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Two Concepts of the Soul in Plato's Phaedo by Ryan Nathan Scott Topping Pdf
This book is a fresh study of Plato's psychology with particular focus on his arguments for the immortality of the soul. Through detailed textual study, this new work examines the structure of the dialogue making explicit the nature of the argumentation within the text and its relation to Plato's other accounts of immortality. The author argues that the view of the soul in the Phaedo can be usefully separated into two concepts, which he terms the basic and total concepts. The basic concept consists of the features of the soul that are not used by the character Socrates as the foundation for arguments showing either the pre-existence or post-existence of the soul. In addition to the features contained in the basic concept, the total concept includes the features used as the basis of arguments intending to prove either the pre-existence of the soul, as well as the features of pre-existence and post-existence themselves. - Back cover.
Two Concepts of the Soul in Plato's Phaedo by Ryan Topping Pdf
Two Concepts of the Soul in Plato's Phaedo is a fresh study of Plato's psychology with particular focus on his arguments for the immortality of the soul. Through detailed textual study, this new work examines the structure of the dialogue making explicit the nature of the argumentation within the text and its relation to Plato's other accounts of immortality. The author argues that the view of the soul in the Phaedo can be usefully separated into two concepts, which he terms the basic and total concepts. The basic concept consists of the features of the soul that are not used by the character Socrates as the foundation for arguments showing either the pre-existence or post-existence of the soul. In addition to the features contained in the basic concept, the total concept includes the features used as the basis of arguments intending to prove either the pre-existence of the soul, as well as the features of pre-existence and post-existence themselves. This book will prove useful to upper-level undergraduate or graduate students of ancient philosophy, philosophy of the mind, classics, and ancient history.
Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset? Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings. Although the historical Socrates was a strong influence on Plato, the character by that name that appears in many of his dialogues is a product of Plato’s fertile imagination. All of Plato’s dialogues are written in a poetic form that his student Aristotle called "Socratic dialogue." In the twentieth century, the British philosopher and logician Alfred North Whitehead characterized the entire European philosophical tradition as "a series of footnotes to Plato." Philosophy for Plato was not a set of doctrines but a goal — not the possession of wisdom but the love of wisdom. Agora Publications offers these performances based on the assumption that Plato wrote these works to be performed by actors in order to stimulate additional dialogue among those who listen to them.
The Method of Hypothesis and the Nature of Soul in Plato's Phaedo by John Palmer Pdf
This study of Plato's Phaedo promotes better understanding of its arguments for the soul's immortality by showing how Plato intended them, not as proofs, but as properly dialectical arguments functioning in accordance with the method of hypothesis. Unlike the argument for the soul's immortality in the Phaedrus, which does seem intended as a proof, the Phaedo arguments are proceeding toward the first principles that could serve as the basis for a proof - the most important being an account of the soul's own essential nature. This study attends to the substantial progress the Phaedo makes toward such an account. It also considers Socrates' epistemic situation in the dialogue and the problem of whether his confidence in the face of death is misplaced if his arguments have not been proofs before considering how the concluding myth draws together several of the dialogue's main themes.
In its examination of two of Plato's key works, Soul, World, and Idea: An Interpretation of Plato's Republic and Phaedo reveals the key role that images and our capacity for image-making play in the relationship among soul, world, and Idea. This bookbegins and ends with a reading of the Republic. Daniel Sherman turns midway to the Phaedo to further analyze the nature of the soul and its relation to the nature of the Ideas, then returns to apply the conclusions to the rest of the Republic. Sherman's focus is on the ontological and epistemological argument, including attention to the dramatic detail. He argues that the ontology of the Ideas in the Republic and the Phaedo is inseparable from the ontology of human being, that is, from the structure and life of the soul. On this interpretation, the Ideas are seen as indeed objective but as in a sense also a product of a permanent dialectical relationship. The Ideas, though something more than concepts, do not have any real independent existence outside of this human dialectical triad of world, soul and Idea. The stability of the Ideas need not be grounded in a static otherworldliness, and the condition of meaning is not temporally prior to human existence in general. The result is a new interpretation concerning the realm of the Ideas, the immortality of the soul, and the lived in world of their interaction in the production of interpretive images. Sherman argues that the platonic soul is immortaland the Ideas eternal wholly and solely in human (dialogical) activity--the rest is muthologia--and that the world of our experience is a product of an ongoing act of interpretation or dianoetic dialegesthai. This reinterpretation of the platonic Ideas will be especially interesting to students and scholars of classics, ancient philosophy, and continental philosophy.
