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Traveling Across America with Joe and Kathleen by Kathleen Wyndham Pdf
Driving across Americas roads was a wonderful experience. Seeing the Nations beautiful scenery and landmarks was breathtaking. The Statue of Liberty, Mount Rushmore, Niagara Falls, the Grand Canyon, Death Valley, and Yellowstone National Park are but a few of the many spectacular places that we visited on our journey across America. Seattle, Atlanta, Dallas, Green Bay, Chicago, San Francisco and Tucson are a few of the cities we visited. Each trip was a carefully planned event that created a special memory for my husband and me to last a lifetime.
"A FRESH AND UNVARNISHED PORTRAIT OF A FASCINATING, TALENTED, AND DEEPLY FLAWED FAMILY." —Boston Herald Laurence Leamer was granted unheralded access to private Kennedy papers, and he interviewed family and old friends, many of whom had never been interviewed before, for this incredible portrait of the women in America’s "royal family." From Bridget Murphy, the foremother who touched shore at East Boston in 1849, to the intelligent, independent Kennedy women of today, Laurence Leamer tells their unforgettable stories. Here are the private thoughts of Kathleen, the flirtatious debutante in prewar England . . . the truth behind Joe Kennedy’s insistence that his mildly retarded daughter, Rosemary, be lobotomized . . . the real story behind Joan and Ted’s whirlwind romance . . . Jackie’s desire for a divorce from JFK in the 1950s . . . Pat Lawford’s disastrous Hollywood marriage . . . how Caroline discovered her cousin David’s death by overdose, and more. Tough enough to withstand the unimaginable, these Kennedy women soldier on in the name of their extraordinary family and what they believe is right. "MASTERFUL . . . AN ENDLESSLY FASCINATING READ . . . A wealth of beautifully rendered social detail, at times reading like a realist novel by Edith Wharton . . . [A] page-turner from start to finish." —The Dallas Morning News
Paul V. McNutt and the Age of FDR by Dean J. Kotlowski Pdf
This “definitive biography of Indiana Gov. Paul V. McNutt” shows the politician’s “importance on the national stage" through the Great Depression and WWII (Indianapolis Star). The 34th Governor of Indiana, head of the WWII Federal Security Agency, and ambassador to the Philippines, Paul V. McNutt was a major figure in mid-twentieth century American politics whose White House ambitions were effectively blocked by his friend and rival, Franklin Delano Roosevelt. This historical biography explores McNutt’s life, his era, and his relationship with FDR. McNutt’s life underscores the challenges and changes Americans faced during an age of economic depression, global conflict, and decolonialization. With extensive research and detail, biographer Dean J. Kotlowski sheds light on the expansion of executive power at the state level during the Great Depression, the theory and practice of liberalism as federal administrators understood it in the 1930s and 1940s, the mobilization of the American home front during World War II, and the internal dynamics of the Roosevelt and Truman administrations.
Nora Ephron famously claimed that she wrote about every thought that ever crossed her mind, from her divorce from Carl Bernstein (Heartburn) to the size of her breasts ("A Few Words About Breasts"). She also wrote screenplays for three of the most successful contemporary romantic comedies--When Harry Met Sally (1989), Sleepless in Seattle (1993) and You've Got Mail (1998). Often considered mere light-hearted romantic comedies, her screenwriting has not been the subject of serious study. This book offers a sustained critical analysis of her work and life and demonstrates that Ephron is no lightweight. The complexity of her work is explored through the context of her childhood in a deeply dysfunctional family of writers.
Author : Nancy Brown Diggs Publisher : State University of New York Press Page : 244 pages File Size : 55,9 Mb Release : 2016-02-24 Category : Social Science ISBN : 9780791490105
Looking Beyond the Mask focuses on the personal stories of the growing number of American women who—despite vast cultural differences, and sometimes because of them—are married to Japanese men. Although the problems encountered in such marriages are similar to those found in any union, there are cultural implications that can exacerbate almost any of them. Potential areas of conflict are examined, such as in-laws, customs and manners, values, living conditions, religion, communication, sex and gender, and raising children. The book deals with meeting such challenges and attempting to look beyond the cultural masks to see the real people behind them. The women in question stress the importance of commitment, a flexible attitude, a strong sense of identity, a support network, a sense of perspective, and a sense of humor. They also reveal the benefits of these marriages, including a greater appreciation for Japanese ways and the opportunity to continually grow and learn. Based on extensive research, the book provides a new look at Japan from the unique perspective of those American women most intimately involved with its culture.
