Trauma Cinema

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Trauma Cinema

Janet Walker
Trauma Cinema Book PDF

Author : Janet Walker
Publisher : Univ of California Press
Page : 274 pages
File Size : 51,5 Mb
Release : 2023-11-15
Category : Performing Arts
ISBN : 0520937937

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Trauma Cinema by Janet Walker Pdf

Trauma Cinema focuses on a new breed of documentary films and videos that adopt catastrophe as their subject matter and trauma as their aesthetic. Incorporating oral testimony, home-movie footage, and documentary reenactment, these documentaries express the havoc trauma wreaks on history and memory. Janet Walker uses incest and the Holocaust as a double thematic focus and fiction films as a point of comparison. Her astute and original examination considers the Hollywood classic Kings Row and the television movie Sybil in relation to vanguard nonfiction works, including Errol Morris's Mr. Death, Lynn Hershman's video diaries, and the chilling genealogy of incest, Just, Melvin. Both incest and the Holocaust have also been featured in contemporary psychological literature on trauma and memory. The author employs theories of post traumatic stress disorder and histories of the so-called memory wars to illuminate the amnesias, fantasies, and mistakes in memory that must be taken into account, along with corroborated evidence, if we are to understand how personal and public historical meaning is made. Janet Walker’s engrossing narrative demonstrates that the past does not come down to us purely and simply through eyewitness accounts and tangible artifacts. Her incisive analysis exposes the frailty of memory in the face of disquieting events while her joint consideration of trauma cinema and psychological theorizing radically reconstructs the roadblocks at the intersection of catastrophe, memory, and historical representation.

Trauma Cinema

Janet Walker
Trauma Cinema Book PDF

Author : Janet Walker
Publisher : Univ of California Press
Page : 274 pages
File Size : 43,9 Mb
Release : 2005-04-18
Category : Performing Arts
ISBN : 9780520241756

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Trauma Cinema by Janet Walker Pdf

'Trauma Cinema' focuses on a new breed of documentary films that adopt catastrophe as their subject matter & trauma as their aesthetic. Walker uses incest & the Holocaust as a double thematic focus & fiction films as a point of comparison.

Trauma and Cinema

E. Ann Kaplan,Ban Wang
Trauma and Cinema Book PDF

Author : E. Ann Kaplan,Ban Wang
Publisher : Hong Kong University Press
Page : 298 pages
File Size : 50,5 Mb
Release : 2004-02-01
Category : Social Science
ISBN : 9789622096240

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Trauma and Cinema by E. Ann Kaplan,Ban Wang Pdf

This volume addresses the relation of trauma to transnational modern mass media. The first of its kind, Trauma and Cinema: Cross-Cultural Explorations provides ten essays which explore the ways trauma works itself out as media — in images in (and as) film, photography, and video — in global cultural flows. The focus of our volume on the matrix of trauma, visual media and modernity seeks to engage and go beyond current tendencies in trauma studies. The book discusses how trauma presented in the media spills over national boundaries and can be found in images across divergent cultures in Africa, Asia, Australia, Europe and America. From the Holocaust to the Chinese Cultural Revolution, from Taiwan’s colonial experience to the catastrophe of Hiroshima, from attempted annihilation of Australian Aborigines to attempted reconciliation in South Africa, these essays offer the reader a plethora of images of trauma for comparison and contrast.

Eco-Trauma Cinema

Anil Narine
Eco Trauma Cinema Book PDF

Author : Anil Narine
Publisher : Routledge
Page : 290 pages
File Size : 45,9 Mb
Release : 2014-09-19
Category : Performing Arts
ISBN : 9781317649410

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Eco-Trauma Cinema by Anil Narine Pdf

Film has taken a powerful position alongside the global environmental movement, from didactic documentaries to the fantasy pleasures of commercial franchises. This book investigates in particular film’s complex role in representing ecological traumas. Eco-trauma cinema represents the harm we, as humans, inflict upon our natural surroundings, or the injuries we sustain from nature in its unforgiving iterations. The term encompasses both circumstances because these seemingly distinct instances of ecological harm are often related, and even symbiotic: the traumas we perpetuate in an ecosystem through pollution and unsustainable resource management inevitably return to harm us. Contributors to this volume engage with eco-trauma cinema in its three general forms: accounts of people who are traumatized by the natural world, narratives that represent people or social processes which traumatize the environment or its species, and stories that depict the aftermath of ecological catastrophe. The films they examine represent a central challenge of our age: to overcome our disavowal of environmental crises, to reflect on the unsavoury forces reshaping the planet's ecosystems, and to restructure the mechanisms responsible for the state of the earth.

