (1980-1986) by Avard Woolaver Pdf
"Toronto Flashback" (1980-1986), by Avard Woolaver, documents the city of Toronto, Canada, in the 1980s. Woolaver grew up in rural Nova Scotia and moved to Toronto in 1980 to study photography. He did a lot of street photography in those years, capturing street scenes with fresh eyes. Michael Amo writes in the introduction, "When Avard arrived in Toronto in 1980, he brought that watchfulness with him, that deep-seated empathy for humans going about their solitary business, a simultaneous loneliness and delight in our ceaseless effort to remake the world in our own image."
Queering Urban Justice by Jinthana Haritaworn,Ghaida Moussa,Syrus Marcus Ware,Gabriela (Rio) Rodriguez Pdf
Queering Urban Justice foregrounds visions of urban justice that are critical of racial and colonial capitalism, and asks: What would it mean to map space in ways that address very real histories of displacement and erasure? What would it mean to regard Queer, Trans, Black, Indigenous, and People of Colour (QTBIPOC) as geographic subjects who model different ways of inhabiting and sharing space? The volume describes city spaces as sites where bodies are exhaustively documented while others barely register as subjects. The editors and contributors interrogate the forces that have allowed QTBIPOC to be imagined as absent from the very spaces they have long invested in. From the violent displacement of poor, disabled, racialized, and sexualized bodies from Toronto’s gay village, to the erasure of queer racialized bodies in the academy, Queering Urban Justice offers new directions to all who are interested in acting on the intersections of social, racial, economic, urban, migrant, and disability justice.
Documentary and street photographs taken in Toronto, spanning the years 1980 -1995. "Toronto Days" is a follow up to Woolaver's first two books:"No Money Down - Toronto (1980-1986)" and "Toronto Flashback (1980-1986)". Woolaver grew up in rural Nova Scotia and moved to Toronto in 1980 to study photography at Ryerson. He did a lot of street photography in those years, capturing street scenes with fresh eyes. Derek Flack writes in blogTO, "Woolaver's work is so fascinating--a record of Toronto with a soul."From the introduction: "I spent several years in the '80s and '90s doing street photography in Toronto. The negatives lay dormant until 2016, when my journey of rediscovery began."
No Money Down - Toronto (1980-1986) by Avard Woolaver Pdf
"No Money Down - Toronto (1980-1986)", by Avard Woolaver, documents the city of Toronto, Canada, in the 1980s. It is a follow-up to his first book "Toronto Flashback (1980-1986)". Woolaver grew up in rural Nova Scotia and moved to Toronto in 1980 to study photography. He did a lot of street photography in those years, capturing street scenes with fresh eyes. Derek Flack writes in blogTO, "Woolaver's work is so fascinating--a record of Toronto with a soul."
The history of Toronto's nightlife reveals its pulse.From award-winning veteran music journalist and DJ Denise Benson comes Then & Now: Toronto Nightlife History, a fascinating, intimate look at four decades of social spaces, dance clubs, and live music venues. Through interviews, research, and enthusiastic feedback from the party people who were there, Benson delves deep behind the scenes to reveal the histories of 48 influential nightlife spaces, and the story of a city that has grown alongside its sounds.
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
Author : Andrea Benoit Publisher : University of Toronto Press Page : 313 pages File Size : 52,7 Mb Release : 2019-05-06 Category : Social Science ISBN : 9781487510947
The first cultural history of the iconic brand M·A·C Cosmetics, VIVA M·A·C charts the evolution of M·A·C’s revolutionary corporate philanthropy around HIV/AIDS awareness. Drawing upon exclusive interviews with M·A·C co-founder Frank Toskan, key journalists, and fashion insiders, Andrea Benoit tells the fascinating story of how M·A·C's unique style of corporate social responsibility emerged from specific cultural practices, rather than being part of a strategic marketing plan. Benoit delves into the history of the M·A·C AIDS Fund and its signature VIVA GLAM fundraising lipstick, which featured drag performer RuPaul and singer k.d. lang in its first advertising campaigns. This lively chronicle reveals how M·A·C managed to not only defy the stigma associated with AIDS that alarmed many other corporations, but to engage in highly successful AIDS advocacy while maintaining its creative and fashionable authority.
For fans of Wild Wild Country, Scientology and the Aftermath and Uncover: Escaping NXIVM, a spellbinding graphic memoir about a teenage girl who was lured into a cult and later fought to escape and reclaim her identity. Welcome to a place where you are valued. Where everyone is kind. Where you can be your truest self. It was the summer of 1980, and Marianne Boucher was ready to chase her figure skating dream. Fuelled by the desire to rise above her mundane high-school life, she sought a new adventure as a glamorous performer in L.A. And then a chance encounter on a California beach introduced her to a new group of people. People who shared her distrust of the status quo. People who seemed to value authenticity and compassion above all else. And they liked her. Not Marianne the performer, but Marianne the person. Soon, she'd abandoned school, her skating and, most dramatically, her family to live with her new friends and help them fulfill their mission of "saving the world." She believed that no sacrifice was too great to be there--and to live with real purpose. They were helping people, and they cared about her . . . didn't they? Talking to Strangers is the true story of Marianne Boucher's experiences in a cult, where she was subjected to sophisticated brainwashing techniques that took away her freedom, and took over her mind. Told in mesmerizing graphic memoir form, with vivid text and art alike, Marianne shares how she fell in with devotees of a frightening spiritual abuser, and how she eventually, painfully, pulled herself out.