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
“Doggett’s encyclopaedic account of Sixties counter-culture is a fascinating history of pop’s relationship with politics.” —The Independent Between 1965 and 1972, political activists around the globe prepared to mount a revolution. While the Vietnam War raged, calls for black power grew louder and liberation movements erupted everywhere from Berkeley, Detroit, and Newark to Paris, Berlin, Ghana, and Peking. Rock and soul music fueled the revolutionary movement with anthems and iconic imagery. Soon the musicians themselves, from John Lennon and Bob Dylan to James Brown and Fela Kuti, were being dragged into the fray. From Mick Jagger’s legendary appearance in Grosvenor Square standing on the sidelines and snapping pictures, to the infamous incident during the Woodstock Festival when Pete Townshend kicked yippie Abbie Hoffman off the stage while he tried to make a speech about an imprisoned comrade, Peter Doggett unravels the truth about how these were not the “Street Fighting Men” they liked to see themselves as and how the increasing corporatization of the music industry played an integral role in derailing the cultural dream. There’s a Riot Going On is a fresh, definitive, and exceedingly well-researched behind-the-scenes account of this uniquely turbulent period when pop culture and politics shared the world stage with mixed results. “A fresh and near-definitive slant on a subject you might have thought had been picked clean by journalists and historians.” —Time Out London “An extraordinary book . . . Doggett emerges triumphant. Grab a copy—by any means necessary.” —Mojo
The Kennedys: America's Emerald Kings by Thomas Maier Pdf
For 150 years, the story of the Kennedy family has been inextricably linked to their heritage as Irish-Catholic immigrants—from Patrick Kennedy’s 1848 arrival in Brahmin Boston from Country Wexford Ireland, to Joseph Kennedy’s Vatican ties and Jackie’s thoughts on faith and sorrow, to Kennedy-confidante Father McSorley’s religious counsel following the assassination of JFK. Through groundbreaking interviews with Senator Edward Kennedy and other Kennedy family and friends, acclaimed journalist Thomas Maier casts the Kennedy saga in an entirely new light, showing how their Irish catholic heritage influenced their public and private decisions. Released to coincide with a documentary adapted from the book, this edition features a new preface, in which Maier explores the dynamics of the three brothers, Ted Kennedy’s legacy, and the 2008 presidential elections that have been touched in so many ways by the Kennedy family.
The World Only Spins Forward by Isaac Butler,Dan Kois Pdf
"Marvelous . . . A vital book about how to make political art that offers lasting solace in times of great trouble, and wisdom to audiences in the years that follow."- Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR A STONEWALL BOOK AWARDS HONOR BOOK The oral history of Angels in America, as told by the artists who created it and the audiences forever changed by it--a moving account of the AIDS era, essential queer history, and an exuberant backstage tale. When Tony Kushner's Angels in America hit Broadway in 1993, it won the Pulitzer Prize, swept the Tonys, launched a score of major careers, and changed the way gay lives were represented in popular culture. Mike Nichols's 2003 HBO adaptation starring Meryl Streep, Al Pacino, and Mary-Louise Parker was itself a tour de force, winning Golden Globes and eleven Emmys, and introducing the play to an even wider public. This generation-defining classic continues to shock, move, and inspire viewers worldwide. Now, on the 25th anniversary of that Broadway premiere, Isaac Butler and Dan Kois offer the definitive account of Angels in America in the most fitting way possible: through oral history, the vibrant conversation and debate of actors (including Streep, Parker, Nathan Lane, and Jeffrey Wright), directors, producers, crew, and Kushner himself. Their intimate storytelling reveals the on- and offstage turmoil of the play's birth--a hard-won miracle beset by artistic roadblocks, technical disasters, and disputes both legal and creative. And historians and critics help to situate the play in the arc of American culture, from the staunch activism of the AIDS crisis through civil rights triumphs to our current era, whose politics are a dark echo of the Reagan '80s. Expanded from a popular Slate cover story and built from nearly 250 interviews, The World Only Spins Forward is both a rollicking theater saga and an uplifting testament to one of the great works of American art of the past century, from its gritty San Francisco premiere to its starry, much-anticipated Broadway revival in 2018.
One man, Abraham Lincoln, was the sole cause of the War Between the States, l861 – 1865, and the deaths of almost one million Americans. Honest, compassionate and kind hearted, but forthright to an extreme, Lincoln spoke for millions of Americans who detested slavery, and wanted to eradicate it, and for millions more who wanted to preserve the Union upon confronting the secession of eleven southern states By calling for 75,000 volunteers, men to defend the Union immediately following the attack in Charleston Harbor, Lincoln knowingly inflamed the situation. The war was on. Lincoln wanted it. He also knew that it could have been avoided, it could have been settled amicably without the loss of any men from the North or the South. Lincoln knew that the U.S. Constitution was silent on the issue of secession, that there was then, as there is now, absolutely nothing in the Constitution that prevents any state or any number of states, from peacefully leaving the Union. REVIEW: “A great yarn – worthy of a Pulitzer.” B. Ballard, Rockville, MD
A thorough and authoritative single-volume reference to the American presidency, from George Washington to Donald Trump. In The American President: A Complete History, historian Kathryn Moore presents a riveting narrative of each president's experiences in and out of office, along with illuminating facts and statistics about each administration, timelines of national and world events, astonishing trivia, and more. Together, these details create a complex and nuanced portrait of the American presidency, from the nation's infancy to Donald Trump’s first year in office.