The Horrors of Trauma in Cinema

Michael Elm,Kobi Kabalek,Julia B. Köhne
The Horrors of Trauma in Cinema Book PDF

Author : Michael Elm,Kobi Kabalek,Julia B. Köhne
Publisher : Cambridge Scholars Publishing
Page : 355 pages
File Size : 50,5 Mb
Release : 2014-10-02
Category : History
ISBN : 9781443868518

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The Horrors of Trauma in Cinema by Michael Elm,Kobi Kabalek,Julia B. Köhne Pdf

This volume explores the multifaceted depiction and staging of historical and social traumata as the result of extreme violence within national contexts. It focuses on Israeli-Palestinian, German and (US) American film, and reaches out to cinematic traditions from other countries like France, Great Britain and the former USSR. International and interdisciplinary scholars analyze both mainstream and avant-garde movies and documentaries premiering from the 1960s to the present. From transnational and cross-genre perspectives, they query the modes of representation – regarding narration, dramaturgy, aesthetics, mise-en-scène, iconology, lighting, cinematography, editing and sound – held by film as a medium to visualize shattering experiences of violence and their traumatic encoding in individuals, collectives, bodies and psyches. This anthology uniquely traces horror aesthetics and trajectories as a way to reenact, echo and question the perpetual loops of trauma in film cultures. The contributors examine the discursive transfer between historical traumata necessarily transmitted in a medialized and conceptualized form, the changing landscape of (clinical) trauma theory, the filmic depiction and language of trauma, and the official memory politics and hegemonic national-identity constructions.

Shocking Representation

Adam Lowenstein
Shocking Representation Book PDF

Author : Adam Lowenstein
Publisher : Columbia University Press
Page : 270 pages
File Size : 51,9 Mb
Release : 2005-12-22
Category : Performing Arts
ISBN : 9780231132466

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Shocking Representation by Adam Lowenstein Pdf

In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.

Collective Trauma and the Psychology of Secrets in Transnational Film

Deborah Lynn Porter
Collective Trauma and the Psychology of Secrets in Transnational Film Book PDF

Author : Deborah Lynn Porter
Publisher : Routledge
Page : 248 pages
File Size : 42,6 Mb
Release : 2018-01-31
Category : Performing Arts
ISBN : 9781351246040

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Collective Trauma and the Psychology of Secrets in Transnational Film by Deborah Lynn Porter Pdf

Collective Trauma and the Psychology of Secrets in Transnational Film advances a methodological line of inquiry based on a fresh insight into the ways in which cinematic meaning is generated and can be ascertained. Premised on a critical reading strategy informed by a metapsychology of secrets, the book features analyses of internationally acclaimed films—Guillermo del Torro’s Pan’s Labyrinth, Andrey Zvyagintsev’s The Return, Jee-woon Kim’s A Tale of Two Sisters, and Alejandro Amenábar’s The Others. It demonstrates how a rethinking of the figure of the secret in national film yields a new vantage point for examining heretofore unrecognized connections between collective historical experience, cinematic production and a transnational aesthetic of concealment and hiding.

Shell Shock Cinema

Anton Kaes
Shell Shock Cinema Book PDF

Author : Anton Kaes
Publisher : Princeton University Press
Page : 328 pages
File Size : 50,6 Mb
Release : 2009-08-24
Category : Performing Arts
ISBN : 9781400831197

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Shell Shock Cinema by Anton Kaes Pdf

Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.