Author : Jin Haritaworn,Ghaida Moussa,Syrus Marcus Ware Publisher : Between the Lines Page : 360 pages File Size : 54,5 Mb Release : 2018-10-18 Category : Social Science ISBN : 9781771133654
Marvellous Grounds by Jin Haritaworn,Ghaida Moussa,Syrus Marcus Ware Pdf
Toronto has long been a place that people of colour move to in order to join queer of colour communities. Yet the city’s rich history of activism by queer and trans people who are Black, Indigenous, or of colour (QTBIPOC) remains largely unwritten and unarchived. While QTBIPOC have a long and visible presence in the city, they always appear as newcomers in queer urban maps and archives in which white queers appear as the only historical subjects imaginable. The first collection of its kind to feature the art, activism, and writings of QTBIPOC in Toronto, Marvellous Grounds tells the stories that have shaped Toronto’s landscape but are frequently forgotten or erased. Responding to an unmistakable desire in QTBIPOC communities for history and lineage, this rich volume allows us to imagine new ancestors and new futures.
Judique on the Job: The Long Road to My Career is a lighthearted memoir detailing the author’s experiences growing up on Cape Breton Island, travelling, partying, and his never-ending trials and tribulations trying to find a career that would be satisfying on all levels. In his search, the author had about eighty different jobs, many of them unique and interesting. With a friendly and folksy tone, the book takes the reader on a tour of his adventures in employment, including work in correctional services, automobile repossession, student recruitment, and the military. The author also gives us the inside scoop on working as a film extra, rickshaw runner, doorman, and working numerous positions in the hospitality industry. The book will inspire and reassure younger readers struggling to find success and happiness in their work lives. It will also appeal to anyone with a sense of humour and an appreciation for a good story filled with joie de vivre. The book’s unique title was inspired by a spirited local saying in Judique, Cape Breton Island: “Judique on the floor!” The expression is well known in the area, but its certain origin is not. As Judique was long thought to have the best step dancers in the area, if a Judique native stepped onto the dance floor, people would shout “Judique on the floor!” to alert other dancers they might as well throw in the towel. There is a second part to the story, where apparently Judiquers also liked to fight, so if they were not in the mood to dance, someone would sound the battle cry: “Judique on the floor! Who will dare put us off?” and one or more fisticuffs would ensue. This bit of local colour makes for an apt moniker for this unique and humorous tale.
Taking Responsibility, Taking Direction by Sheila Jane Wilmot Pdf
Wilmot argues that the participation of white progressives in anti-racist movements and organizations in Canada badly needs an overhaul. With this thesis, she begins her assessment of anti-racist movements in Canada by guiding the reader through a summary of the ugly history and legacy of Canada's racist colonial past, and reveals that racism remains an urgent problem today, despite the passing of centuries. Racism in Canada is inextricably linked with capitalism, class, and sexism, and the state promotes it with its laws that systemically exploit Aboriginals and people of colour, and privilege whites, despite its claim that Canada is a multicultural and democratic nation. Using concrete examples from her extensive activist experiences, Wilmot illustrates her argument that white progressives who aim to unite with people of colour against racist oppression must examine and possibly challenge their personal, political, and theoretical ideologies and acknowledge their privileged societal position, if they are to translate anti-racist ideas into effective action, and furthermore, help educate other "white folks" into taking up the cause in an informed manner. White leftists must cast aside political sectarianism and engage with Aboriginals and people of colour as equals when they assist with organizing constructive anti-racist organizations and movements. The balance between taking responsibility and taking direction is oftentimes tenuous at best, Wilmot suggests, but it is essential that in the fight against white oppression, white leftists come to the table in solidarity, rather than come as silent aides, or the opposite -- come and paternalistically and patronizingly appropriate theorganization. Wilmot devotes a significant section of her book to highlighting and evaluating various anti-racist organizations and anti-rac
The long-awaited second novel from David Chariandy, whose debut, Soucouyant, was nominated for nearly every major literary prize in Canada and published internationally. An intensely beautiful, searingly powerful, tightly constructed novel, Brother explores questions of masculinity, family, race, and identity as they are played out in a Scarborough housing complex during the sweltering heat and simmering violence of the summer of 1991. With shimmering prose and mesmerizing precision, David Chariandy takes us inside the lives of Michael and Francis. They are the sons of Trinidadian immigrants, their father has disappeared and their mother works double, sometimes triple shifts so her boys might fulfill the elusive promise of their adopted home. Coming of age in The Park, a cluster of town houses and leaning concrete towers in the disparaged outskirts of a sprawling city, Michael and Francis battle against the careless prejudices and low expectations that confront them as young men of black and brown ancestry -- teachers stream them into general classes; shopkeepers see them only as thieves; and strangers quicken their pace when the brothers are behind them. Always Michael and Francis escape into the cool air of the Rouge Valley, a scar of green wilderness that cuts through their neighbourhood, where they are free to imagine better lives for themselves. Propelled by the pulsing beats and styles of hip hop, Francis, the older of the two brothers, dreams of a future in music. Michael's dreams are of Aisha, the smartest girl in their high school whose own eyes are firmly set on a life elsewhere. But the bright hopes of all three are violently, irrevocably thwarted by a tragic shooting, and the police crackdown and suffocating suspicion that follow. With devastating emotional force David Chariandy, a unique and exciting voice in Canadian literature, crafts a heartbreaking and timely story about the profound love that exists between brothers and the senseless loss of lives cut short with the shot of a gun.
