Twentieth Century Music And Politics

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Twentieth-Century Music and Politics

Pauline Fairclough
Twentieth Century Music and Politics Book PDF

Author : Pauline Fairclough
Publisher : Routledge
Page : 349 pages
File Size : 47,7 Mb
Release : 2016-02-17
Category : Music
ISBN : 9781317005797

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Twentieth-Century Music and Politics by Pauline Fairclough Pdf

When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.

The Global Politics of Jazz in the Twentieth Century

Yoshiomi Saito
The Global Politics of Jazz in the Twentieth Century Book PDF

Author : Yoshiomi Saito
Publisher : Routledge
Page : 187 pages
File Size : 52,8 Mb
Release : 2019-08-28
Category : Music
ISBN : 9780429594076

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The Global Politics of Jazz in the Twentieth Century by Yoshiomi Saito Pdf

From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context. Saito examines jazz across a wide range of regions, including America, Europe, Japan and Communist countries. His research also draws heavily upon a variety of sources, primary as well as secondary, which are accessible in these diverse countries: all had their unique and culturally specific domestic jazz scenes, but also interacted with each other in an interesting dimension of early globalization. This comparative analysis on the range of unique jazz scenes and cultures offers a detailed understanding as to how jazz has been interpreted in various ways, according to the changing contexts of politics and society around it, often providing a basis for criticizing America itself. Furthering our appreciation of the organic relationship between jazz and global politics, Saito reconsiders the uniqueness of jazz as an exclusively "American music." This book will be of interest to students and scholars of international relations, the history of popular music, and global politics. The Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Music and International History in the Twentieth Century

Jessica C. E. Gienow-Hecht
Music and International History in the Twentieth Century Book PDF

Author : Jessica C. E. Gienow-Hecht
Publisher : Berghahn Books
Page : 278 pages
File Size : 48,8 Mb
Release : 2015-04-01
Category : History
ISBN : 9781782385011

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Music and International History in the Twentieth Century by Jessica C. E. Gienow-Hecht Pdf

Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.

A History of Twentieth-Century Music in a Theoretic-Analytical Context

Elliott Antokoletz
A History of Twentieth Century Music in a Theoretic Analytical Context Book PDF

Author : Elliott Antokoletz
Publisher : Routledge
Page : 526 pages
File Size : 44,8 Mb
Release : 2014-03-14
Category : Music
ISBN : 9781135037307

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A History of Twentieth-Century Music in a Theoretic-Analytical Context by Elliott Antokoletz Pdf

A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.

Composing for the State

Esteban Buch,Igor Contreras Zubillaga,Manuel Deniz Silva
Composing for the State Book PDF

Author : Esteban Buch,Igor Contreras Zubillaga,Manuel Deniz Silva
Publisher : Routledge
Page : 234 pages
File Size : 46,6 Mb
Release : 2016-07-06
Category : Music
ISBN : 9781317162643

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Composing for the State by Esteban Buch,Igor Contreras Zubillaga,Manuel Deniz Silva Pdf

Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.

The Cambridge History of Twentieth-Century Music

Nicholas Cook,Anthony Pople
The Cambridge History of Twentieth Century Music Book PDF

Author : Nicholas Cook,Anthony Pople
Publisher : Cambridge University Press
Page : 848 pages
File Size : 54,8 Mb
Release : 2004-08-05
Category : Music
ISBN : 0521662567

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The Cambridge History of Twentieth-Century Music by Nicholas Cook,Anthony Pople Pdf

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Protest Music in the Twentieth Century

Roberto Illiano
Protest Music in the Twentieth Century Book PDF

Author : Roberto Illiano
Publisher : Brepols Publishers
Page : 0 pages
File Size : 49,9 Mb
Release : 2015
Category : Music
ISBN : 2503566286

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Protest Music in the Twentieth Century by Roberto Illiano Pdf

The subject of this monograph is protest music and 'dissident' composers and musicians during the twentieth century, with a particular focus on the forms with which dissent may be expressed in music and the ways composers and performers have adopted stances on political and social dissent. In the present volume, twenty-one articles by scholars of different nationalities explore not only the way in which protest music is articulated in artistic-cultural discourse and the political matter, but also the role it played in situations of mutual benefit. Moreover, the phenomenon of dissent has been investigated within the contexts of musical historiography and criticism, approaching the topic from historical, sociological and philosophical points.

The Rest Is Noise

Alex Ross
The Rest Is Noise Book PDF

Author : Alex Ross
Publisher : Farrar, Straus and Giroux
Page : 640 pages
File Size : 40,7 Mb
Release : 2007-10-16
Category : Music
ISBN : 9781429932882

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The Rest Is Noise by Alex Ross Pdf

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Music of the Twentieth Century

Ton de Leeuw
Music of the Twentieth Century Book PDF

Author : Ton de Leeuw
Publisher : Amsterdam University Press
Page : 223 pages
File Size : 48,6 Mb
Release : 2005
Category : Music
ISBN : 9789053567654

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Music of the Twentieth Century by Ton de Leeuw Pdf

Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.

Musicking in Twentieth-Century Europe

Klaus Nathaus,Martin Rempe
Musicking in Twentieth Century Europe Book PDF

Author : Klaus Nathaus,Martin Rempe
Publisher : Walter de Gruyter GmbH & Co KG
Page : 455 pages
File Size : 53,6 Mb
Release : 2020-12-16
Category : History
ISBN : 9783110648218

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Musicking in Twentieth-Century Europe by Klaus Nathaus,Martin Rempe Pdf

Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.