German Cinema - Terror and Trauma

Thomas Elsaesser
German Cinema Terror and Trauma Book PDF

Author : Thomas Elsaesser
Publisher : Routledge
Page : 352 pages
File Size : 54,6 Mb
Release : 2013-10-30
Category : Performing Arts
ISBN : 9781134627578

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German Cinema - Terror and Trauma by Thomas Elsaesser Pdf

In German Cinema – Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and culture, while offering a reconsideration of trauma theory today. Elsaesser argues that Germany's attempts at "mastering the past" can be seen as both a failure and an achievement, making it appropriate to speak of an ongoing 'guilt management' that includes not only Germany, but Europe as a whole. In a series of case studies, which consider the work of Konrad Wolf, Alexander Kluge, Rainer Werner Fassbinder, Herbert Achterbusch and Harun Farocki, as well as films made in the new century, Elsaesser tracks the different ways the Holocaust is present in German cinema from the 1950s onwards, even when it is absent, or referenced in oblique and hyperbolic ways. Its most emphatically "absent presence" might turn out to be the compulsive afterlife of the Red Army Faction, whose acts of terror in the 1970s were a response to—as well as a reminder of—Nazism’s hold on the national imaginary. Since the end of the Cold War and 9/11, the terms of the debate around terror and trauma have shifted also in Germany, where generational memory now distributes the roles of historical agency and accountability differently. Against the background of universalized victimhood, a cinema of commemoration has, if anything, confirmed the violence that the past continues to exert on the present, in the form of missed encounters, retroactive incidents, unintended slippages and uncanny parallels, which Elsaesser—reviving the full meaning of Freud’s Fehlleistung—calls the parapractic performativity of cultural memory.

Washed in Blood

Claire Sisco King
Washed in Blood Book PDF

Author : Claire Sisco King
Publisher : Rutgers University Press
Page : 256 pages
File Size : 52,5 Mb
Release : 2011-11-25
Category : Performing Arts
ISBN : 9780813552064

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Washed in Blood by Claire Sisco King Pdf

Will Smith in I Am Legend. Leonardo DiCaprio in Titanic. Charlton Heston in just about everything. Viewers of Hollywood action films are no doubt familiar with the sacrificial victim-hero, the male protagonist who nobly gives up his life so that others may be saved. Washed in Blood argues that such sacrificial films are especially prominent in eras when the nation—and American manhood—is thought to be in crisis. The sacrificial victim-hero, continually imperiled and frequently exhibiting classic symptoms of post-traumatic stress disorder, thus bears the trauma of the nation. Claire Sisco King offers an in-depth study of three prominent cycles of Hollywood films that follow the sacrificial narrative: the early–to–mid 1970s, the mid–to–late 1990s, and the mid–to–late 2000s. From Vietnam-era disaster movies to post-9/11 apocalyptic thrillers, she examines how each film represents traumatized American masculinity and national identity. What she uncovers is a cinematic tendency to position straight white men as America’s most valuable citizens—and its noblest victims.

Languages of Trauma

Peter Leese,Julia Barbara Köhne,Jason Crouthamel
Languages of Trauma Book PDF

Author : Peter Leese,Julia Barbara Köhne,Jason Crouthamel
Publisher : University of Toronto Press
Page : 423 pages
File Size : 55,9 Mb
Release : 2021
Category : Memory in art
ISBN : 9781487508968

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Languages of Trauma by Peter Leese,Julia Barbara Köhne,Jason Crouthamel Pdf

Languages of Trauma explores how, and for what purposes, trauma is expressed in historical sources and visual media.

Clint Eastwood’s Cinema of Trauma

Charles R. Hamilton,Allen H. Redmon
Clint Eastwood s Cinema of Trauma Book PDF

Author : Charles R. Hamilton,Allen H. Redmon
Publisher : McFarland
Page : 200 pages
File Size : 42,7 Mb
Release : 2017-08-11
Category : Performing Arts
ISBN : 9781476630427

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Clint Eastwood’s Cinema of Trauma by Charles R. Hamilton,Allen H. Redmon Pdf

Throughout his directorial career, Clint Eastwood’s movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order—a choice that leaves them marginalized rather than redeemed. In this collection of new essays, contributors examine his films—from The Outlaw Josey Wales to Sully—as studies on PTSD that expose the social conditions that tolerate or trigger traumatization and (in his more recent work) imagine a way through individual and collective trauma.