Sometimes you go looking for trouble. And sometimes, trouble finds you. Alyssa Kincaid knows she needs to make some big changes. A move to San Francisco is the first step, and now it's time to get serious, and to get the rest of her life on track. If only her messy life would cooperate. And if only it had Joe Hartman in it. Multimillionaire software entrepreneur Joe knows all about pain, and not much at all about love. But he's clear on one thing: Making a move on his best friend's little sister, the beloved youngest sibling in the closest thing to a family he's got, would be asking for trouble. Unfortunately, Alyssa always does seem to be asking for trouble. And it's getting harder and harder for Joe to resist answering. This steamy, sexy best friend's little sister San Francisco friends to lovers romance will be enjoyed by fans of Catherine Bybee, Jill Shalvis, and Kristin Higgins.
The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce. But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller’s cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation. When viewed through the lens of Keller’s Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.
The Kennedy Family and the Story of Mental Retardation by Edward Shorter Pdf
According to Edward Shorter, just forty years ago the institutions housing people with mental retardation (MR) had become a national scandal. The mentally retarded who lived at home were largely isolated and a source of family shame. Although some social stigma still attaches to the people with developmental disabilities (a range of conditions including what until recently was called mental retardation), they now actively participate in our society and are entitled by law to educational, social, and medical services. The immense improvement in their daily lives and life chances came about in no small part because affected families mobilized for change but also because the Kennedy family made mental retardation its single great cause. Long a generous benefactor of MR-related organizations, Joseph P. Kennedy made MR the special charitable interest of the family foundation he set up in the 1950s. Although he gave all of his children official roles, he involved his daughter Eunice in performing its actual work--identifying appropriate recipients of awards and organizing the foundation's activities. With unique access to family and foundation papers, Shorter brings to light the Kennedy family's strong commitment to public service, showing that Rose and Joe taught their children by precept and example that their wealth and status obligated them to perform good works. Their parents expected each of them to apply their considerable energies to making a difference. Eunice Kennedy Shriver took up that charge and focused her organizational and rhetorical talents on putting MR on the federal policy agenda. As a sister of the President of the United States, she had access to the most powerful people in the country and drew their attention to the desperate situation of families affected by mental retardation. Her efforts made an enormous difference, resulting in unprecedented public attention to MR and new approaches to coordinating medical and social services. Along with her husband, R. Sargent Shriver, she made the Special Olympics a international, annual event in order to encourage people with mental retardation to develop their skills and discover the joy of achievement. She emerges from these pages as a remarkable and dedicated advocate for people with developmental disabilities. Shorter's account of mental retardation presents an unfamiliar view of the Kennedy family and adds a significant chapter to the history of disability in this country. Author note: Edward Shorter is a Professor at the University of Toronto where he holds the Hannah Chair in the History of Medicine. He is the author of A History of Psychiatry from the Era of the Asylum to the Age of Prozac, as well as many other books in the fields of history and medicine.
Rosea spoke, her voice steady. “I was in jail a long time, you know. I’m paying for my sins. Now I live in a dingy apartment. I get to watch my neighbors’ kids play and have a normal life that I’ll never have. I smell their barbecues. I’m already in hell, believe me.” Joe turned to go back to the car. “You don’t know what hell is. You have no idea.” When José Francisco Verguerio Silva arrives at LAX, fleeing the brutal dictatorship in his native Brazil, he is determined to become Americanized at all costs. He lands a job driving a Hollywood tour bus and posing as Ricky Ricardo. He marries a blonde waitress and becomes the father of twins. Yet happiness remains elusive for Joe as he is haunted by flashbacks of prison torture. And soon a torrid affair with Rosea Socorro Katz, the crazed daughter of Hollywood’s Brazilian star Carmen Socorro, proves to be even more dangerous than the life he has fled. Rosea spent her childhood watching her mother unravel as the celebrity system toyed with and eventually destroyed her career. Carmen had always claimed to be descended from Amazons, the woman warriors of legend, but she was tamed by Hollywood. Not Rosea. She has just finished serving jail time for setting fire to the home of her ex-husband—in an attempt to destroy his collection of Brazilian artifacts—and sets out to salvage her life. Along the way, she manages to tear down the lives of everyone she meets. The Brazil of the imagination is shattered in this novel of two tortured souls wrestling with the myths of movies, politics, and the American Dream. Laced with fantastic tales of bird-boys and cannibal rituals, it spins a compelling story of desperation as it reminds us that American freedom and the myth of unbridled opportunity can also consume and destroy.