Music and Politics in San Francisco

Leta E. Miller
Music and Politics in San Francisco Book PDF

Author : Leta E. Miller
Publisher : Univ of California Press
Page : 382 pages
File Size : 55,5 Mb
Release : 2012
Category : Music
ISBN : 9780520268913

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Music and Politics in San Francisco by Leta E. Miller Pdf

“Leta Miller’s long-awaited study is a tightly woven, fast-paced, and luminous chronicle of San Francisco’s musical coming of age. Her keen insights into Chinese opera, night club jazz, and two international expositions go far to rekindle the era’s spirited mix of talent, taste, patronage, and politics. The groundbreaking work of an accomplished music and social historian, Music and Politics in San Francisco is a most welcome companion to Catherine Parsons Smith’s Making Music in Los Angeles.” —Jonathan Elkus, Lecturer in Music Emeritus, UC Davis “From three disastrous days in April 1906 through the onset of an even greater disaster in 1941, from the San Francisco Conservatory through the performances of the Chinese Opera, Leta Miller traces the musico-political history of ‘the Paris of the West’ in meticulous detail. This important book adds immeasurably to our knowledge of West Coast American music, whilst simultaneously challenging a number of historiographical shibboleths.” —David Nicholls, contributing editor of The Cambridge History of American Music "Leta Miller’s San Francisco’s Musical Life is a pure pleasure to read. Miller manages that rare feat of digesting what must have been many years of digging through newspapers and archives into a fun, lively, highly readable narrative. Each chapter strikes a comfortable balance among factual exposition, colorful anecdote, and historical analysis. Miller brings equal depth and insight to each of her disparate subjects, she writes with charm and clarity throughout, and the whole is arranged in a way that is clear and logical, never monotonous." —Mary Ann Smart, author of Mimomania: Music and Gesture in Nineteenth-Century Opera

Concert Music of the Twentieth Century

Mark A. Radice
Concert Music of the Twentieth Century Book PDF

Author : Mark A. Radice
Publisher : Pearson
Page : 350 pages
File Size : 43,9 Mb
Release : 2003
Category : Music
ISBN : STANFORD:36105111783010

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Concert Music of the Twentieth Century by Mark A. Radice Pdf

Concert Music of the Twentieth Century is about "concert music"--music for contemplation rather than for atmosphere. The repertoire discussed in these pages was written by composers with something important to say and with skills to do so. Many of the works discussed tie in with a long-standing, Western European tradition of art music, but an equal voice is given to culturally and ethnically diverse composers active during the past several decades. Radice provides data about the pieces, the composers who wrote them, and the contexts in which they originated. Our understanding and evaluation of music is a dynamic process and one that is subject to change. Music only has meaning within its social contexts, and these are expanding daily. Many non-Western nations have long-standing musical traditions and practices that have entered into the Western mainstream just as Western practices and traditions have influenced the musical cultures of the world to produce new and exciting possibilities for music making. Diversity has been a key element in the selection of topics for discussion, and the examples included here can serve as gateways for other investigations by interested readers. This book is a survey presenting a broad array of representative works. The personalities explored include composers, performers, theorists, teachers, and organizations. In many cases, the information comes directly from composers whom the author has interviewed. The discussions in this book demonstrate that the world of contemporary music is a fascinating one that offers rich rewards to those interested in understanding the vibrant dynamics of concert music.

Jewish Identities

Klara Moricz
Jewish Identities Book PDF

Author : Klara Moricz
Publisher : Univ of California Press
Page : 468 pages
File Size : 47,7 Mb
Release : 2008-02-05
Category : Biography & Autobiography
ISBN : 0520933680

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Jewish Identities by Klara Moricz Pdf

Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.

Music and Technology in the Twentieth Century

Hans-Joachim Braun
Music and Technology in the Twentieth Century Book PDF

Author : Hans-Joachim Braun
Publisher : JHU Press
Page : 268 pages
File Size : 54,7 Mb
Release : 2002-09-16
Category : Music
ISBN : 0801868858

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Music and Technology in the Twentieth Century by Hans-Joachim Braun Pdf

Braun (Universitat der Bundeswehr) presents 13 contributions by scholars in two fields of history--musicology and technology. Topics include the role of Yamaha in Japan's musical development, the social construction of the synthesizer, the player piano as a precursor of computer music, the musical role of airplanes and locomotives, the origins of the 45-RPM record, violin vibrato and the phonograph, Jimi Hendrix, the aesthetic challenge of sound sampling, and others. Originally published in 2000 as I Sing the Body Electric: Music and Technology in the 20th Century. Annotation copyrighted by Book News, Inc., Portland, OR.

Twentieth Century Music and the Question of Modernity

Eduardo de la Fuente
Twentieth Century Music and the Question of Modernity Book PDF

Author : Eduardo de la Fuente
Publisher : Routledge
Page : 193 pages
File Size : 40,9 Mb
Release : 2010-09-13
Category : Music
ISBN : 9781136927430

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Twentieth Century Music and the Question of Modernity by Eduardo de la Fuente Pdf

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.