Trauma, Dissociation and Re-enactment in Japanese Literature and Film

David C. Stahl
Trauma Dissociation and Re enactment in Japanese Literature and Film Book PDF

Author : David C. Stahl
Publisher : Routledge
Page : 238 pages
File Size : 48,6 Mb
Release : 2017-07-14
Category : Literary Criticism
ISBN : 9781351740890

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Trauma, Dissociation and Re-enactment in Japanese Literature and Film by David C. Stahl Pdf

Japanese literature and film have frequently been approached using lenses such as language, genre and ideology. Yet, despite a succession of major social traumas that have marked, and in many ways shaped and defined much of modern Japan, Japanese fiction and cinema have not often been examined psychoanalytically. In this book, David Stahl conducts in-depth readings and interpretations of a set of Japanese novels and film. By introducing the methodology of trauma/PTSD studies, Stahl seeks to provide a better understanding of the insights of Japanese writers and directors into their societies, cultures and histories. In particular, by building on the work of practitioner-theoreticians, such as Pierre Janet and Judith Herman, Stahl analyses a number of key texts, including Kawabata Yasunari’s Sleeping Beauties (1961), Enchi Fumiko’s Female Masks (1958) and Imamura Sho- hei’s Vengeance is Mine (1979). Consequently, through using concepts of social trauma, dissociation, failed mourning, revenge and narrative memory, this book sheds new light on the psychological aftereffects and transgenerational legacies of trauma depicted in Japanese works. Trauma, Dissociation and Re-enactment in Japanese Literature and Film will be of interest to students and scholars of Japanese Literature and Cinema, as well as those interested in Japanese History and Trauma Studies.

Defeated Masculinity

Raya Morag
Defeated Masculinity Book PDF

Author : Raya Morag
Publisher : Peter Lang
Page : 300 pages
File Size : 55,7 Mb
Release : 2009
Category : Defeat
ISBN : 9052014698

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Defeated Masculinity by Raya Morag Pdf

The burgeoning field of trauma and cinema is an exciting development within contemporary trauma studies. The author of this book describes the complex relationship between cinema and the trauma of defeat in war. An asymmetric and non-binary comparison of two test cases, post-World War II New German Cinema and post-Vietnam War American cinema, illuminates the indirect and intriguing ways these societies have dealt with the enormous psycho-cultural difficulty of acknowledging their defeat and understanding its manifold meanings. This book draws on psychoanalysis, masculinity studies, and corporeal feminism to explore the bodily experience of defeat. It examines themes and representations of body and sexuality to create a theoretical framework that reveals anew the link between defeated masculinity and nationalism. Building on an original analysis of such varied films as The Deer Hunter, Full Metal Jacket, The Tin Drum, and Paris Texas, the author suggests new criteria that highlight the characteristics of post-traumatic cinema.

Climate Trauma

E. Ann Kaplan
Climate Trauma Book PDF

Author : E. Ann Kaplan
Publisher : Rutgers University Press
Page : 221 pages
File Size : 50,6 Mb
Release : 2015-12-04
Category : Art
ISBN : 9780813564012

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Climate Trauma by E. Ann Kaplan Pdf

Each month brings new scientific findings that demonstrate the ways in which human activities, from resource extraction to carbon emissions, are doing unprecedented, perhaps irreparable damage to our world. As we hear these climate change reports and their predictions for the future of Earth, many of us feel a sickening sense of déjà vu, as though we have already seen the sad outcome to this story. Drawing from recent scholarship that analyzes climate change as a form of “slow violence” that humans are inflicting on the environment, Climate Trauma theorizes that such violence is accompanied by its own psychological condition, what its author terms “Pretraumatic Stress Disorder.” Examining a variety of films that imagine a dystopian future, renowned media scholar E. Ann Kaplan considers how the increasing ubiquity of these works has exacerbated our sense of impending dread. But she also explores ways these films might help us productively engage with our anxieties, giving us a seemingly prophetic glimpse of the terrifying future selves we might still work to avoid becoming. Examining dystopian classics like Soylent Green alongside more recent examples like The Book of Eli, Climate Trauma also stretches the limits of the genre to include features such as Blindness, The Happening, Take Shelter, and a number of documentaries on climate change. These eclectic texts allow Kaplan to outline the typical blind-spots of the genre, which rarely depicts climate catastrophe from the vantage point of women or minorities. Lucidly synthesizing cutting-edge research in media studies, psychoanalytic theory, and environmental science, Climate Trauma provides us with the tools we need to extract something useful from our nightmares of a catastrophic future.