In this volume, Socrates has been condemned to death by the Athenian court. He and his students discuss the nature of the afterlife as Socrates prepares for his execution.
Plato's Self-corrective Development of the Concepts of Soul, Forms, and Immortality in Three Arguments of the Phaedo by Martha C. Beck Pdf
This study argues both that the proofs are ultimately unconvincing and that Plato was aware of the problems. The Phaedo is shown as a truly dialectical philosophical conversation about the immortality of the soul.
After an interval of some months or years, and at Phlius, a town of Peloponnesus, the tale of the last hours of Socrates is narrated to Echecrates and other Phliasians by Phaedo the 'beloved disciple.' The Dialogue necessarily takes the form of a narrative, because Socrates has to be described acting as well as speaking. The minutest particulars of the event are interesting to distant friends, and the narrator has an equal interest in them. During the voyage of the sacred ship to and from Delos, which has occupied thirty days, the execution of Socrates has been deferred. (Compare Xen. Mem.) The time has been passed by him in conversation with a select company of disciples. But now the holy season is over, and the disciples meet earlier than usual in order that they may converse with Socrates for the last time. Those who were present, and those who might have been expected to be present, are mentioned by name. There are Simmias and Cebes (Crito), two disciples of Philolaus whom Socrates 'by his enchantments has attracted from Thebes' (Mem.), Crito the aged friend, the attendant of the prison, who is as good as a friend-these take part in the conversation. There are present also, Hermogenes, from whom Xenophon derived his information about the trial of Socrates (Mem.), the 'madman' Apollodorus (Symp.), Euclid and Terpsion from Megara (compare Theaet.), Ctesippus, Antisthenes, Menexenus, and some other less-known members of the Socratic circle, all of whom are silent auditors. Aristippus, Cleombrotus, and Plato are noted as absent. Almost as soon as the friends of Socrates enter the prison Xanthippe and her children are sent home in the care of one of Crito's servants. Socrates himself has just been released from chains, and is led by this circumstance to make the natural remark that 'pleasure follows pain.' (Observe that Plato is preparing the way for his doctrine of the alternation of opposites.) 'Aesop would have represented them in a fable as a two-headed creature of the gods.' The mention of Aesop reminds Cebes of a question which had been asked by Evenus the poet (compare Apol.): 'Why Socrates, who was not a poet, while in prison had been putting Aesop into verse?'-'Because several times in his life he had been warned in dreams that he should practise music; and as he was about to die and was not certain of what was meant, he wished to fulfil the admonition in the letter as well as in the spirit, by writing verses as well as by cultivating philosophy. Tell this to Evenus; and say that I would have him follow me in death.' 'He is not at all the sort of man to comply with your request, Socrates.' 'Why, is he not a philosopher?' 'Yes.' 'Then he will be willing to die, although he will not take his own life, for that is held to be unlawful.'
Plato's Phaedo is deservedly one of the best known works of Greek literature, but also one of the most complex. Set in the prison where Socrates is awaiting execution, it portrays Plato's model philosopher in action, spending his last hours in conversation with two other seasoned members of his circle about the fate of the human soul after death. Professor Rowe attempts to help the reader find a way through the intricate structure both of individual passages and arguments and of the dialogue as a whole, stressing its intelligibility as a unified work of art and giving equal attention to its literary and philosophical aspects. The notes also aim to provide the kind of help with Plato's Greek which is needed by comparative beginners in the language, but the commentary is intended for any student, classical scholar, or philosopher with an interest in the close reading of Plato.
