Twentieth Century Music And The Question Of Modernity

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Twentieth Century Music and the Question of Modernity

Author : Eduardo de la Fuente
Publisher : Routledge
Page : 192 pages
File Size : 42,8 Mb
Release : 2010-09-13
Category : Music
ISBN : 9781136927423

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Twentieth Century Music and the Question of Modernity by Eduardo de la Fuente Pdf

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.

Twentieth Century Music and the Question of Modernity

Author : Eduardo de la Fuente
Publisher : Routledge
Page : 193 pages
File Size : 43,9 Mb
Release : 2010-09-13
Category : Music
ISBN : 9781136927430

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Twentieth Century Music and the Question of Modernity by Eduardo de la Fuente Pdf

In the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.

Music in the Early Twentieth Century

Author : Richard Taruskin
Publisher : Oxford University Press
Page : 881 pages
File Size : 43,9 Mb
Release : 2006-08-14
Category : Music
ISBN : 9780199796014

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Music in the Early Twentieth Century by Richard Taruskin Pdf

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich

Music and Technology in the Twentieth Century

Author : Hans-Joachim Braun
Publisher : JHU Press
Page : 268 pages
File Size : 40,7 Mb
Release : 2002-09-16
Category : Music
ISBN : 0801868858

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Music and Technology in the Twentieth Century by Hans-Joachim Braun Pdf

Braun (Universitat der Bundeswehr) presents 13 contributions by scholars in two fields of history--musicology and technology. Topics include the role of Yamaha in Japan's musical development, the social construction of the synthesizer, the player piano as a precursor of computer music, the musical role of airplanes and locomotives, the origins of the 45-RPM record, violin vibrato and the phonograph, Jimi Hendrix, the aesthetic challenge of sound sampling, and others. Originally published in 2000 as I Sing the Body Electric: Music and Technology in the 20th Century. Annotation copyrighted by Book News, Inc., Portland, OR.

Music And The Aesthetics Of Modernity

Author : Karol Berger,Anthony Newcomb
Publisher : Unknown
Page : 300 pages
File Size : 47,5 Mb
Release : 2005-04
Category : Music
ISBN : 0674017838

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Music And The Aesthetics Of Modernity by Karol Berger,Anthony Newcomb Pdf

For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story. The principal purpose of the present book is to encourage a debate over musical modernity; a debate that would consider the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.

Music and the Aesthetics of Modernity

Author : Karol Berger,Anthony Newcomb
Publisher : Harvard University Press
Page : 438 pages
File Size : 55,5 Mb
Release : 2005
Category : Modernism (Aesthetics)
ISBN : UOM:39015061451574

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Music and the Aesthetics of Modernity by Karol Berger,Anthony Newcomb Pdf

This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.

Music and the Modern Condition: Investigating the Boundaries

Author : Ljubica Ilic
Publisher : Routledge
Page : 132 pages
File Size : 48,9 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092322

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Music and the Modern Condition: Investigating the Boundaries by Ljubica Ilic Pdf

Two crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. This particular musical "language game" coincides with historical changes in the phenomenological understanding of space and selfhood. A key concept of the book concerns musical compositions that remain without proper conclusions: if the wholesome (musical) work is a manifestation of wholesome subjectivity, the pieces Ilic explores deny it, reflecting conflict of the individual with previous beliefs, with contexts, and even within the self as the basic modern condition. The musical work is, in this case, still bounded and well-defined, but fractured by the incapability or refusal to satisfactorily conclude: the implicit cut forced upon it changes the expected musical flow or - speaking in spatial terms - it influences the musical form. By using the metaphor of space, Ilic explores: how the existence of a separate self as a primary feature of Western modernity becomes negotiated through awareness of the subject's own independence and individuality; innerness as something entirely separate from its surroundings; and the collective space of social interaction. Seeing musical storytelling as a metaphoric representation of selfhood, and modernity as a historical continuum, Ilic examines the boundaries and relationships between the musical work, the subject, and modern European history.

Music in the Late Twentieth Century

Author : Richard Taruskin
Publisher : Oxford University Press
Page : 610 pages
File Size : 55,5 Mb
Release : 2006-08-14
Category : Music
ISBN : 9780199796007

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Music in the Late Twentieth Century by Richard Taruskin Pdf

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The Routledge Research Companion to Modernism in Music

Author : Björn Heile,Charles Wilson
Publisher : Routledge
Page : 518 pages
File Size : 43,6 Mb
Release : 2018-10-29
Category : Music
ISBN : 9781317042457

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The Routledge Research Companion to Modernism in Music by Björn Heile,Charles Wilson Pdf

Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Aspects of Twentieth-century Music

Author : Richard DeLone,Richard Peter DeLone
Publisher : Prentice Hall
Page : 504 pages
File Size : 51,8 Mb
Release : 1975
Category : Music
ISBN : STANFORD:36105042378211

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Aspects of Twentieth-century Music by Richard DeLone,Richard Peter DeLone Pdf

The twentieth century has seen a revolution in art music, with the great variety of conceptually opposed musical developments existing side by side. This book presents a study of this century's music from the point of view of its structure, without addressing collective styles, the mechanisms or techniques for sound manipulation, or the literature of the period. Rather, the essays in this book address questions of how form, timbre and texture, rhythm, line, chord, and ordering procedures are dealt with by twentieth-century composers in a wide variety of musical works from early to very recent examples.

Italian 20th Century Music

Author : Michael D. Webb
Publisher : Unknown
Page : 160 pages
File Size : 51,6 Mb
Release : 2008
Category : Music
ISBN : UOM:39015080837555

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Italian 20th Century Music by Michael D. Webb Pdf

Offers an overview of Italian music of the modern era dealing with the composers and the music they wrote. This book includes full bibliographical references and an index.

Modernism and Popular Music

Author : Ronald Schleifer
Publisher : Unknown
Page : 233 pages
File Size : 48,8 Mb
Release : 2014-05-14
Category : Jazz
ISBN : 1139093134

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Modernism and Popular Music by Ronald Schleifer Pdf

A study of the performance and composition of early twentieth-century popular music in the context of 'high' modernism.

Twentieth-Century Music and Politics

Author : Pauline Fairclough
Publisher : Routledge
Page : 312 pages
File Size : 50,8 Mb
Release : 2016-02-17
Category : Music
ISBN : 9781317005803

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Twentieth-Century Music and Politics by Pauline Fairclough Pdf

When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.

Twentieth-Century Music in the West

Author : Tom Perchard,Stephen Graham,Tim Rutherford-Johnson,Holly Rogers
Publisher : Cambridge University Press
Page : 495 pages
File Size : 52,6 Mb
Release : 2022-10-06
Category : Music
ISBN : 9781108638890

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Twentieth-Century Music in the West by Tom Perchard,Stephen Graham,Tim Rutherford-Johnson,Holly Rogers Pdf

This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.

Exploring Twentieth-Century Music

Author : Arnold Whittall
Publisher : Cambridge University Press
Page : 258 pages
File Size : 45,7 Mb
Release : 2003-02-27
Category : Music
ISBN : 0521016681

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Exploring Twentieth-Century Music by Arnold Whittall Pdf

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